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12<br />

EMPIRICAL BASES OF SOCIOLOGICAL THEORY *1<br />

1883<br />

Thanks to the archaeologists we learn where and when a new discovery first appeared, how far and<br />

how long it has spread, and by what roads it has travelled from the place of its origin to its adopted<br />

country. Although they may not take us back to the first furnace which turned out bronze or iron, they<br />

do take us back to the first country and century in which the pointed arch, printing, and oil-painting,<br />

and, still much more anciently, the orders of Greek architecture, the Phoenician alphabet, etc.,<br />

displayed themselves to a justly marvelling world. They devote all their curiosity 1 and activity to<br />

following up a given invention through its manifold disguises and modifications, to recognising the<br />

atrium in the cloister, the praetorium of the Roman magistrate in the Roman church, the Etruscan bench<br />

in the curule-chair, or to tracing out the boundaries of the region to which an invention has spread<br />

through gradual self-propagation and beyond which, for yet to be discovered reasons (in my opinion<br />

they are always the competition of rival inventions), it has been unable to pass, or to studying the<br />

results of the intersection of different inventions which have spread so widely that they have finally<br />

come together in one imaginative brain.<br />

In short, these scholars are forced, perhaps unconsciously, into surveying the social life of the past<br />

from a point of view which is continually approximating that which I claim should be adopted<br />

knowingly and willingly by the sociologist. I refer here to the pure sociologist, who, through a<br />

necessary although artificial abstraction, is distinguished from the naturalist. In distinction to<br />

historians who see nothing else in history than the conflicts and competitions of individuals, that is, of<br />

the arms and legs as well as of the minds of individuals, and who, in regard to the latter, do not<br />

differentiate between ideas and desires of the most diverse origins, confusing those few that are new<br />

and personal with a mass of those that are merely copies; in distinction to those poor carvers-up of<br />

reality who have been unable to perceive the true dividing line between vital and social facts, the<br />

point where they separate without tearing, archaeologists stand out as makers of pure sociology,<br />

because, as the personality of those they unearth is impenetrable, and only the work of the dead, the<br />

vestiges of their archaic wants and ideas, are open to their scrutiny, they hear, in a certain way, like<br />

the Wagnerian ideal, the music without seeing the orchestra of the past. In their own eyes, I know, this<br />

is a cruel deprivation; but time, in destroying the corpses and blotting out the memories of the painters<br />

and writers and modellers whose inscriptions and palimpsests they decipher and whose frescoes and<br />

torsos and potsherds they so laboriously interpret, has, nevertheless, rendered them the service of<br />

setting free everything that is properly social in human events by eliminating everything that is vital *2<br />

and by casting aside as an impurity the carnal and fragile contents of the glorious form which is truly<br />

worthy of resurrection.<br />

To archaeologists, then, history becomes both simplified and transfigured. In their eyes it consists<br />

merely of the advent and development, of the competitions and conflicts, of original wants and ideas,<br />

or, to use a single term, of inventions. Inventions thus become great historic figures and the real agents<br />

of human progress. The proof that this idealistic point of view is the just one lies in its fruitfulness.<br />

Through its [fortunate], although, I repeat, involuntary, adoption, do not philologist and mythologist,<br />

the modern archaeologist, under different names, cut all the Gordian knots and shed light upon all the<br />

obscurities of history and, without taking away any of its grace and picturesqueness, bestow upon it

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