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Women - men - gender. - Bibliothek der Friedrich-Ebert-Stiftung

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24 TAGESSPIEGEL 15 OCTOBER 2008<br />

Emma’s bickering and squabbling<br />

Daughters<br />

The “Alpha-Girls” want a Career and Fun.<br />

But a new Feminism is confronted by much<br />

greater Challenges<br />

SABINE HARK<br />

[Newspaper Photo: My stomach belongs to me: The struggle<br />

against Paragraph 218 became a mass move<strong>men</strong>t (here<br />

1983 in Karlsruhe)]<br />

The “old” feminism is dead. At any rate, the features<br />

section of German newspapers would prefer it to be<br />

that way. The period of the <strong>men</strong> haters, who never outgrew<br />

their dungarees and who had settled into their<br />

role of victim, is over – that is the tenor of these papers.<br />

There is often a resonance of anti-wo<strong>men</strong> homophobia<br />

in such articles. On the other hand, the very same journalists<br />

benevolently view the emergence of a “new<br />

feminism”, un<strong>der</strong> which they include a series of younger<br />

German wo<strong>men</strong> authors, such as, Jana Hensel, Elisabeth<br />

Raether (“Neue deutsche Mädchen” [new German<br />

Girls]), Meredith Haaf, Susanne Klingner, and Barbara<br />

Streidl (“ Wir Alphamädchen” [We Alpha-Girls]), Charlotte<br />

Roche (“Feuchtgebiete” [Wet Zones]) or Thea<br />

Dorn (“ Die neue F-Klasse [The new F-Class]).<br />

The new “F-Class” is engaged in distancing itself<br />

from the image of the “Emmas” and their apparent<br />

self-pity. The “new feminism” projects itself as strong,<br />

career-oriented and fun-loving, prepared to prove that<br />

“any woman, who is dynamic, disciplined, self-confi -<br />

dent and courageous can be an achiever in a society<br />

like ours” as Thea Dorn put it. This mind-set is very different<br />

from that of the “old feminism”. The F-Class<br />

wo<strong>men</strong> do not want to be bothered with discriminatory<br />

structures. They perceive their success as proof of<br />

their personal ability and their individual superiority in<br />

the daily struggle for survival, and not as the outcome<br />

of social conditions. This provides the link between<br />

“new feminism” and neo-liberalism and patriarchal<br />

discourses.<br />

The attempt to declare feminism dead is as old as<br />

feminism itself. It is also tradition to generate distorted<br />

images of the feminist move<strong>men</strong>t as is being done by<br />

features writers and the F-Class wo<strong>men</strong> in the current<br />

debate. However, a “new feminism” cannot emerge<br />

from their critique of “old feminism”. It is rather a sectional<br />

feminism, because justice, according to it, is not<br />

a larger social issue, instead it is viewed in terms of access<br />

of a few to the echelons of the elite. Therefore, this<br />

brand of feminism has practically nothing to say to the<br />

present time.<br />

Indeed, it is high time to now start thinking of a<br />

new feminism. It’s main motif is freedom, and its roots<br />

are in the new wo<strong>men</strong>’s move<strong>men</strong>t that began in the<br />

second half of the 20th century.<br />

The desire for autonomy and self-determination<br />

mobilized wo<strong>men</strong> across the world at that time. In this<br />

connection, feminists, from the very beginning, did<br />

not think in terms of the individual but rather in terms<br />

of the social and historical context. <strong>Wo<strong>men</strong></strong> are not free<br />

because of a dense and coercive straitjacket of stereotypes<br />

of femininity and also due to a partially violent<br />

sexual culture, which denies wo<strong>men</strong> their freedom,<br />

and above all the <strong>gen<strong>der</strong></strong> hierarchical social organization<br />

of production and reproduction is responsible for<br />

the banish<strong>men</strong>t of wo<strong>men</strong> into the “private sphere”.<br />

In her now famous and notorious speech on behalf<br />

of the “Action Committee for the Liberation of<br />

<strong>Wo<strong>men</strong></strong>” on the 13 September 1968 at the Delegates<br />

Conference of the SDS (German Socialist Students Fe<strong>der</strong>ation)<br />

in Frankfurt am Main, Heike San<strong>der</strong>s expressed<br />

it thus: <strong>Wo<strong>men</strong></strong> “continue to be raised for the private<br />

sphere, for the family, which in turn is shaped by the<br />

conditions for production, which we are fi ghting<br />

against. Growing up with stereotypes, an inculcated<br />

feeling of inferiority, the contradiction between their<br />

own expectations and the demands of society results in<br />

having a perpetual bad conscience at not having done<br />

justice to the demands made on them or in having to<br />

make a choice that would always mean the renunciation<br />

of vital needs.”<br />

This discontent with the straitjacket of feminity is<br />

not confi ned to the West and evidence of this is the<br />

bestseller by Maxie Wan<strong>der</strong>s, “Guten Morgen du

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