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Mindful June 2017

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RESEARCH<br />

{ }<br />

The Genius Formula<br />

Dean Simonton, a professor in psychology at<br />

the University of California, Davis, tells us what,<br />

according to his research, makes a creative genius.<br />

Hugh Delehanty: What separates<br />

creative geniuses<br />

from the rest of us?<br />

Dean Simonton: Probably<br />

the two main factors are (a)<br />

tremendous openness to<br />

experience and (b) unusual<br />

motivational persistence. Of<br />

course, they have to be highly<br />

intelligent and well-versed<br />

in their particular domain,<br />

but not necessarily more so<br />

than their far less creative<br />

colleagues.<br />

You’ve talked about creativity<br />

as not being just an<br />

individual phenomenon.<br />

Why is the creator’s social<br />

context so important?<br />

ipated in the Scientific Revolution.<br />

At best, he might have<br />

become a very erudite monk.<br />

Second, the social environment<br />

provides the setting in<br />

which ideas are accepted or<br />

rejected—and that acceptance<br />

or rejection then<br />

determines whether or not<br />

those ideas are even deemed<br />

creative. A “neglected” genius<br />

who remains so will not count<br />

as creative.<br />

How are scientific<br />

geniuses different from<br />

artistic geniuses?<br />

They are similar in that they<br />

both use some version of a<br />

generic process to obtain<br />

their creative ideas. For<br />

example, trial and error is<br />

used in both art and science.<br />

The difference is that scientists<br />

must operate under<br />

stronger constraints than do<br />

artists. For instance, science<br />

First, the social environment<br />

provides the context in which<br />

creative development takes<br />

place. If Isaac Newton were<br />

born in the middle of the Dark<br />

Ages, he couldn’t have particfiction<br />

can be great art, but<br />

science fiction will not be<br />

great science, particularly<br />

if the fiction violates one or<br />

more laws of physics. The<br />

Death Star is impossible in<br />

science, but not in art.<br />

Why is true genius so rare?<br />

Many different genetic and<br />

environmental factors have<br />

to come together in a single<br />

person before a genius can<br />

emerge. Thus, someone<br />

might have all that it takes<br />

from a genetic standpoint—<br />

such as intelligence, openness,<br />

and motivation—but be<br />

born at the wrong place and<br />

wrong time. Like the example<br />

I gave above with respect to<br />

Newton. Or the times may be<br />

ripe for a genius to appear,<br />

but a particular combination<br />

of genetic components are<br />

necessary, and nobody has<br />

them at that time.<br />

What can “small-c”<br />

creators learn from your<br />

discoveries?<br />

Creativity always demands the<br />

willingness to take risks, so<br />

you have to accept the possibility<br />

of failure. Creativity also<br />

requires openness—curiosity,<br />

broad interests, and tolerance<br />

of ambiguity and novelty.<br />

Big-C creators just show<br />

these qualities to a higher<br />

degree, and apply them to a<br />

domain in which they have<br />

acquired sufficient expertise.<br />

What’s the big question<br />

about creativity that<br />

remains to be answered?<br />

As always, the nature–nurture<br />

issue. How exactly do genetic<br />

and environmental factors<br />

interact over time—from the<br />

moment of conception to the<br />

onset of creativity—to generate<br />

a creative genius?<br />

60 mindful <strong>June</strong> <strong>2017</strong>

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