Well Played 2.0: Video Games, Value and Meaning - OpenLibra

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From the same author on Feedbooks Beyond Fun: Serious Games and Media (2008) This book focuses on strategies for applying games, simulations and interactive experiences in learning contexts. The contributors orchestrated this collection together, reading and writing as a whole so that concepts resonate across articles. Throughout, the promises and problems of implementing games and media in learning experiences are explored. The articles have been authored by Clark Aldrich, Ian Bogost, Mia Consalvo, William Crosbie, Drew Davidson, Simon Egenfeldt-Nielsen, Melinda Jackson, Donna Leishman, Michael Mateas, Marc Prensky, Scott Rettberg, Kurt Squire, David Thomas, Siobhan Thomas, Jill Walker Rettberg, and Jenny Weight. Well Played 1.0: Video Games, Value and Meaning (2009) What makes a game good? or bad? or better? Video games can be “well played” in two senses. On the one hand, well played is to games as well read is to books. On the other hand, well played as in well done. This book is full of in-depth close readings of video games that parse out the various meanings to be found in the experience of playing a game. 22 contributors (developers, scholars, reviewers and bloggers) look at video games through both senses of “well played.” The goal is to help develop and define a literacy of games as well as a sense of their value as an experience. Video games are a complex medium that merits careful interpretation and insightful analysis. Cross-Media Communications: an Introduction to the Art of Creating Integrated Media Experiences (2010) This text is an introduction to the future of mass media and mass communications – cross-media communications. Cross-media is explained through the presentation and analysis of contemporary examples and project-based tutorials in cross-media development. The text introduces fundamental terms and concepts, and provides a solid overview of cross-media communications, one that builds from a general introduction to a specific examination of media and genres to a discussion of the concepts involved in 284
designing and developing cross-media communications. There are also CMC Media Files for hands-on exercises that shows how cross-media can be applied. The CMC Media Files can be downloaded here: http://www.etc.cmu.edu/etcpress/files/cmc-media-files.zip Well Played 3.0: Video Games, Value and Meaning (2011) Following on Well Played 1.0 and 2.0, this book will also be full of in-depth close readings of video games that parse out the various meanings to be found in the experience of playing a game. Contributors will analyze sequences in a game in detail in order to illustrate and interpret how the various components of a game can come together to create fulfilling a playing experience unique to this medium. Contributors will again be looking at video games, some that were covered in Well Played 1.0 and 2.0 as well as new ones, in order to provide a variety of perspectives on more great games. 285
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Well Played 2.0: Video Games, Value
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Table of Contents Thank You. Well P
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Introduction Well Played 2.0 More P
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Cloudmaker Days: A Memoir of the A.
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abbreviations from the Periodic Tab
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that curtain was. This decision was
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experience. The ambivalence I felt
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special treat: in very faint text w
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storytelling where the topic is act
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16 It’s striking that an experien
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57 http://www.argn.com 58 http://ww
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the level of interactive engagement
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he wants the honor and glory for hi
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cinematics are units that go beyond
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differs from the first checkpoint).
