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Tarde’s own father (1797–1850) served as a military officer until his two brothers were killed in<br />

the wars of Napoleon, but then turned to law under family pressures and finished his life as a judge in<br />

Sarlat. At forty-four he married the nineteen-year-old daughter of another established Sarlat family,<br />

Anne-Aline Roux. Jean-Gabriel was their only child. His father died when he was only seven, and he<br />

was raised by his mother, to whom he remained exceptionally close throughout her life.<br />

Tarde attended a school in Sarlat operated by Jesuit priests, who offered a rigorous classical<br />

training built largely on Latin, Greek, history, and mathematics. While always the first student in his<br />

classes, the sensitive young Tarde was pained by the Jesuit discipline, so much so that during his last<br />

three years, while a boarder at the school, he once even scaled the wall to escape temporarily.<br />

Although Tarde never failed to praise the classical training for binding together the leaders of nation<br />

with a common set of values, he retained a permanent distaste for socially imposed discipline<br />

whenever it limited individual freedom. The scholastic training also moved him toward a strong<br />

emphasis on the role of the intellect as well as an even more hierarchical conception of society than<br />

was held by many of his contemporaries.<br />

Leaving school at seventeen, Tarde—like Karl Marx, Claude Bernard, and many other midnineteenth-century<br />

youths—first tried his hand at verse and dramatic pieces. Despite the encomiums<br />

of his sons, 3 however, it seems that the world did not lose a great poet when Tarde forsook his muse<br />

for more prosaic activities. But, again like Marx, Tarde’s later works bore the stamp of these early<br />

literary endeavors.<br />

Tarde was also fascinated by mathematics in his early years, and at one point he considered<br />

attending the Ecole Polytechnique. It was perhaps the applied, ordered training, combined with its<br />

regimented social life, that made him shun the Ecole. From nineteen to twenty-five, however, he<br />

suffered from an eye disease which severely limited his reading. For these several reasons Tarde<br />

acceded to his mother’s wishes and settled on the less demanding study of law. He passed his first<br />

law examinations at the nearby Toulouse Faculty of Law, and then spent one more year (1865) in<br />

Paris—accompanied by his mother—completing his legal studies.<br />

From 1869 to 1894 he held a series of regional court posts in and around Sarlat, but from the outset<br />

he accepted these positions with the view that his many free hours could be spent at independent study<br />

and writing. Tarde developed the habit of walking the banks of the nearby Dordogne river, meditating<br />

about the works which he had read and elaborating his own thoughts. Cournot’s many contributions,<br />

but particularly his L’enchainement des idées fondamentales dans les sciences et l’histoire (1861),<br />

served as a major source of inspiration for Tarde’s thoughts on imitation. Here too, as in Spencer,<br />

was found the analogical thinking which sought to discern general principles underlying physical,<br />

biological, and social phenomena. From Hegel, particularly esteemed in France at this time, Tarde<br />

learned how conflicts and oppositions could in turn create new syntheses. John Stuart Mill provided a<br />

model of logic and science which Tarde always admired but which he felt compelled to transcend.<br />

Tarde would interrupt his walks to jot down the essentials of an insight, and by the time he was thirty,<br />

he had drafted a series of notes to himself containing the essentials of his “laws of imitation” as well<br />

as the outlines of the conceptual framework elaborated in his many later works.<br />

In 1877, Tarde married Mlle Marthe Bardy-Delisle, daughter of a magistrate, who gave him three<br />

sons. They enjoyed the social life, such as existed, of the regional high society. As a recognized<br />

leader in conversation and wit, as well as more serious thought, Tarde was called upon to prepare<br />

poetry or comedies for various occasions. He thus penned some dozen comedies and vaudeville acts,<br />

several of which even found their way into print.<br />

Although he liked to minimize the importance of his professional activities, these led him to an

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