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216 Part IV: Developing Your Plot and Structure<br />

Starting somewhere, anywhere<br />

You do have to write your opening at some point. So, here’s a list of all the<br />

things a good opening has to do. You don’t have to do them all in the first<br />

line, but maybe in the first paragraph and definitely on the first page:<br />

✓ Introduce the characters: By name if you’re writing in the third person,<br />

or by individual voice if in the first person (check out Chapter 8 for more<br />

on voices and point-of-view narration).<br />

✓ Set the scene – the time and the place: You can do so simply with a<br />

place and date, or by describing the scene.<br />

✓ Create a mood: You create atmosphere by description, but also by style,<br />

length of sentences and choice of vocabulary.<br />

✓ Describe an action or situation – including dialogue if needed: The<br />

more dramatic, the more arresting your opening is likely to be.<br />

✓ Ask a question: Don’t try to give too much information – provide enough<br />

to orientate readers in the story, but leave questions to entice them to<br />

read on.<br />

Your readers may know nothing about the tale they’re about to read – except<br />

the title and a brief summary. Your duty is to help them into the world of the<br />

story. Don’t hold back too much or they become confused, but don’t bombard<br />

them with information that they’re unable to take in. When in doubt, clarity is<br />

the best policy!<br />

Knowing which kind of opening is going to suit your story is difficult. The<br />

best way to find out is to have a go at several different types (like the ones I<br />

describe in the later ‘Discovering Openings from the Greats’ section).<br />

In this exercise, think of the situation that kicks off your story and then write<br />

four different kinds of opening for it:<br />

✓ A piece of description<br />

✓ An action<br />

✓ A dialogue<br />

✓ A philosophical statement<br />

Write a whole page. Put it aside and then return to it later and have another go.<br />

If it helps, find one of the books I quote from in the later section ‘Discovering<br />

Openings from the Greats’ that you really like the sound of and imitate the way<br />

the prose works (not the subject matter). Take your own characters and your<br />

own situation and write the opening in that style.

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