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Miller, Jr., with International Vice President<br />

and Director of Canadian Affairs<br />

John M. Lewis, Assistant Directors Daniel<br />

M. Mahoney and Vanessa Holtgrewe, and<br />

Representatives Steve Aredas, Scott Harbinson,<br />

Steve Kaplan, Ron Garcia, and<br />

Lyle Trachtenberg reported to the General<br />

Executive Board regarding the activities<br />

of the Motion Picture and Television<br />

Production Department since the last<br />

meeting.<br />

Vice President Miller reported to the<br />

Board regarding the status of the Motion<br />

Picture and Television industry. He discussed<br />

the pending merger of Disney and<br />

Fox, which has the potential to significantly<br />

change the industry. Prior to the<br />

merger announcement, Disney indicated<br />

that it would be creating its own streaming<br />

service to rival Netflix and others,<br />

indicating a continued high volume of<br />

production as Disney and Fox create a<br />

content library for its streaming services.<br />

Disney had previously announced that<br />

it was removing Disney content from<br />

Netflix. Given Disney’s massive library of<br />

classics, and purported new series in development<br />

based on beloved franchises,<br />

Disney is positioning itself to compete<br />

with Amazon, Netflix, and Hulu for viewer’s<br />

eyeballs and wallets.<br />

AT&T’s purchase of Warner Brothers<br />

has been held up by the Trump Administration.<br />

Comcast completed the purchase<br />

of NBC/Universal some time ago. Several<br />

other traditional Studios are rumored to<br />

be acquisition targets as more tech companies<br />

pursue entertainment companies<br />

to provide content.<br />

Streaming video continues to evolve.<br />

Netflix recently produced its first “blockbuster”<br />

style feature, “Bright”. The Trades<br />

have reported that in the first three days of<br />

release on Netflix, and in a few select theaters,<br />

the movie was viewed more than 11<br />

million times. “Bright 2” has already been<br />

greenlit. More content means more work<br />

for <strong>IATSE</strong> members, and the Department<br />

will continue to track the details of these<br />

productions as it relates to the International’s<br />

agreements and the treatment of<br />

new media. The Department is monitoring<br />

these developments and any impact<br />

on International collective bargaining<br />

agreements and the Motion Picture Industry<br />

Benefit Plans.<br />

Vice President Lewis addressed Canadian<br />

affairs. The International continues<br />

to include the Canadian Binder Agreement<br />

and the Canadian Local Union<br />

Term Agreements as part of the term signatory<br />

group of contracts. The Canadian<br />

Local Unions Term Agreements include<br />

the BC Master Agreement, the Local 873<br />

Term Agreement, and the Local 411 Term<br />

Agreement. There are now 378 companies<br />

which are signatory to the Canadian<br />

Binder Agreement and 184 to the Canadian<br />

Local Unions Term Agreements.<br />

Production levels across Canada are<br />

very high and many jurisdictions have<br />

seen record breaking numbers of productions.<br />

There were 272 signatory productions<br />

under IA agreements in Canada in<br />

2017.<br />

The Department continues to work<br />

with Canadian Locals to encourage producers<br />

to shoot under International collective<br />

particularly in British Columbia.<br />

In Toronto, Local 873 secured agreements<br />

with 41 US productions for a total<br />

production value of $911 million. This<br />

represents 100% of US-based productions<br />

shooting in Toronto and 72% of<br />

total productions. In British Columbia,<br />

Local 891 was able to secure agreements<br />

on 83 productions while other rival organizations<br />

were limited to 11 productions,<br />

which were mainly lower budgeted. The<br />

bigger concern in British Columbia is the<br />

rise of non-union productions. Local<br />

669 has been very active in organizing in<br />

excess of 50 low-budget productions in<br />

each of the last three years.<br />

The two largest agreements in<br />

Canada, BC Master Agreement and the<br />

Local 873 Toronto Term Agreement, both<br />

expire on March 31, <strong>2018</strong>. As will be reported<br />

separately, Local 873 was able to<br />

conclude a new term agreement with the<br />

Alliance of Motion Picture and Television<br />

Producers in December. It is a strong<br />

agreement which followed the industry<br />

pattern and was ratified by the members<br />

in January. The BC Council is starting<br />

its bargaining with the AMPTP and the<br />

Canadian Producers Association on the<br />

Monday following these General Executive<br />

Board Meetings. The International<br />

assisted Local 873 and will be assisting the<br />

BC Council as well.<br />

Finally, Vice President Lewis made<br />

note of two non-bargaining initiatives<br />

coming out of British Colombia:<br />

1. Mental Health & Addiction in the<br />

Workplace Working Group<br />

British Columbia has experienced<br />

very high rates of accidental overdoses<br />

and suicides, and the film industry has not<br />

been immune, with many recent deaths of<br />

union members. In May of 2017, five BC<br />

film unions (<strong>IATSE</strong> Locals 669 and 891,<br />

the Directors Guild of Canada, the Union<br />

of British Columbia Performers (UBCP),<br />

and the International Brotherhood of<br />

FIRST QUARTER <strong>2018</strong> 27

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