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Chapter 23: Approaching the Grand Finale: The End’s in Sight!<br />

293<br />

In such a regime, I say you died a good death if your life had inspired<br />

someone to come forward and shoot your murderer in the chest – without<br />

asking to be paid.<br />

—Chinua Achebe (A Man of the People, Heinemann, 1966)<br />

This famous ending of Fitzgerald’s masterpiece shows that although people<br />

are caught up in the flow of time, the roots of their behaviour lie always in<br />

their pasts:<br />

So we beat on, boats against the current, borne back ceaselessly into<br />

the past.<br />

—F Scott Fitzgerald (The Great Gatsby, Penguin, 1974,<br />

first published 1925)<br />

In the concluding passage of A Tale of Two Cities, Dickens’s character, about<br />

to be guillotined, still envisages a brighter future for the city and its people,<br />

and hope – even in death:<br />

It is a far, far better thing that I do than I have ever done; it is a far, far<br />

better rest that I go to than I have ever known.<br />

—Charles Dickens (A Tale of Two Cities, Penguin Classics, 2003,<br />

first published 1859)<br />

Death<br />

These three novels from different periods all show that, to use a biblical<br />

quote from the Song of Songs, ‘Love is strong as death.’ Eliot’s well-known<br />

last line gives a slight upturn to the tragic end of brother and sister when<br />

they drown in a flood. The fact that it’s a quote from the Book of Samuel in<br />

the Bible, about the love between Saul and Jonathan, gives a hint of immortality<br />

in the love between members of a family:<br />

In their death they were not divided.<br />

—George Eliot (The Mill on the Floss, Wordsworth Classics, 1999,<br />

first published 1860)<br />

The following quiet ending to the story of Stoner’s life marks the moment of<br />

his death, but the preceding paragraphs are incredibly beautiful and give a<br />

depth of meaning and significance to his whole life:<br />

The fingers loosened, and the book they had held moved slowly and then<br />

swiftly across the still body and fell into the silence of the room.<br />

—John Williams (Stoner, Viking, 1965)

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