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KELLY CLARKSON - ListedMagazine.com

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fi lm<br />

FILMS<br />

BY BONNIE REDFERN<br />

It seems nuclear fallout couldn’t hold back the 2008<br />

Academy Awards. Despite the ongoing writers strike,<br />

several hundred metres of red carpet is getting the old<br />

shake and vac as we speak...<br />

Complications and contingency<br />

plans aside, this year the<br />

Oscars were looking rather<br />

interesting. If like me, you’re<br />

still breathlessly besotted with<br />

the performance of a certain<br />

Mr Depp, you’ll no doubt have<br />

been rooting for his Best Actor<br />

win to <strong>com</strong>e to fruition. Sweeney<br />

Todd: Demon Barber of Fleet<br />

Street brought the Broadway<br />

musical of the same name to the<br />

big screen with a dark grandeur<br />

only the Depp and Burton duo<br />

could master, while Helena<br />

Bonham Carter added her own<br />

brand of wicked intensity to<br />

proceedings.<br />

However, no amount of doeeyed<br />

gazes at Johnny could get<br />

Helena a nomination, as<br />

Best Actress looked set to be<br />

bestowed upon the fantastic<br />

Ellen Page. Her performance<br />

38 www.listedmagazine.<strong>com</strong><br />

in the controversial Hard<br />

Candy seemed like a tough act<br />

to follow, but playing a selfassured,<br />

pregnant teenager<br />

in indie fl ick Juno has proven<br />

she’s no-one trick pony. It also<br />

earned this off-beat <strong>com</strong>edy a<br />

Best Director nomination for<br />

Jason Reitman, as well as Best<br />

Original Screenplay and Best<br />

Film nominations - alongside<br />

the critics’ favourite No Country<br />

For Old Men, and Keira Knightly<br />

drama Atonement.<br />

Cate Blanchett did a double<br />

and notched up nominations<br />

in both Best Actress and<br />

Supporting Actress categories,<br />

for Elizabeth: The Golden Age<br />

and I’m Not There respectively.<br />

At the time of going to press, this<br />

writer put money on the latter<br />

turning into 13 inches of gold.<br />

But for every golden glimmer<br />

of glory, there’s the irritating,<br />

head-scratching choices<br />

that make you wonder if the<br />

Academy even watches movies<br />

at all. American Gangster<br />

and the terrible Transformers<br />

received nods from art and<br />

special effects credits, while<br />

Michael Moore’s bloated Sicko<br />

was up for a Best Documentary<br />

Feature gong. Now surely this<br />

is just encouraging the man to<br />

think he’s actually a credible<br />

fi lmmaker? Get the stretchers<br />

ready – he’ll need one for that<br />

ego...

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