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“I had a real transition, going from<br />
thinking I wasn’t interested in making a<br />
show about the military, to being really<br />
passionate about making a show about<br />
the military.”<br />
Created from two years of research<br />
with ex and serving soldiers, families<br />
and health professionals, A Brave Face<br />
explores Post-Traumatic Stress, an unseen<br />
and often unrecognised injury of war,<br />
and the impact it can have on even the<br />
closest of families. With compassion<br />
and fearlessness, Vamos brings its this<br />
important story to life in its trademark,<br />
wordless, full mask style.<br />
“It’s a long and often painful process,” says Rachael.<br />
“The research isn’t easy, but what drives me is my<br />
passion for making sure these stories are told.<br />
“A Brave Face was based on lots of different people’s<br />
stories; the list of military, ex-military, wives and<br />
partners, parents and health professionals who have<br />
contributed to the show is endless.”<br />
One such contributor is army veteran Ray Anderton,<br />
who has acted as a consultant throughout the<br />
development of A Brave Face, even going as far as<br />
to sit in on rehearsals now the start of the tour is<br />
imminent.<br />
“I was lucky enough to meet Ray a couple of years<br />
A BRAVE FACE COMES<br />
TO THE LICHFIELD<br />
GARRICK THIS MONTH<br />
THE SHOW IS ‘A STORY<br />
WHICH NEEDS TO BE<br />
TOLD’ SAYS RACHAEL<br />
ago and he really has guided me every step of the<br />
way; he’s been a real driving force who has helped to<br />
mould the story of Ryan,” says Rachael.<br />
“And to have him in rehearsals is amazing; he makes<br />
sure we get everything just right. It would be too<br />
easy for someone from the military to come to the<br />
show and pick fault with the tiny details which then<br />
takes away from the real value of the piece, so having<br />
Ray on board to make sure the details are spot on is<br />
fantastic.”<br />
A long time advocate of masked theatre, Rachael<br />
believes it is the perfect medium for her hard-hitting<br />
and emotional brand of storytelling.<br />
“Because of the stories I want to tell, the genre of<br />
full mask theatre really suits it,” explains Rachael.<br />
“As an audience member you have to engage so fully<br />
and meet the actor halfway. For me, full mask theatre<br />
is brilliant because it makes people feel. There’s a<br />
much deeper level of empathy, and in making people<br />
feel, you can make them think.<br />
“Working without words creates a personal kind<br />
of communication, in which difficult issues can be<br />
more easily approached. Because the words aren’t<br />
there, each audience member creates their own<br />
story internally and in encourages a real emotional<br />
connection with the characters.”<br />
A Brave Face features renowned mask actor<br />
James Greaves as Ryan, as well as physical theatre<br />
actors João Ricardo Aguiar, Joshua Patel, Sophia<br />
Knox-Miller and Tessa Gaukroger. And the masks<br />
themselves are as much stars of the show as the<br />
actors who wear them.<br />
“I write the story, I write the characters and give<br />
a character outline, and then Russell Dean from<br />
Strange Face Theatre Company makes the masks,”<br />
says Rachael.<br />
“Then when the actors put them on, the masks really<br />
come to life. Sometimes we find some masks don’t<br />
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