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Viva Lewes Issue #140 May 2018

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ON THIS MONTH: FILM & MUSIC<br />

Ed Hughes<br />

A moment in a river’s history<br />

How do you capture landscape in music? For<br />

<strong>Lewes</strong> composer Ed Hughes, it’s a process that<br />

involves what he sees as much as what he hears.<br />

The colours, contours and edges of the physical<br />

world can all, through Ed’s eyes, be translated into<br />

a musical score.<br />

His latest composition was inspired by one of East<br />

Sussex’s most famous land features. Cuckmere: A<br />

Portrait, a Brighton Festival commission that premieres<br />

this month, is a collaboration between Ed,<br />

who is Head of Music at the University of Sussex,<br />

and acclaimed music documentary filmmaker<br />

Cesca Eaton.<br />

Ed’s live orchestral score and Cesca’s 25-minute<br />

silent film will give audiences a visual and sonic<br />

experience of a year in the life of Cuckmere,<br />

including the Haven, an area of flood plain<br />

between Seaford and Eastbourne where the river<br />

Cuckmere meanders to the English Channel.<br />

“For years I’ve loved walking in that area with<br />

my family,” says Ed. “It’s a place of great beauty<br />

and fragility, which has inspired so many artists.<br />

Its special light, space, shapes and colours were<br />

famously captured by the artist Eric Ravilious in<br />

his 1939 watercolour, Cuckmere Haven.”<br />

It is these qualities that Cesca and aerial cameraman<br />

Fergus Kennedy have captured in her film,<br />

and which Ed has used to create the four musical<br />

movements of his piece to represent autumn,<br />

winter, spring and summer.<br />

“I’m fascinated by how Cesca’s film creates drama<br />

through connecting different views - whether<br />

that’s the meandering of the river, or the flinty cuts<br />

in the chalk landscape, or the gradual curves of the<br />

Downs,” says Ed.<br />

“These all have geometrical, almost rhythmic<br />

aspects, which can translate into shapes in music.<br />

A sinuous pattern in the river could connect to a<br />

weaving motif in a particular instrument, such as a<br />

flute or a glockenspiel. The music and the picture<br />

are creating different languages side by side.”<br />

Ed and Cesca began the project two years ago,<br />

helped with funding from the Arts Council,<br />

and held workshops at local schools, including<br />

BHASVIC and East Sussex Academy of Music, to<br />

encourage young musicians to respond to Cesca’s<br />

film footage.<br />

What makes the project all the more urgent and<br />

poignant are the challenges to the area posed by<br />

rising sea levels and the cost of protecting it, adds<br />

Ed. “This is a portrait of the Cuckmere River<br />

through a year of seasons, but it is also a moment<br />

in its history. The fact that Cuckmere Haven<br />

will change has a powerful effect on us, perhaps<br />

because we long for an experience of beauty that is<br />

somehow permanent.”<br />

The premiere, which will be at the Attenborough<br />

Centre for the Creative Arts at the University of<br />

Sussex on 5th <strong>May</strong>, will be followed by a discussion<br />

on the future of the environmental movement<br />

between Brighton Pavilion MP Caroline<br />

Lucas and author Tony Juniper, whose new book,<br />

Rainforest, draws on his many years’ experience as<br />

a frontline campaigner.<br />

A second performance, on 6th <strong>May</strong>, will include<br />

compositions played by schools that took part in<br />

the Cuckmere Project. Jacqui Bealing<br />

brightonfestival.org<br />

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