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AdamsArtExpose’ ART<br />

HYW 62 OPEN STUDIO ARTIST -<br />

DAVID BOTTOMS<br />

The visit <strong>to</strong> David Bot<strong>to</strong>ms studio/home<br />

was following the previous <strong>week</strong>end of<br />

sever weather in Joshua Tree, wind and<br />

flooding had raised havoc especially with<br />

the gravel roads in the area. David's<br />

studio is located on such a road. He<br />

informed us that he performs much of<br />

the maintenance on the roads with a<br />

trac<strong>to</strong>r he has on his property. His studio<br />

is a new modern structure designed<br />

specifically for his work. Outside of the<br />

studio a few yards away in an open area is<br />

an approximate 10 foot by 10 foot raised<br />

platform with stairs leading <strong>to</strong> the <strong>to</strong>p. He<br />

informed us that he uses it for viewing<br />

the stars and the landscape generally<br />

while laying down on the platform. As a<br />

result of Joshua Tree, and the area around<br />

it, being on a high plateau the viewing of<br />

stars and surrounding area is unique as if<br />

seeing the sky from inside a bowl.<br />

David's painting is unique in his<br />

interpretation of subjects in what he calls<br />

an abstract realism. When you view<br />

his work it may remind you of a video<br />

pixelation such as might happen when<br />

you watch TV and there is a glitch in the<br />

broadcast where the picture is broken in<strong>to</strong><br />

a series of square pixelations. The subject<br />

of his work is based on representation<br />

of people, animals, landscapes, and<br />

cityscapes. He explains that he breaks<br />

AdamsArtExpose’<br />

the picture apart, reducing shapes <strong>to</strong><br />

tiles or small squares of color. This<br />

process he uses <strong>to</strong> break the space he calls<br />

"constructive deconstruction of images".<br />

His work has a similarity <strong>to</strong> Piet<br />

Mondrian's iconic work of reducing visual<br />

reality <strong>to</strong> what Mondrian called macro<br />

level interpretation. However Mondrian<br />

went <strong>to</strong> a further reduction using only<br />

black lines forming squares and rectangles<br />

with red, yellow and blue color. David's<br />

work leaves more visual identification of<br />

the subject which causes the viewer <strong>to</strong><br />

look carefully and <strong>to</strong> visually construct<br />

the subject from the pixels of color that<br />

intersperse in<strong>to</strong> space around the central<br />

object. His art causes an active visual<br />

construction as you enjoy viewing the<br />

work.<br />

More of his work may be viewed at www.<br />

dbot<strong>to</strong>ms.com., where you can also find<br />

further contact information .<br />

Questions, comments, suggestions,<br />

contact - adamsartexpose@gmail.com or<br />

adamsartexpose@ddg.com.<br />

30 The original <strong>Gay</strong> Desert Daily Guide. View our Free Digital Version on-line.

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