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106 Part II: Realising That Character Is Everything<br />

You don’t need to put everything you discover about your characters into your<br />

final story. But the more you know about them, the more real they seem to<br />

your readers. In addition, nobody’s 100 per cent good or bad. Everyone’s a mixture,<br />

and your characters need to be too – so don’t forget to give them flaws<br />

and foibles as well as hidden strengths.<br />

Adding Layers to Your Characters<br />

With this heading, I’m not talking about dressing up your characters in<br />

warm clothes (like a concerned grandma!). No, the focus of this section is on<br />

psychological layers.<br />

Everyone knows that people present only certain aspects of themselves in<br />

public. The rest, they hide away. Some parts are so well hidden that they’re<br />

repressed and remain unknown even to the individual. One of your tasks as a<br />

writer is to reveal these hidden depths to readers.<br />

To help with this aim, I describe creating characters with depth by considering<br />

their basic needs and pastimes as well as relationships with family and friends.<br />

I also show the value of subtly revealing character through contradictions.<br />

Revealing depth through experiences<br />

Although people may think that they know themselves well, in fact they<br />

seldom do. Like everyone, you’re aware of how you’re likely to think and<br />

feel in the ordinary circumstances that make up your day-to-day life, but<br />

you don’t know how you’ll react if something completely out of the ordinary<br />

happens.<br />

For example, how do you think you’d behave if an aeroplane you were on<br />

crash-landed on a mountain top? Sorry to put you off your dinner, but would<br />

you set off down the mountain and hack through the jungle to a small village<br />

to get help? Would you curl up in the snow and wait to die? Would you eat<br />

the dead passengers in order to survive? And would you even be prepared to<br />

kill injured passengers in order to eat them? If I’m completely honest, I don’t<br />

have a clue how I’d react, and I hope I never have to find out!<br />

Such nightmarish crises are the stuff of fiction. You don’t need a situation as<br />

extreme as this one to test your characters out, but every piece of fiction gives<br />

your characters a challenge or a choice, and their responses reveal who they<br />

really are.

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