Well Played 2.0: Video Games, Value and Meaning - OpenLibra

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her way past 1 million points? Jesper: That they have too much money on their hands? To me, microtransactions and virtual item trades say something fundamental about users that we tend to forget: people’s lives change over time. Blitz may be successful due to both its short game sessions and due to the predictability of the length of a game session. In “serious” console games, it is often unclear how long a game session you are committing yourself to. Blitz is more like Guitar Hero in that you know the time commitment ahead of time, which makes it much easier put in some game playing in a crowded schedule. You could generalize that young people tend to have little money but lots of time, while older people with jobs and kids have more money but less time. Thus, microtransactions may be a way for the older generation to achieve parity? Rasmus: I suppose so. Now that micropayment has actually been added to Blitz, I cannot truthfully say that I do not feel tempted. Damn those kids. Jesper: Damn them. References Csikszentmihalyi, Mihaly. 1990. Flow: The Psychology of Optimal Experience. New York, NY: Harper & Row. Gamehouse. 1998. Collapse. (Windows). Gamelab. 2003. Diner Dash. PlayFirst, Inc. (Windows). Gladwell, Malcolm. 2000. The Art of Failure. The New Yorker, August 21. http://www.gladwell.com/2000/2000_08_21_a_choking.htm. Infinite Interactive. 2007. Puzzle Quest. D3 Publisher (Windows). iWin. 2004. Jewel Quest. Gamehouse (Windows). Juul, Jesper. 2007. Swap adjacent gems to make sets of three: A history of matching tile games. Artifact 1, no. 4: 205-216. ———. 2009. A Casual Revolution: Reinventing Video Games and Their Players. Cambridge, MA: MIT Press. Lowensohn, Josh. 2010. PopCap on the iPad, 3D, and crying goats (Q&A). CNET News, April 26. http://news.cnet.com/ 8301-27076_3-20003335-248.html. PopCap Games. 2001. Bejeweled. (Windows). ———. 2004a. Bejeweled 2 Deluxe. (Windows). ———. 2004b. Zuma. (Windows). ———. 2008. Bejeweled Blitz. PopCap Games (Facebook). 210
Sutton-Smith, Brian. 2008. Play Theory: A Personal Journey and New Thoughts. American Journal of Play 1, no. 1. 211
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Well Played 2.0: Video Games, Value
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Table of Contents Thank You. Well P
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Introduction Well Played 2.0 More P
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Cloudmaker Days: A Memoir of the A.
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abbreviations from the Periodic Tab
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that curtain was. This decision was
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experience. The ambivalence I felt
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special treat: in very faint text w
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storytelling where the topic is act
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16 It’s striking that an experien
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57 http://www.argn.com 58 http://ww
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the level of interactive engagement
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he wants the honor and glory for hi
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cinematics are units that go beyond
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differs from the first checkpoint).
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oom that you just saw in the vision
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Figure 10. Screenshot of the Castle
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fight, the space is large enough th
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scenes have more of a pounding elem
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going to have a successful ending (
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Interestingly, it doesn’t rewind
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note, I actually let myself get kil
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an attempt to inject it into gamepl
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Team XBox. Prince of Persia: Sands
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Gray discs require two adjacent bre
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my own music,[72] or more often, I
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allows five discs before a new row
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Chain Factor functioned as the “t
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I think, what well-designed virtual
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The genius of this system is that t
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haunting (and haunted) games I’ve
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Compared to “Sabre Wulf” and
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altitude) depending on the moment o
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Aside from that thread that explora
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would make anyone feel eager to pla
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learn on how to jump and take the o
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DREW DAVIDSON et al. (2008). Beyond
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her picture. When opening the locke
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The story advances with the explora
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Favorite moments Nothing would stop
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than yourself. Your character is re
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on presence, flow, and learning. Ho
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oach did not serve as a distraction
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game. However, some players felt pr
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sugary sweets from the picnic blank
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Csikszentmihalyi, M. (1997). Findin
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30 square kilometers around the Che
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Deus Ex and System Shock to set the
