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regulars ║ city people<br />
City People<br />
marc stevens<br />
The Man With Hands And Heart Of Gold<br />
By Diane Feen<br />
{<br />
Photo by melissa korman<br />
If you haven’t heard of Marc Stevens you’re probably in the majority.<br />
That’s the way he likes it.<br />
Stevens is a behind the scenes kind of guy. He’s<br />
the person who makes sure the power is running at<br />
the Green Market, he puts up the tents for art shows,<br />
hangs the paintings at the Cornell Museum and does<br />
every and anything that needs to be done at the cultural<br />
intersection of life and liberty in Delray Beach.<br />
It’s been almost 20 years since Stevens first set<br />
foot in Old School Square (OSS). He came with extensive<br />
experience managing apartments, college<br />
housing and buildings. But while those might have<br />
been jobs, his trajectory at OSS is his occupation,<br />
preoccupation and his life.<br />
“I love Old School Square. It’s like a family; we’ve<br />
all been here so long. This is my life and I’d rather be<br />
here than anywhere else.”<br />
And that’s exactly where he is most days from<br />
5:30 am till dark. But one thing is constant – Stevens<br />
love of OSS and his ability to make others love<br />
it as well.<br />
“All of us who work here are focused on the guests<br />
who come here. Over 450,000 people visit a year<br />
and that’s why we do what we do. If people come<br />
through those doors and enjoy themselves then I<br />
feel like I’ve done a good job. I want them to want to<br />
come back again.”<br />
Those lofty goals weigh heavy on Steven’s consciousness.<br />
That’s why he is the person everyone<br />
can rely on to create sculptures, do lighting, make<br />
platforms, load and unload items for special events,<br />
refinish flooring and take remnants of past lives and<br />
repurpose them.<br />
But there’s one person who has left an indelible<br />
mark on Stevens’ life. It’s the person he first<br />
worked with, and the person who motivated him to<br />
create life-size sculptures from tiny doodles on paper<br />
napkins. “I wouldn’t be the same person without<br />
Joe Gillie. I learned about the arts from Joe, he<br />
taught me about the history of Delray, the founders<br />
and about friendship.”<br />
Gillie and Stevens were a perfect combination of<br />
creative genius and meticulous ingenuity. It was Gillie’s<br />
idea to create a Purple Octopus (for First Night)<br />
and a Dove Sculpture that Stevens toted to various<br />
parks and venues for a whole year. It was also Gillie’s<br />
idea to turn Cornell Museum into The Emerald City.<br />
Stevens did just that.<br />
“I created a yellow brick road and the front of the<br />
museum looked just like the Emerald City. Every<br />
room was a scene out of the Wizard of Oz (with a<br />
house that crashed from the sky). It was beautiful.”<br />
Stevens also created an eight-foot LOVE sculpture,<br />
a motorized Lighthouse and a stage for Dr.<br />
Ruth Westheimer that she took home with her for<br />
future appearances.<br />
There’s not much that Steven’s can’t create. And<br />
there’s not much ego attached to his being able to do<br />
so. You can tell by the vibe of his office. It is there that<br />
the gears turn in his transcendent psyche. And it is<br />
there that light bulbs, paper towels and Tupperware<br />
sit in a free-standing porcelain sink in front of his<br />
cluttered desk.<br />
There’s also a large framed portrait of a man that<br />
obviously had some pertinence to OSS at one time.<br />
Though he cuts a rather piercing glance in his suit,<br />
tie and distinguished glasses Stevens doesn’t think<br />
much about it. “No one knows who he is, every once<br />
in a while we hang him somewhere.”<br />
That’s the way it is with Stevens. He distributes<br />
his talent all over the OSS area and doesn’t think too<br />
hard about any of it. When finished with the interview<br />
he quips, “If you want to take all those notes<br />
and rip them up I’m fine with it.”<br />
But one gets the idea he does care – he just<br />
doesn’t enjoy being in the spotlight. He does, however<br />
like making items in or around the spotlight.<br />
“On New Years Eve we used a Genie Crane to lift a<br />
PVC ball with lights 120 feet in the air and dropped<br />
it from the museum. The first project I ever worked<br />
on at OSS was First Night and it’s one of the best<br />
things I’ve ever done.”<br />
92<br />
<strong>March</strong> <strong>2017</strong> | www.<strong>Atlantic</strong><strong>Ave</strong>Magazine.com