31.07.2018 Views

Jeweller - August Issue 2018

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

SOAPBOX<br />

LET’S NOT LOSE THE MYSTIQUE<br />

OF CUSTOM MADE JEWELLERY<br />

The industry sure has changed a lot<br />

over the years. Like many others my age,<br />

I started out in the business with my<br />

father, cutting gemstones and making<br />

jewellery by hand.<br />

Everything was passed on from one<br />

generation to the next. Sitting alongside<br />

another bench jeweller and learning their<br />

techniques was one of the traditional<br />

methods of learning.<br />

Unfortunately a lot the ‘old guards’ who have<br />

retired never ended up training younger<br />

jewellers. Their businesses have closed and<br />

their jewellery manufacturing techniques –<br />

like the art of engraving and diamond setting<br />

– are no more in vogue. Many techniques<br />

are now computerised, with many jewellers<br />

having adapted by solely using CAD/CAM to<br />

design jewellery.<br />

This means there are many jewellers who<br />

have never been taught how to set or<br />

properly repair pieces.<br />

How’s that for doom and gloom?<br />

Now, I don’t think the industry is actually<br />

doomed – I think we just have a lot that needs<br />

to be worked out.<br />

For starters, jewellers who are entering<br />

the trade need to be trained in all of the<br />

fundamental techniques. At gemmological<br />

associations for example, trainees are tested<br />

on their competencies, where they’re marked<br />

against a set of criteria. I think after this, these<br />

young trainees need to be followed up on, to<br />

ensure their techniques are still current and<br />

that they can do the tasks they’re set.<br />

Training facilities also need to be protected<br />

notwithstanding the dwindling funds. Those<br />

entering the industry need to be able to<br />

replace a claw or a broken shank or know<br />

how to restore jewellery back to its pristine<br />

glory; as my father said, “Even if you hire<br />

somebody, you need to know they’re going<br />

to do the same standard as what you<br />

would do yourself.”<br />

As well as continuing to take on apprentices,<br />

we should also be making sure that we do<br />

everything within our power to bolster the<br />

reputation of manufacturing jewellers. People<br />

search for a good hairdresser or cabinetmaker<br />

based on quality of work, so our industry<br />

needs to do the same.<br />

Legal professionals or accountants always<br />

have testimonials from customers on their<br />

website and list their credentials so that<br />

the customer knows exactly who they’ll be<br />

dealing with – again, I believe we should be<br />

doing the same too.<br />

Yes, it’s good to embrace all these new<br />

technologies because it seems quite<br />

inevitable that’s where the industry is<br />

heading; however the importance of<br />

traditional techniques is being lost. I have<br />

too many potential customers come to our<br />

store who stand at the front and ask, “Is there<br />

a jeweller on the premises? Is everything<br />

repaired on site or is it sent away?”<br />

That says a lot to me about the current state<br />

of the industry. It’s an issue of education – our<br />

customers assume that there is no longer a<br />

jeweller on the premises! They think that all<br />

their work will be sent offshore and returned<br />

six weeks later.<br />

Another way we can ensure the mystique<br />

GET OUTSIDE<br />

YOUR COMFORT<br />

ZONE AND TRY<br />

SOMETHING A<br />

LITTLE MORE<br />

ORNATE, RATHER<br />

THAN JUST HAVING<br />

EVERYTHING<br />

‘BREAD AND<br />

BUTTER’<br />

behind hand-made jewellery won’t be lost<br />

is to keep educating our youth. I’m all for<br />

fostering an interest and explaining the values<br />

of the industry in kids from an early age.<br />

I do some informal teaching at primary and<br />

secondary schools, where I introduce students<br />

to gemstones and jewellery as part of their<br />

geology and other classes. Many of these kids<br />

are looking forward to using their hands in the<br />

future – and you could say I’m also looking at<br />

many future potential customers.<br />

What else can be done? Unfortunately, there<br />

seems to be a notion that jewellers think they<br />

know it all and refuse to adapt to change. I<br />

worked beside another jeweller for 28 years,<br />

but he was reluctant to change any of his<br />

techniques during that time. You have to be a<br />

bit of both – you have to carry on with some<br />

of the original techniques as well as take on all<br />

the new ways that might actually be better.<br />

I think we also need to make sure we never<br />

stop learning. There’s a variety of online<br />

tutorials and old-fashioned books you can flick<br />

through to get outside your comfort zone and<br />

try something a little more ornate, rather than<br />

just having everything ‘bread and butter.’<br />

After all, when you get too complacent you<br />

get redundant.<br />

I’ve been around in the trade for 40 years,<br />

and I’m still adapting, still making changes<br />

and trying to figure out what’s the right<br />

thing to do. i<br />

Name: Alfie Gryg<br />

Business: Allgem <strong>Jeweller</strong>s<br />

Position: Master jeweller<br />

Location: Perth, WA<br />

Years in the industry: 38 years<br />

62 <strong>Jeweller</strong> <strong>August</strong> <strong>2018</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!