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oom that you just saw in the vision
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Figure 10. Screenshot of the Castle
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fight, the space is large enough th
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scenes have more of a pounding elem
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going to have a successful ending (
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Interestingly, it doesn’t rewind
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note, I actually let myself get kil
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an attempt to inject it into gamepl
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Team XBox. Prince of Persia: Sands
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Gray discs require two adjacent bre
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my own music,[72] or more often, I
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allows five discs before a new row
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Chain Factor functioned as the “t
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I think, what well-designed virtual
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The genius of this system is that t
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haunting (and haunted) games I’ve
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Compared to “Sabre Wulf” and
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altitude) depending on the moment o
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Aside from that thread that explora
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would make anyone feel eager to pla
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learn on how to jump and take the o
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DREW DAVIDSON et al. (2008). Beyond
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her picture. When opening the locke
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The story advances with the explora
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Favorite moments Nothing would stop
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than yourself. Your character is re
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on presence, flow, and learning. Ho
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oach did not serve as a distraction
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game. However, some players felt pr
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sugary sweets from the picnic blank
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Csikszentmihalyi, M. (1997). Findin
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30 square kilometers around the Che
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Deus Ex and System Shock to set the
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the dreams,” muses this nameless
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fails to realize that the Zone is n
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leak, empty land-scape highlights t
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The storyline, characters, and even
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enough. Call of Duty 4: Modern Warf
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developers utilize environmental es
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The title of the novel is a referen
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And yet the same sun, the same moon
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(www.perimeterpartners.com), Bill H
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Actraiser Andy Jih While many other
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simple to dive into: run left and r
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the only task left is to go to the
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have ended the game simply with an
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For an adventure game to succeed, i
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cinematic, Manny despairs of his lo
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normal day-to-day life to reach new
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weren’t completed due to budget a
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mechanic Elementals that look like
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gameplay mechanics in Fallout 3. Th
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with moral dilemmas is done with th
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contained vignette will also make m
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One of the most discussed Quests in
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the grove to help the Wasteland whi
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weapons lost will change playing st
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nonexistent, and few gamers I talk
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Cyan is notorious for baffling play
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Figure 2: The Cleft in the desert,
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“writing” Ages, housed in “li
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ook, that book appears in your Relt
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visits to solve, each player needs
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them prideful and greedy. The impli
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midst and walking down the path. If
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Figure 17: Decoding the door in Ede
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As mentioned earlier, central to Ur
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Immersive Game Design: Indigo Proph
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compartmentalizes all of the conten
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immediate connection between player
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initiating a similar game-ending ev
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interactions have even greater sign
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was trying to concentrate on inputt
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Lions & Jackals: The Politics of Fa
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Banga, meaning “the all-powerful
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ealization of what he turned into.
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Maybe 80% of our players are just l
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Jeffries, L.B. “Far Cry 2: The He
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Looking beyond the moments, it is i
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prowess. There is some level of apt
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solid short-term goal, much like fi
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time or exploring the same game lev
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and seamless; the player is whisked
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Rasmus: I have an absolute love for
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feeling that there is something int
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sessions make it easy to get into t
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the game sometimes. Isn’t this a
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Jesper: I would argue that the disc
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incredibly exciting and rewarding,
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playing games — ironic, I suppose
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Sutton-Smith, Brian. 2008. Play The
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dilemma itself. Should I, the playe
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Pool of Radiance Sam Roberts Pool o
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play experience of Pool of Radiance
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probably at what might be called th
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containing a moment of choice, is a
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interpreted, without remaining hide
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Making and Unmaking Place in The Da
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technical accomplishments, the play
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understanding.”[160] Time of day
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ears).[167] Videogames take advanta
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Page 239 and 240: This dynamic is played out in a sho
Page 241 and 242: 169 Celia Pearce, “Narrative Envi
Page 243 and 244: ilovebees: Playing and Designing in
Page 245 and 246: Curious parties falling through the
Page 247 and 248: Columns of paired numbers appear, l
Page 249 and 250: may be, they may still need to be n
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Page 253 and 254: Resident Evil 4: The Mercenaries Mi
Page 255 and 256: skills at RE4 have earned you the p
Page 257 and 258: Another important factor that adds
Page 259 and 260: The strongest pressure on the playe
Page 261 and 262: • Do I have enough health left to
Page 263 and 264: New Section Francisco Souki It was
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Page 269 and 270: point it all took shape in my head.
Page 271 and 272: neutral planet, the attacking ships
Page 273 and 274: want to attempt to play at an exper
Page 275 and 276: abusive language. Most importantly,
Page 277 and 278: Stephen Jacobs is an Associate Prof
Page 279 and 280: granted by the EPSON Ibérica’s
Page 281 and 282: and Second Person. He is cited in m
Page 283: of Gaming and Computer-Mediated Sim
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