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Tropicana Magazine Mar-Apr 2017 #112: Riding on a Life Line

TROPICANA MAGAZINE Mar-Apr 2017 presents Riding on a Life Line with the hero on a bike Cheong Yue-Jin

TROPICANA MAGAZINE Mar-Apr 2017 presents Riding on a Life Line with the hero on a bike Cheong Yue-Jin

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HOUSE OF CARDS | THE HOME<br />

THE NOMADIC MUSEUM<br />

(2005)<br />

Ban created a bespoke mobile<br />

gallery for photographer<br />

Gregory Colbert’s travelling<br />

exhibiti<strong>on</strong>, Ashes and Snow, and<br />

the exhibiti<strong>on</strong> design when it<br />

debuted at the Arsenale in Venice<br />

— with the photos suspended<br />

<strong>on</strong> cables between the gallery’s<br />

thick st<strong>on</strong>e columns — served<br />

as inspirati<strong>on</strong> for Ban’s ultimate<br />

design. While c<strong>on</strong>figurati<strong>on</strong>s<br />

changed across the various<br />

locati<strong>on</strong>s, the essential<br />

comp<strong>on</strong>ents of the structure<br />

remained identical. Exterior walls<br />

c<strong>on</strong>sisted of a checkerboard stack<br />

of shipping c<strong>on</strong>tainers while<br />

metal and paper tube trusses<br />

supported the PVC membrane<br />

roof. Two rows of thirty-inchdiameter<br />

paper tube columns<br />

marched down the centre of the<br />

gallery, mirroring the columns<br />

of the Arsenale, and a pathway<br />

of wooden planks (recycled from<br />

c<strong>on</strong>structi<strong>on</strong> scaffolding) defined<br />

the circulati<strong>on</strong> path, while a<br />

bed river rock occupied the<br />

remainder of the floor. For the<br />

fourth versi<strong>on</strong> of the Nomadic<br />

Museum in Mexico City, Colbert<br />

switched to Colombian architect<br />

Simón Vélez to design a new<br />

gallery as Ban’s building ended<br />

up overshadowing the art it was<br />

intended to showcase.<br />

41 MARCH/APRIL <str<strong>on</strong>g>2017</str<strong>on</strong>g> | TM

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