Well Played 2.0: Video Games, Value and Meaning - OpenLibra

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87 DeKok, David. Unseen Danger: A Tragedy of People, Government, and the Centralia Mine Fire. Philadelphia, PA: U of Pennysylvania P, 2000. Print. 88 Horner, Lisa. Chernobyl: A Tour of Ground Zero. School of Russian and Asian Studies, 6 Aug. 2009. Web. 7 Apr. 2010. . 89 Infinity Ward (developer). Call of Duty 4: Modern Warfare; Modern Warfare 2. Encino/Los Angeles, CA: Activision/Blizzard (pub), 2007; 2009. Interactive. 90 Mycio, Mary. Wormwood Forest: A Natural History of Chernobyl. Washington, D.C.: Joseph Henry P, 2005. Print. 91 Playboy Staff. Playboy Interview - Stephen King (from June 1983 Issue of Playboy Magazine, Reprinted on Website). Playboy Magazine, June 1983. Web. 2 Dec. 2009 . 92 Rossignol, Jim. Why I Still Play Stalker. Rock, Paper, Shotgun, 1 May 2008. Web. 12 Sep. 2009 . 93 Bethesda Softworks (developer). Fallout 3. Bethesda/Rockville, MD: ZeniMax Media (pub), 2009. Interactive. 94 Elliott, Shawn. S.T.A.L.K.E.R.: Shadow of Chernobyl (PC). 1UP, 20 Mar. 2007. Web. 5 Dec. 2009 . 95 Strugatsky, Boris, and Strugatsky, Arkady. Roadside Picnic. Trans. Antonina W. Bouis. New York, US: Macmillan, 1977 (English). Originally published 1972, USSR. Print. 96 Tarkovsky, Andrei (director). Stalker. Mosfilm. Screenplay Boris and Arkady Strugatsky, 1979. Film. 97 Alexievich/Gessen, Voices from Chernobyl. “Monologue on a Single Bullet.” 98 Mulvey, Stephen. Wildlife Defies Chernobyl Radiation. BBC News, 20 Apr. 2006. Web. 15 Sep. 2209 .Web. 1 May 114
Actraiser Andy Jih While many other simulation games already existed by the time Actraiser was released in the US, Actraiser was the first introduction that I had to god-simulation games. From Actraiser, I went to Civilization, to Warcraft, to Civ II, to many others. It opened up my eyes to the world of strategy games and has led me to become a fond fan and appreciator of games of its ilk. While Actraiser has its flaws that I will discuss later, it stands up in my memory for its unique attempt at marrying two disparate gameplay types. Historical Context Actraiser was released in the US in November 1991, a few short months after the Super Nintendo Entertainment System (SNES) had been released in the US. Actraiser was developed by Quintet, a Japanese studio, and was published by Enix (which through various acquisitions, mergers, and the like, eventually became Square Enix). Game Analysis Gameplay Overview Actraiser is a combination of an action, side-scrolling platformer and a god-simulation game. The game begins in a cloud palace where the player is greeted by an Angel. The Angel addresses the player as its Master, and then informs the Master that Tanzra, the demon who sealed the Master’s power, has taken control of the Earth. The Angel states to the Master that in order to regain his strength and allow Earth to return to peace, he must fight off the monsters that have taken over as well as rekindle the people’s faith in him. In order for the people to be able to move back to their lands, the Master must first defeat the first of two bosses. Thus begins the first Action portion of the game. Each action level is filled with various enemies, items, moving platforms, and traps, and each action level ends with a boss battle. The Simulation portion then picks up shortly thereafter. The player now controls the Angel in performing miracles, defeating monsters, and directing the townspeople in how they should build their city. In this phase, the townspeople will request the Master’s presence and ask him to either solve some problems that they are running into or to present offerings and gifts. Once the majority of problems with the city are resolved, the townspeople or the Angel will ask the Master to fight off any 115
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Well Played 2.0: Video Games, Value
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Table of Contents Thank You. Well P
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Introduction Well Played 2.0 More P
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Cloudmaker Days: A Memoir of the A.
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abbreviations from the Periodic Tab
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that curtain was. This decision was
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experience. The ambivalence I felt
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special treat: in very faint text w
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storytelling where the topic is act
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16 It’s striking that an experien
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57 http://www.argn.com 58 http://ww
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the level of interactive engagement
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he wants the honor and glory for hi
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cinematics are units that go beyond
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differs from the first checkpoint).
