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Chapter 21: Tightening the Tension to Enthral Readers<br />

263<br />

Sowing clues into the story<br />

Clues are an essential ingredient of fiction, not just detective fiction. They’re<br />

like the paper trail in a treasure hunt. If no pieces of paper point you in the<br />

right direction, you don’t know where to begin. If too many exist, no one has<br />

any fun looking for them. Clues in fiction can be of three main kinds:<br />

✓ Physical clues: Traces a person leaves behind, such as photographs,<br />

objects belonging a character, or pieces of herself such as hair or<br />

fingerprints.<br />

✓ Verbal clues: Things people say, such as information they give, things<br />

they let slip, things they leave unsaid.<br />

✓ Action clues: Things that people do (or don’t do) that can give information<br />

away. Past actions can also lead readers to expect the character to<br />

behave in a similar way in the future.<br />

Clues can be so obvious that readers can’t possibly miss them, or so subtle<br />

that only discerning readers notice. Probably the best clues are somewhere<br />

in between.<br />

If you want to reveal a clue, have your character notice it and describe it to<br />

readers in detail. If you want her not to pay attention to it until later, distract<br />

readers from it by immediately delivering some other important information<br />

or by making the character react emotionally to something else. You can also<br />

conceal a physical clue by burying it in a list of other objects, so that the<br />

reader doesn’t recognise which is the significant one. Remember, the first and<br />

last objects in a list are always the most memorable!<br />

Try this exercise to conceal or reveal important clues. I’ll give you a clue:<br />

remember that the more detailed the description, the more memorable the<br />

object will be. Write two lists of objects in which you<br />

✓ First, conceal which is the important one.<br />

✓ Second, reveal which is the important one.<br />

You can make your clues ambiguous. A shoe that the main character thinks<br />

belongs to one person can turn out to be an identical one belonging to someone<br />

else. A clue may mean nothing on its own until another one turns up<br />

somewhere else or someone else draws attention to it.

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