KELLY CLARKSON - ListedMagazine.com
KELLY CLARKSON - ListedMagazine.com
KELLY CLARKSON - ListedMagazine.com
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fi lm<br />
FILMS<br />
BY BONNIE REDFERN<br />
It seems nuclear fallout couldn’t hold back the 2008<br />
Academy Awards. Despite the ongoing writers strike,<br />
several hundred metres of red carpet is getting the old<br />
shake and vac as we speak...<br />
Complications and contingency<br />
plans aside, this year the<br />
Oscars were looking rather<br />
interesting. If like me, you’re<br />
still breathlessly besotted with<br />
the performance of a certain<br />
Mr Depp, you’ll no doubt have<br />
been rooting for his Best Actor<br />
win to <strong>com</strong>e to fruition. Sweeney<br />
Todd: Demon Barber of Fleet<br />
Street brought the Broadway<br />
musical of the same name to the<br />
big screen with a dark grandeur<br />
only the Depp and Burton duo<br />
could master, while Helena<br />
Bonham Carter added her own<br />
brand of wicked intensity to<br />
proceedings.<br />
However, no amount of doeeyed<br />
gazes at Johnny could get<br />
Helena a nomination, as<br />
Best Actress looked set to be<br />
bestowed upon the fantastic<br />
Ellen Page. Her performance<br />
38 www.listedmagazine.<strong>com</strong><br />
in the controversial Hard<br />
Candy seemed like a tough act<br />
to follow, but playing a selfassured,<br />
pregnant teenager<br />
in indie fl ick Juno has proven<br />
she’s no-one trick pony. It also<br />
earned this off-beat <strong>com</strong>edy a<br />
Best Director nomination for<br />
Jason Reitman, as well as Best<br />
Original Screenplay and Best<br />
Film nominations - alongside<br />
the critics’ favourite No Country<br />
For Old Men, and Keira Knightly<br />
drama Atonement.<br />
Cate Blanchett did a double<br />
and notched up nominations<br />
in both Best Actress and<br />
Supporting Actress categories,<br />
for Elizabeth: The Golden Age<br />
and I’m Not There respectively.<br />
At the time of going to press, this<br />
writer put money on the latter<br />
turning into 13 inches of gold.<br />
But for every golden glimmer<br />
of glory, there’s the irritating,<br />
head-scratching choices<br />
that make you wonder if the<br />
Academy even watches movies<br />
at all. American Gangster<br />
and the terrible Transformers<br />
received nods from art and<br />
special effects credits, while<br />
Michael Moore’s bloated Sicko<br />
was up for a Best Documentary<br />
Feature gong. Now surely this<br />
is just encouraging the man to<br />
think he’s actually a credible<br />
fi lmmaker? Get the stretchers<br />
ready – he’ll need one for that<br />
ego...