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All <strong>the</strong> rite notes<br />
On a cold November day last year, a group <strong>of</strong> talented young<br />
musicians from <strong>the</strong> Trinity College <strong>of</strong> Music Symphony<br />
Orchestra ga<strong>the</strong>red toge<strong>the</strong>r in London’s oldest concert hall for<br />
a very special recording <strong>of</strong> Stravinsky’s The Rite <strong>of</strong> Spring and<br />
Elgar’s Enigma Variations. The music is to be used in a <strong>BP</strong> film<br />
commissioned to mark <strong>the</strong> company’s centenary year. In<br />
production for <strong>the</strong> past three years, <strong>the</strong> film begins with a<br />
recreation <strong>of</strong> <strong>the</strong> moment geologist George Reynolds and his<br />
team first struck oil in May 1908. It is this moment that<br />
Stravinsky’s piece – notorious for its complicated melodies –<br />
illustrates musically, while Elgar’s arrangement represents <strong>the</strong><br />
‘Englishness’ <strong>of</strong> Reynolds. The pr<strong>of</strong>essional commission gave<br />
<strong>the</strong> students invaluable experience <strong>of</strong> a real recording session,<br />
while providing Trinity with <strong>the</strong> funding to bring in Edward<br />
Gardner – one <strong>of</strong> Britain’s pre-eminent conductors – to coach<br />
<strong>the</strong> orchestra. The next issue <strong>of</strong> <strong>BP</strong> Magazine will celebrate<br />
<strong>BP</strong>’s centennial year with a special historical edition.<br />
REPORT: LISA DAVISON / PHOTOGRAPHY: RICHARD DAVIES<br />
<strong>BP</strong> MAGAZINE Issue 1 2009 37