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J'AIME MARCH 2019

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suit some actors so we have to change them around,<br />

or that Russell’s interpretation has been different to<br />

mine so a mask might sit on the shelf for a bit before<br />

we find a role for it.<br />

“This mask of Ryan had a really tiny role in a<br />

previous show, The Best Thing, but it was a mask<br />

that I loved so much it got the main role in this show.<br />

The masks really can take on a life of their own.”<br />

And while it might seem the lack of both dialogue<br />

and ability to express yourself facially might provide<br />

a challenge for the actors, Rachael says that’s<br />

definitely not the case.<br />

“Actually you have both,” she explains. “When<br />

you’re behind the mask you pull all of the facial<br />

expressions, and often when you perform in a mask,<br />

when you take it off your face hurts because of all of<br />

the expressions you pull.<br />

“There’s also a script so you also have an internal<br />

monologue, or if there are two people on stage an<br />

internal dialogue. We often rehearse without masks<br />

on so we absolutely know the economy of words,<br />

economy of movement, the changes of pace, angles<br />

of the masks, and it’s the actors’ job to make their<br />

internal monologue end up in the audience’s brain.<br />

That’s the incredible link between a masked actor<br />

and the audience.”<br />

Inspiring original music, clever projections and<br />

innovative design with lighting and costumes all help<br />

to add to the fully immersive experience that is a<br />

Vamos Theatre production.<br />

Rachael is hoping A Brave Face will appeal to<br />

civilians and veteran alikes and understands<br />

that, with the subject matter at hand, audience<br />

members who are veterans or living with military<br />

Post-Traumatic Stress might find certain scenes<br />

distressing. With this in mind, the company is<br />

encouraging venues to put on Chilled Performances,<br />

which have slight adjustments made to reduce the<br />

possibility of triggers and provide additional support<br />

for those who could be affected by the show.<br />

“With A Brave Face, I want to raise awareness within<br />

civilian society of something I was so ignorant and<br />

naive and blasé about,” says Rachael. “And now, I<br />

have as much respect for military as I do for doctors,<br />

nurses, firefighters and the police.”<br />

“As civilians, we can never know what military life is<br />

like, and we don’t want to. We just want to sleep well<br />

in our beds at night and we don’t worry about other<br />

people having to follow orders and carry out actions<br />

that they may not agree with, and living with the<br />

guilt and shame and those traumas that are built up,<br />

when they’re just doing their jobs.”<br />

A Brave Face is touring the UK and Germany,<br />

coming to the Lichfield Garrick on March 30. For<br />

more details visit www.vamostheatre.co.uk and<br />

to book tickets call the Garrick box office on 01543<br />

412121 or visit www.lichfieldgarrick.com<br />

FULL MASK THEATRE<br />

LENDS ITSELF PERFECTLY<br />

TO EMOTIONAL<br />

STORYTELLING<br />

10

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