28.02.2017 Views

Atlantic Ave March 2017 Edition

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

►<br />

regulars ║ city people<br />

City People<br />

marc stevens<br />

The Man With Hands And Heart Of Gold<br />

By Diane Feen<br />

{<br />

Photo by melissa korman<br />

If you haven’t heard of Marc Stevens you’re probably in the majority.<br />

That’s the way he likes it.<br />

Stevens is a behind the scenes kind of guy. He’s<br />

the person who makes sure the power is running at<br />

the Green Market, he puts up the tents for art shows,<br />

hangs the paintings at the Cornell Museum and does<br />

every and anything that needs to be done at the cultural<br />

intersection of life and liberty in Delray Beach.<br />

It’s been almost 20 years since Stevens first set<br />

foot in Old School Square (OSS). He came with extensive<br />

experience managing apartments, college<br />

housing and buildings. But while those might have<br />

been jobs, his trajectory at OSS is his occupation,<br />

preoccupation and his life.<br />

“I love Old School Square. It’s like a family; we’ve<br />

all been here so long. This is my life and I’d rather be<br />

here than anywhere else.”<br />

And that’s exactly where he is most days from<br />

5:30 am till dark. But one thing is constant – Stevens<br />

love of OSS and his ability to make others love<br />

it as well.<br />

“All of us who work here are focused on the guests<br />

who come here. Over 450,000 people visit a year<br />

and that’s why we do what we do. If people come<br />

through those doors and enjoy themselves then I<br />

feel like I’ve done a good job. I want them to want to<br />

come back again.”<br />

Those lofty goals weigh heavy on Steven’s consciousness.<br />

That’s why he is the person everyone<br />

can rely on to create sculptures, do lighting, make<br />

platforms, load and unload items for special events,<br />

refinish flooring and take remnants of past lives and<br />

repurpose them.<br />

But there’s one person who has left an indelible<br />

mark on Stevens’ life. It’s the person he first<br />

worked with, and the person who motivated him to<br />

create life-size sculptures from tiny doodles on paper<br />

napkins. “I wouldn’t be the same person without<br />

Joe Gillie. I learned about the arts from Joe, he<br />

taught me about the history of Delray, the founders<br />

and about friendship.”<br />

Gillie and Stevens were a perfect combination of<br />

creative genius and meticulous ingenuity. It was Gillie’s<br />

idea to create a Purple Octopus (for First Night)<br />

and a Dove Sculpture that Stevens toted to various<br />

parks and venues for a whole year. It was also Gillie’s<br />

idea to turn Cornell Museum into The Emerald City.<br />

Stevens did just that.<br />

“I created a yellow brick road and the front of the<br />

museum looked just like the Emerald City. Every<br />

room was a scene out of the Wizard of Oz (with a<br />

house that crashed from the sky). It was beautiful.”<br />

Stevens also created an eight-foot LOVE sculpture,<br />

a motorized Lighthouse and a stage for Dr.<br />

Ruth Westheimer that she took home with her for<br />

future appearances.<br />

There’s not much that Steven’s can’t create. And<br />

there’s not much ego attached to his being able to do<br />

so. You can tell by the vibe of his office. It is there that<br />

the gears turn in his transcendent psyche. And it is<br />

there that light bulbs, paper towels and Tupperware<br />

sit in a free-standing porcelain sink in front of his<br />

cluttered desk.<br />

There’s also a large framed portrait of a man that<br />

obviously had some pertinence to OSS at one time.<br />

Though he cuts a rather piercing glance in his suit,<br />

tie and distinguished glasses Stevens doesn’t think<br />

much about it. “No one knows who he is, every once<br />

in a while we hang him somewhere.”<br />

That’s the way it is with Stevens. He distributes<br />

his talent all over the OSS area and doesn’t think too<br />

hard about any of it. When finished with the interview<br />

he quips, “If you want to take all those notes<br />

and rip them up I’m fine with it.”<br />

But one gets the idea he does care – he just<br />

doesn’t enjoy being in the spotlight. He does, however<br />

like making items in or around the spotlight.<br />

“On New Years Eve we used a Genie Crane to lift a<br />

PVC ball with lights 120 feet in the air and dropped<br />

it from the museum. The first project I ever worked<br />

on at OSS was First Night and it’s one of the best<br />

things I’ve ever done.”<br />

92<br />

<strong>March</strong> <strong>2017</strong> | www.<strong>Atlantic</strong><strong>Ave</strong>Magazine.com

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!