Viva Lewes Issue #140 May 2018
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ON THIS MONTH: FILM & MUSIC<br />
Ed Hughes<br />
A moment in a river’s history<br />
How do you capture landscape in music? For<br />
<strong>Lewes</strong> composer Ed Hughes, it’s a process that<br />
involves what he sees as much as what he hears.<br />
The colours, contours and edges of the physical<br />
world can all, through Ed’s eyes, be translated into<br />
a musical score.<br />
His latest composition was inspired by one of East<br />
Sussex’s most famous land features. Cuckmere: A<br />
Portrait, a Brighton Festival commission that premieres<br />
this month, is a collaboration between Ed,<br />
who is Head of Music at the University of Sussex,<br />
and acclaimed music documentary filmmaker<br />
Cesca Eaton.<br />
Ed’s live orchestral score and Cesca’s 25-minute<br />
silent film will give audiences a visual and sonic<br />
experience of a year in the life of Cuckmere,<br />
including the Haven, an area of flood plain<br />
between Seaford and Eastbourne where the river<br />
Cuckmere meanders to the English Channel.<br />
“For years I’ve loved walking in that area with<br />
my family,” says Ed. “It’s a place of great beauty<br />
and fragility, which has inspired so many artists.<br />
Its special light, space, shapes and colours were<br />
famously captured by the artist Eric Ravilious in<br />
his 1939 watercolour, Cuckmere Haven.”<br />
It is these qualities that Cesca and aerial cameraman<br />
Fergus Kennedy have captured in her film,<br />
and which Ed has used to create the four musical<br />
movements of his piece to represent autumn,<br />
winter, spring and summer.<br />
“I’m fascinated by how Cesca’s film creates drama<br />
through connecting different views - whether<br />
that’s the meandering of the river, or the flinty cuts<br />
in the chalk landscape, or the gradual curves of the<br />
Downs,” says Ed.<br />
“These all have geometrical, almost rhythmic<br />
aspects, which can translate into shapes in music.<br />
A sinuous pattern in the river could connect to a<br />
weaving motif in a particular instrument, such as a<br />
flute or a glockenspiel. The music and the picture<br />
are creating different languages side by side.”<br />
Ed and Cesca began the project two years ago,<br />
helped with funding from the Arts Council,<br />
and held workshops at local schools, including<br />
BHASVIC and East Sussex Academy of Music, to<br />
encourage young musicians to respond to Cesca’s<br />
film footage.<br />
What makes the project all the more urgent and<br />
poignant are the challenges to the area posed by<br />
rising sea levels and the cost of protecting it, adds<br />
Ed. “This is a portrait of the Cuckmere River<br />
through a year of seasons, but it is also a moment<br />
in its history. The fact that Cuckmere Haven<br />
will change has a powerful effect on us, perhaps<br />
because we long for an experience of beauty that is<br />
somehow permanent.”<br />
The premiere, which will be at the Attenborough<br />
Centre for the Creative Arts at the University of<br />
Sussex on 5th <strong>May</strong>, will be followed by a discussion<br />
on the future of the environmental movement<br />
between Brighton Pavilion MP Caroline<br />
Lucas and author Tony Juniper, whose new book,<br />
Rainforest, draws on his many years’ experience as<br />
a frontline campaigner.<br />
A second performance, on 6th <strong>May</strong>, will include<br />
compositions played by schools that took part in<br />
the Cuckmere Project. Jacqui Bealing<br />
brightonfestival.org<br />
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