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66 Part II: Realising That Character Is Everything<br />

Conveying Individuality and Character<br />

through Dialogue<br />

As a writer, your task (if you choose to accept it) is to create convincing dialogue<br />

and therefore individual, believable characters. To do so you need to<br />

develop one of the most useful but also difficult skills when writing dialogue:<br />

using different accents, dialects, slang and speech quirks.<br />

The need to create credible dialogue is particularly acute in certain genres.<br />

For example, when you’re writing historical fiction you need to capture something<br />

of the way people spoke at the time, and if you’re writing science fiction<br />

or fantasy you need to find convincing ways to make different cultures speak,<br />

or even invent imaginary languages, such as in JRR Tolkien’s The Lord of the<br />

Rings (1954).<br />

But you don’t need to travel in time and space to worry about this aspect<br />

of writing. In today’s multicultural societies, any contemporary story seems<br />

contrived and false without some characters who don’t speak Standard<br />

English with Received Pronunciation. Plus, speech has become more informal<br />

over the years, and nowadays many people use slang and local idioms more<br />

freely.<br />

The way people speak depends on their country or region of origin, education<br />

and where they live now. In addition, characters need to have their own individual<br />

ways of speaking, with different phrases and mannerisms.<br />

Feeling for foreign accents<br />

Finding ways to convey an accent isn’t easy. In this section I talk about a<br />

couple of the easier approaches before showing how you can use some more<br />

subtle ways to improve your dialogue.<br />

The simplest method, if you don’t feel able to tackle accents, is just to write<br />

a line like, ‘He said in a strong guttural accent’. Or you can be more specific;<br />

for example, saying that the character rolled his ‘r’s. However, without some<br />

reminder or trace of an accent in the dialogue itself, readers are likely to<br />

forget and not hear the accent in their heads.<br />

Some writers therefore prefer to use phonetics to convey the way a person<br />

speaks. For example, if you want to render the voice of a character who speaks<br />

with an American accent, you can put ‘Bawn Street’ instead of ‘Bond Street’;

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