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254 Part IV: Developing Your Plot and Structure<br />

3. Note down some key incidents in each subplot and see how they connect<br />

both with the other subplots and with the main narrative.<br />

4. Write the key incidents as self-contained scenes.<br />

Trying different subplot structures<br />

You can experiment with different ways of tying subplots into the main story.<br />

One common structure is to tell two separate stories that only meet near the<br />

climax or ending of the story. These subplots don’t intersect beforehand, but<br />

readers usually sense that they’re going to come together – otherwise the<br />

second story wouldn’t exist!<br />

Another way of using subplots is to have lots of smaller subplots that weave<br />

their way in and out of the story. Each little subplot needs to work as a story<br />

on its own as well as having an effect on the main plot line.<br />

Create tension by leaving one strand of the plot at a moment of high tension<br />

and swapping to the other strand. Then leave that second strand at a moment<br />

of high tension before you switch back to the first.<br />

Don’t have so many subplots that you end up with a knotty tangle instead of a<br />

neat braid. Ensure that you keep the main narrative line clear.<br />

Look up some short stories you’ve written and see whether you can use<br />

one of them as a small subplot in a bigger story. If not, write some new<br />

stories now!<br />

Playing with Structure<br />

You can structure your piece of fiction in all sorts of complicated ways. Many<br />

modern novels in particular play with structure.<br />

You don’t need to worry too much about organising your story when you<br />

begin. Concentrate on writing separate well-defined and dramatic scenes. You<br />

can mentally peg them on a washing line and then move them around later.<br />

If you ever glance at the back of a tapestry, you’ll see that it looks like a complete<br />

tangle with yarns crossed all over the place in different colours, knots<br />

that stick out and the occasional loop. Your novel may well feel similar while<br />

it’s a work in progress. The lucky thing in writing is that words can be completely<br />

deleted, unlike pieces of yarn!

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