Well Played 2.0: Video Games, Value and Meaning - OpenLibra

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Oldenburg, Ray. The Great Good Place. New York: Marlowe & Company, 1999. Pearce, Celia. “Narrative Environments.” In Space Time Play, edited by Friedrich von Borries, Steffen P. Walz and Matthias Bottger, 200-205. Basel: Birkhauser, 2007. —. The Interactive Book. MacMillan, 1997. Ryan, Marie-Laure. Narrative as Virtual Reality. Baltinmore: Johns Hopkins University Press, 2001. Tuan, Yi-Fu. Space and Place: The Perspective of Experience. Minneapolis: University of Minnesota Press, 2001. 242
ilovebees: Playing and Designing in Real-Time Lee Sheldon Down the Rabbit-Hole “After a fall such as this, I shall think nothing of tumbling downstairs!” The Game We begin with the previews for the films Spiderman 2, I, Robot and King Arthur released in the summer of 2004. They are preceded by a trailer for the video game Halo 2. At the end of the trailer is a final screen displaying the console the game was developed for: the Xbox. But there is something odd about the www.xbox.com URL at the bottom of that last screen. For a brief second or two it wavers and another URL can be seen: www.ilovebees.com. Then the Xbox URL reappears. We found out that it has to be a dance. We make a move, and they make a move. - Elan Lee The Design ilovebees is not a video game. It was never on sale. And if you didn’t play it from July 13 to November 4, 2004, you’ve missed your chance. Nevertheless, this alternate reality game (ARG), taking place in the real world in real time, was played by thousands of people all across the US. The game was designed at 42 Entertainment, the people behind an earlier ARG called The Beast. Both games were viral advertising campaigns. The first was created to promote Steven Spielberg’s film A.I. and the second was created for the video game Halo 2. A core design principle of ARGs is called TINAG (This Is Not a Game). Fact and fiction blur. In-game actions can cause real-world events; and the games can react to those who play them. It’s often not possible to differentiate what is part of an ARG, and what isn’t. ARGs don’t announce themselves with colorful posters in retail stores. There are no ads on gaming websites. They arrive in the dead of night like Mr. Dark’s traveling carnival, unexpected and possibly unsettling. They depend upon word of mouth, and the astuteness of strangers. The “rabbit hole” (a reference to the beginning of Lewis Carroll’s Alice’s Adventures in Wonderland), aka the “trailhead,” is the point of 243
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Well Played 2.0: Video Games, Value
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Table of Contents Thank You. Well P
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Introduction Well Played 2.0 More P
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Cloudmaker Days: A Memoir of the A.
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abbreviations from the Periodic Tab
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that curtain was. This decision was
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experience. The ambivalence I felt
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special treat: in very faint text w
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storytelling where the topic is act
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16 It’s striking that an experien
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57 http://www.argn.com 58 http://ww
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the level of interactive engagement
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he wants the honor and glory for hi
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cinematics are units that go beyond
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differs from the first checkpoint).
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oom that you just saw in the vision
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Figure 10. Screenshot of the Castle
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fight, the space is large enough th
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scenes have more of a pounding elem
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going to have a successful ending (
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Interestingly, it doesn’t rewind
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note, I actually let myself get kil
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an attempt to inject it into gamepl
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Team XBox. Prince of Persia: Sands
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Gray discs require two adjacent bre
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my own music,[72] or more often, I
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allows five discs before a new row
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Chain Factor functioned as the “t
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I think, what well-designed virtual
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The genius of this system is that t
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haunting (and haunted) games I’ve
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Compared to “Sabre Wulf” and
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altitude) depending on the moment o
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Aside from that thread that explora
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would make anyone feel eager to pla
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learn on how to jump and take the o
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DREW DAVIDSON et al. (2008). Beyond
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her picture. When opening the locke
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The story advances with the explora
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Favorite moments Nothing would stop
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than yourself. Your character is re
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on presence, flow, and learning. Ho
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oach did not serve as a distraction
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game. However, some players felt pr
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sugary sweets from the picnic blank
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Csikszentmihalyi, M. (1997). Findin
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30 square kilometers around the Che
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Deus Ex and System Shock to set the
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the dreams,” muses this nameless
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fails to realize that the Zone is n
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leak, empty land-scape highlights t
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The storyline, characters, and even
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enough. Call of Duty 4: Modern Warf
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developers utilize environmental es
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The title of the novel is a referen
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And yet the same sun, the same moon
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(www.perimeterpartners.com), Bill H
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Actraiser Andy Jih While many other
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simple to dive into: run left and r
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the only task left is to go to the
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have ended the game simply with an
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For an adventure game to succeed, i
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cinematic, Manny despairs of his lo
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normal day-to-day life to reach new
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weren’t completed due to budget a
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mechanic Elementals that look like
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gameplay mechanics in Fallout 3. Th
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with moral dilemmas is done with th
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contained vignette will also make m
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One of the most discussed Quests in
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the grove to help the Wasteland whi
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weapons lost will change playing st
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nonexistent, and few gamers I talk
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Cyan is notorious for baffling play
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Figure 2: The Cleft in the desert,
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“writing” Ages, housed in “li
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ook, that book appears in your Relt
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visits to solve, each player needs
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them prideful and greedy. The impli
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midst and walking down the path. If
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Figure 17: Decoding the door in Ede
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As mentioned earlier, central to Ur
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Immersive Game Design: Indigo Proph
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compartmentalizes all of the conten
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immediate connection between player
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initiating a similar game-ending ev
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interactions have even greater sign
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was trying to concentrate on inputt
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Lions & Jackals: The Politics of Fa
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Banga, meaning “the all-powerful
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ealization of what he turned into.
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Maybe 80% of our players are just l
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Jeffries, L.B. “Far Cry 2: The He
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Looking beyond the moments, it is i
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prowess. There is some level of apt
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Page 197 and 198: Rasmus: I have an absolute love for
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Page 201 and 202: sessions make it easy to get into t
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Page 211 and 212: Sutton-Smith, Brian. 2008. Play The
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Page 215 and 216: Pool of Radiance Sam Roberts Pool o
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Page 219 and 220: probably at what might be called th
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Page 223 and 224: interpreted, without remaining hide
Page 225 and 226: Making and Unmaking Place in The Da
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Page 231 and 232: ears).[167] Videogames take advanta
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Page 235 and 236: Golden Arm and His Girl Friday, tel
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Page 239 and 240: This dynamic is played out in a sho
Page 241: 169 Celia Pearce, “Narrative Envi
Page 245 and 246: Curious parties falling through the
Page 247 and 248: Columns of paired numbers appear, l
Page 249 and 250: may be, they may still need to be n
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Page 253 and 254: Resident Evil 4: The Mercenaries Mi
Page 255 and 256: skills at RE4 have earned you the p
Page 257 and 258: Another important factor that adds
Page 259 and 260: The strongest pressure on the playe
Page 261 and 262: • Do I have enough health left to
Page 263 and 264: New Section Francisco Souki It was
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Page 267 and 268: a reflective Mamma mia! You only ne
Page 269 and 270: point it all took shape in my head.
Page 271 and 272: neutral planet, the attacking ships
Page 273 and 274: want to attempt to play at an exper
Page 275 and 276: abusive language. Most importantly,
Page 277 and 278: Stephen Jacobs is an Associate Prof
Page 279 and 280: granted by the EPSON Ibérica’s
Page 281 and 282: and Second Person. He is cited in m
Page 283 and 284: of Gaming and Computer-Mediated Sim
Page 285 and 286: designing and developing cross-medi
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