The Journal of Australian Ceramics Vol 48 No 3 November 2009
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We welcome editorial contributions to<br />
<strong>The</strong> <strong>Journal</strong> <strong>of</strong> <strong>Australian</strong> <strong>Ceramics</strong><br />
Here are a few pointers:<br />
Articles may include pr<strong>of</strong>iles on ceramicists (yourself or others), reviews <strong>of</strong> ceramic exhibitions and<br />
books, upcoming events, critical reports and commentary, research papers and technica l innovations.<br />
In fact, we welcome any subject <strong>of</strong> interest to ceramicists, potters and sculptors, galleries and collectors,<br />
educational institutions and their students.<br />
Please submit a digital copy (on disc or via email), as well as a hard copy <strong>of</strong> your manuscript Please<br />
retain a copy for yourself.<br />
<strong>The</strong> editorial policy <strong>of</strong> <strong>The</strong> <strong>Journal</strong> <strong>of</strong> <strong>Australian</strong> <strong>Ceramics</strong> is to allow the author to use his or her own<br />
writing style. Minimum editorial interference is exercised except in grammar and spelling. At times,<br />
articles may be edited to meet layout requirements and, when possible, the author will be contacted<br />
prior to going to print. If you have submitted the article to more than one magazine, please tell us.<br />
A complimentary copy <strong>of</strong> the magazine is sent to the artist and author on publication.<br />
<strong>The</strong> quality <strong>of</strong> images is extremely important and may determine whether or not you r article is<br />
published. A good image is in focus, with proper exposure, a full depth <strong>of</strong> field and a full range <strong>of</strong><br />
contrast (light to dark tones). Work hidden by very dark shadows and I or set against busy backgrounds<br />
should be avoided. White, grey, black and earth tones make a good neutral background. Please ensure a<br />
generous space around the object (tight cropping is undesirable). Do not alter or manipulate the images.<br />
High resolution digital images are preferred, measuring at least 18cm X 13cm at 300dpi. Please send a<br />
small selection <strong>of</strong> your preferred images on a disc clearly marked with the artist's name. If possible print<br />
and supply a contents page <strong>of</strong> the disc.<br />
Al l images must be accompanied by captions in an accompanying text document. Please list artist, title,<br />
date, materials and technique, dimensions (h, w, d in ems) and photographer.<br />
We also accept transparencies (35mm or large format) and good colour prints. Please send duplicates,<br />
not originals. A ll care is taken, but the material you send passes through many hands in many different<br />
places, so no responsibility can be accepted for lost material. Our aim is to return all photographic<br />
material after the issue is published.<br />
Please contact the editor for more detailed guidelines or go to http://tinyurl,com/jacarticieinfo<br />
Vicki Grima, Editor<br />
T: 1300 720 124<br />
E: mail@australianceramics.com<br />
49/1<br />
Ctl2<br />
C913<br />
Focus:<br />
Wood-fIrIng<br />
Technical Focus: l.ustnt<br />
Deadline for copy:<br />
8 Februa!y 2010<br />
Focus: Educ:atJon -<br />
<strong>The</strong> Role <strong>of</strong> MentDrs<br />
TechnIcal Focus:<br />
CeIwnIc CAlI........,..<br />
Deadline for copy:<br />
3 May 2010<br />
Focus:<br />
ArchItectural CeramIa<br />
'r.chnkaI Focus: MosIIk<br />
Deadline for copy:<br />
13 September 2010<br />
THE IOURNAL OF AUSTRALIAN CERAMICS NOVEMBER <strong>2009</strong> 107
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