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Chapter 14: Using Description to Create Atmosphere and . . . and . . . Suspense!<br />

185<br />

Try out a ghost in your own story – you don’t have to keep it if it doesn’t fit –<br />

or you can make it happen when your character is under the influence of<br />

medication, drink or drugs! Write a scene in which a character sees a ghost.<br />

How does he react? What does it change about his attitude to life or to other<br />

characters in the story?<br />

Creating suspense in your sleep:<br />

Dreams and premonitions<br />

Dreams are a powerful device used in fiction to create atmosphere, to reveal<br />

characters’ hopes and fears, and to foreshadow the future. Because we all<br />

have dreams every night – even though we may not remember them – we are<br />

all familiar with this strange alternate state where the rules of the everyday<br />

world do not apply.<br />

Dreams and visions<br />

Writers often use dreams in fiction to foreshadow events. In biblical and<br />

ancient times, the interpretation of dreams was considered an important art,<br />

because people thought that dreams could predict the future. This belief has<br />

persisted into modern times, and people still feel that their dreams can sometimes<br />

predict future events.<br />

You can also undercut the expected associations, however, by depicting your<br />

character having dreams that show the opposite of what will happen; for<br />

example, a character dreaming of failing an exam and then finding that he has<br />

in fact passed. The stress and anxiety that a character feels causes him to<br />

dream about what he fears happening rather than what really will happen.<br />

You encounter many examples of dreams foreshadowing events in Shakespeare,<br />

such as Calpurnia’s dream in Julius Caesar, which goes:<br />

. . . she saw my statue,<br />

Which, like a fountain with an hundred spouts,<br />

Did run pure blood.<br />

—William Shakespeare (Julius Caesar, Wordsworth Classics 1992,<br />

first performed 1599<br />

In Tolstoy’s Anna Karenina (1877), Anna’s fate is foreshadowed not only by<br />

the event at the train station (see the earlier section ‘Owning omens’), but<br />

also by a series of dreams in which she sees the sinister figure of a railway<br />

worker tapping the joints between the carriages. These dreams reinforce the

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