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oom that you just saw in the vision
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Figure 10. Screenshot of the Castle
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fight, the space is large enough th
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scenes have more of a pounding elem
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going to have a successful ending (
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Interestingly, it doesn’t rewind
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note, I actually let myself get kil
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an attempt to inject it into gamepl
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Team XBox. Prince of Persia: Sands
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Gray discs require two adjacent bre
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my own music,[72] or more often, I
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allows five discs before a new row
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Chain Factor functioned as the “t
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I think, what well-designed virtual
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The genius of this system is that t
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haunting (and haunted) games I’ve
Page 63 and 64: Compared to “Sabre Wulf” and
Page 65 and 66: altitude) depending on the moment o
Page 67 and 68: Aside from that thread that explora
Page 69 and 70: would make anyone feel eager to pla
Page 71 and 72: learn on how to jump and take the o
Page 73 and 74: DREW DAVIDSON et al. (2008). Beyond
Page 75 and 76: her picture. When opening the locke
Page 77 and 78: The story advances with the explora
Page 79 and 80: Favorite moments Nothing would stop
Page 81 and 82: than yourself. Your character is re
Page 83 and 84: on presence, flow, and learning. Ho
Page 85 and 86: oach did not serve as a distraction
Page 87 and 88: game. However, some players felt pr
Page 89 and 90: sugary sweets from the picnic blank
Page 91 and 92: Csikszentmihalyi, M. (1997). Findin
Page 93 and 94: 30 square kilometers around the Che
Page 95 and 96: Deus Ex and System Shock to set the
Page 97 and 98: the dreams,” muses this nameless
Page 99 and 100: fails to realize that the Zone is n
Page 101 and 102: leak, empty land-scape highlights t
Page 103 and 104: The storyline, characters, and even
Page 105 and 106: enough. Call of Duty 4: Modern Warf
Page 107 and 108: developers utilize environmental es
Page 109 and 110: The title of the novel is a referen
Page 111 and 112: And yet the same sun, the same moon
Page 113: (www.perimeterpartners.com), Bill H
Page 117 and 118: simple to dive into: run left and r
Page 119 and 120: the only task left is to go to the
Page 121 and 122: have ended the game simply with an
Page 123 and 124: For an adventure game to succeed, i
Page 125 and 126: cinematic, Manny despairs of his lo
Page 127 and 128: normal day-to-day life to reach new
Page 129 and 130: weren’t completed due to budget a
Page 131 and 132: mechanic Elementals that look like
Page 133 and 134: gameplay mechanics in Fallout 3. Th
Page 135 and 136: with moral dilemmas is done with th
Page 137 and 138: contained vignette will also make m
Page 139 and 140: One of the most discussed Quests in
Page 141 and 142: the grove to help the Wasteland whi
Page 143 and 144: weapons lost will change playing st
Page 145 and 146: nonexistent, and few gamers I talk
Page 147 and 148: Cyan is notorious for baffling play
Page 149 and 150: Figure 2: The Cleft in the desert,
Page 151 and 152: “writing” Ages, housed in “li
Page 153 and 154: ook, that book appears in your Relt
Page 155 and 156: visits to solve, each player needs
Page 157 and 158: them prideful and greedy. The impli
Page 159 and 160: midst and walking down the path. If
Page 161 and 162: Figure 17: Decoding the door in Ede
Page 163 and 164: As mentioned earlier, central to Ur
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Immersive Game Design: Indigo Proph
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compartmentalizes all of the conten
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immediate connection between player
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initiating a similar game-ending ev
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interactions have even greater sign
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was trying to concentrate on inputt
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Lions & Jackals: The Politics of Fa
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Banga, meaning “the all-powerful
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ealization of what he turned into.
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Maybe 80% of our players are just l
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Jeffries, L.B. “Far Cry 2: The He
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Looking beyond the moments, it is i
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prowess. There is some level of apt
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solid short-term goal, much like fi
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time or exploring the same game lev
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and seamless; the player is whisked
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Rasmus: I have an absolute love for
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feeling that there is something int
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sessions make it easy to get into t
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the game sometimes. Isn’t this a
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Jesper: I would argue that the disc
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incredibly exciting and rewarding,
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playing games — ironic, I suppose
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Sutton-Smith, Brian. 2008. Play The
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dilemma itself. Should I, the playe
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Pool of Radiance Sam Roberts Pool o
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play experience of Pool of Radiance
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probably at what might be called th
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containing a moment of choice, is a
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interpreted, without remaining hide
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Making and Unmaking Place in The Da
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technical accomplishments, the play
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understanding.”[160] Time of day
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ears).[167] Videogames take advanta
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the orphanage, church, warehouses,
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Golden Arm and His Girl Friday, tel
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directions except toward the goal.
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This dynamic is played out in a sho
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169 Celia Pearce, “Narrative Envi
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ilovebees: Playing and Designing in
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Curious parties falling through the
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Columns of paired numbers appear, l
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may be, they may still need to be n
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strength of its developers and its
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Resident Evil 4: The Mercenaries Mi
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skills at RE4 have earned you the p
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Another important factor that adds
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The strongest pressure on the playe
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• Do I have enough health left to
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New Section Francisco Souki It was
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the game stayed true throughout the
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a reflective Mamma mia! You only ne
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point it all took shape in my head.
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neutral planet, the attacking ships
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want to attempt to play at an exper
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abusive language. Most importantly,
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Stephen Jacobs is an Associate Prof
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granted by the EPSON Ibérica’s
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and Second Person. He is cited in m
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of Gaming and Computer-Mediated Sim
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designing and developing cross-medi
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