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the dreams,” muses this nameless
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fails to realize that the Zone is n
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leak, empty land-scape highlights t
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The storyline, characters, and even
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enough. Call of Duty 4: Modern Warf
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developers utilize environmental es
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The title of the novel is a referen
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And yet the same sun, the same moon
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(www.perimeterpartners.com), Bill H
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Actraiser Andy Jih While many other
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simple to dive into: run left and r
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the only task left is to go to the
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have ended the game simply with an
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For an adventure game to succeed, i
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cinematic, Manny despairs of his lo
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normal day-to-day life to reach new
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weren’t completed due to budget a
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mechanic Elementals that look like
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gameplay mechanics in Fallout 3. Th
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with moral dilemmas is done with th
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contained vignette will also make m
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One of the most discussed Quests in
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the grove to help the Wasteland whi
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weapons lost will change playing st
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nonexistent, and few gamers I talk
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Cyan is notorious for baffling play
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Figure 2: The Cleft in the desert,
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“writing” Ages, housed in “li
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ook, that book appears in your Relt
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visits to solve, each player needs
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them prideful and greedy. The impli
Page 159 and 160: midst and walking down the path. If
Page 161 and 162: Figure 17: Decoding the door in Ede
Page 163 and 164: As mentioned earlier, central to Ur
Page 165 and 166: Immersive Game Design: Indigo Proph
Page 167 and 168: compartmentalizes all of the conten
Page 169 and 170: immediate connection between player
Page 171 and 172: initiating a similar game-ending ev
Page 173 and 174: interactions have even greater sign
Page 175 and 176: was trying to concentrate on inputt
Page 177 and 178: Lions & Jackals: The Politics of Fa
Page 179 and 180: Banga, meaning “the all-powerful
Page 181 and 182: ealization of what he turned into.
Page 183 and 184: Maybe 80% of our players are just l
Page 185 and 186: Jeffries, L.B. “Far Cry 2: The He
Page 187 and 188: Looking beyond the moments, it is i
Page 189 and 190: prowess. There is some level of apt
Page 191 and 192: solid short-term goal, much like fi
Page 193 and 194: time or exploring the same game lev
Page 195 and 196: and seamless; the player is whisked
Page 197 and 198: Rasmus: I have an absolute love for
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Page 201 and 202: sessions make it easy to get into t
Page 203 and 204: the game sometimes. Isn’t this a
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Page 209: playing games — ironic, I suppose
Page 213 and 214: dilemma itself. Should I, the playe
Page 215 and 216: Pool of Radiance Sam Roberts Pool o
Page 217 and 218: play experience of Pool of Radiance
Page 219 and 220: probably at what might be called th
Page 221 and 222: containing a moment of choice, is a
Page 223 and 224: interpreted, without remaining hide
Page 225 and 226: Making and Unmaking Place in The Da
Page 227 and 228: technical accomplishments, the play
Page 229 and 230: understanding.”[160] Time of day
Page 231 and 232: ears).[167] Videogames take advanta
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Page 235 and 236: Golden Arm and His Girl Friday, tel
Page 237 and 238: directions except toward the goal.
Page 239 and 240: This dynamic is played out in a sho
Page 241 and 242: 169 Celia Pearce, “Narrative Envi
Page 243 and 244: ilovebees: Playing and Designing in
Page 245 and 246: Curious parties falling through the
Page 247 and 248: Columns of paired numbers appear, l
Page 249 and 250: may be, they may still need to be n
Page 251 and 252: strength of its developers and its
Page 253 and 254: Resident Evil 4: The Mercenaries Mi
Page 255 and 256: skills at RE4 have earned you the p
Page 257 and 258: Another important factor that adds
Page 259 and 260: The strongest pressure on the playe
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• Do I have enough health left to
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New Section Francisco Souki It was
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the game stayed true throughout the
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a reflective Mamma mia! You only ne
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point it all took shape in my head.
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neutral planet, the attacking ships
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want to attempt to play at an exper
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abusive language. Most importantly,
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Stephen Jacobs is an Associate Prof
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granted by the EPSON Ibérica’s
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and Second Person. He is cited in m
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of Gaming and Computer-Mediated Sim
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designing and developing cross-medi
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