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The Sum of All Fears.pdf - Delta Force

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'You look like you're ready to drop. How long have you been up?'<br />

'Since yesterday, I guess.'<br />

'Must be nice to be still in your twenties. Grab a piece <strong>of</strong> the couch outside,'<br />

Ryan ordered.<br />

'What about you?'<br />

'I want to read over this stuff again.' Jack tapped the file on his desk.<br />

'You're not into this one yet. Go get some Z's.'<br />

'See you in the morning.'<br />

<strong>The</strong> door closed behind Goodley. Jack started to read through the NIITAKA<br />

documents, but soon lost concentration. He locked the file in his desk and found<br />

a piece <strong>of</strong> his own couch, but sleep wouldn't come. After a few minutes <strong>of</strong><br />

staring at the ceiling, Ryan decided that he might as well stare at something<br />

less boring. He switched on the TV. Jack worked the controller to catch a news<br />

broadcast, but he hit the wrong button and found himself staring at the tail end<br />

<strong>of</strong> a commercial on Channel 20, an independent Washington station. He almost<br />

corrected the mistake when the movie came back. It took a moment. Gregory Peck<br />

and Ava Gardner . . . black and white . . . Australia.<br />

'Oh yeah,' Ryan said to himself. It was On the Beach. He hadn't seen that in<br />

years, a Cold War classic from . . . Nevil Shute, wasn't it? A Gregory Peck<br />

movie was always worth the trouble. Fred Astaire, too.<br />

<strong>The</strong> aftermath <strong>of</strong> a nuclear war. Jack was surprised at how tired he was. He'd<br />

been getting his rest lately, and . . .<br />

. . . he went to sleep, but not all the way. As sometimes happened to him, the<br />

movie entered his mind, though the dream was in color, and that was better than<br />

the black-and-white print on the TV, his mind decided, then decided further to<br />

watch the movie in its entirety. From the inside. Jack Ryan began to take over<br />

various roles. He drove Fred Astaire's Ferrari in the bloody and last Australian<br />

Grand Prix. He sailed to San Francisco in the USS Sawfish, SSN-623 (except, part<br />

<strong>of</strong> his mind objected, that 623 was the number <strong>of</strong> a different submarine, USS<br />

Nathan Hale, wasn't it?). And the Morse signal, the Coke bottle on the<br />

windowshade, that wasn't very funny at all, because it meant that he and his<br />

wife would have to have that cup <strong>of</strong> tea, and he really didn't want to do that<br />

because it meant he had to put the pill in the baby's formula so that he could<br />

be sure that the baby would die and his wife wasn't up to it – understandable,<br />

his doctor was a wife – and he had to take the responsibility because he was the<br />

one who always did and wasn't it a shame that he had to leave Ava Gardner on the<br />

beach watching him sail so that he and his men could die at home if they made it<br />

which they probably wouldn't and the streets were so empty now. Cathy and Sally<br />

and Little Jack were all dead and it was all his fault because he made them take<br />

their pills so that they wouldn't die <strong>of</strong> something else that was even worse but<br />

that was still dumb and wrong even though there wasn't much <strong>of</strong> a choice was<br />

there so instead why not use a gun to do it and –<br />

'What the fuck!' Jack snapped upright as though driven by a steel spring. He<br />

looked at his hands, which were shaking rather badly, until they realized that<br />

his mind was under conscious control now. 'You just had a nightmare, boy, and<br />

this one wasn't the helicopter with Buck and John.<br />

'It was worse.'

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