SPA480_Bestseller_2019_2020_web_hoch
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Beethoven’s Choral Masterpieces<br />
SACRED AND SECULAR CHORAL WORKS<br />
Symphony No. 9 in D min<br />
op. 125. Finale (Ger)<br />
Urtext / Ed. J. Del Mar<br />
☞ BA 9009-90° Vocal score<br />
☞ TP 909 Study score<br />
Missa solemnis in D maj<br />
op. 123 (Lat)<br />
NEW <strong>2019</strong><br />
Urtext / Ed. B. Cooper<br />
☞ BA 9038-90° Vocal score<br />
☞ BA 9038-91 Choral score<br />
This Urtext edition takes<br />
into account all the sources<br />
including the old and the<br />
new complete editions whose<br />
relationship is clearly<br />
explained in a stemma. In<br />
several passages the<br />
renowned Beethoven<br />
specialist Barry Cooper has<br />
arrived at variant readings,<br />
such as in the “Sanctus”,<br />
where the choir enters<br />
instead of the soloists, rather<br />
than coming in at “Pleni sunt<br />
coeli”. No less worthy of<br />
mention is the addition of the<br />
soloists to the choir in most<br />
of the “Credo”. These matters<br />
and many other editorial<br />
decisions are documented in<br />
the detailed Critical<br />
Commentary (Eng).<br />
Mass in C maj<br />
op. 86 (Lat)<br />
Urtext / Ed. B. Cooper<br />
☞ BA 9039-90° Vocal score<br />
Drawing on the rich body<br />
of sources, Beethoven<br />
specialist Barry Cooper<br />
suggests practical solutions<br />
to the work’s musical and<br />
interpretative problems. His<br />
deep study of the sources<br />
convinced him to include a<br />
fully realized organ part in<br />
the score, just as Beethoven<br />
envisioned it for the first<br />
printed edition. As stated in<br />
the sources, the parts for the<br />
soloists and choir are notated<br />
on joint staves to demonstrate<br />
that the soloists are also to<br />
sing the choral passages.<br />
NEW <strong>2019</strong><br />
A Pronunciation Guide<br />
for Japanese Singers<br />
With an Introduction on the<br />
work’s reception by Eizaburo<br />
Tsuchida<br />
Text booklet in Japanese<br />
☞ BA 9009-14<br />
This Pronunciation Guide<br />
helps Japanese singers with<br />
the pronunciation of the<br />
German text in the “Finale” of<br />
Beethoven’s Symphony No. 9.<br />
It includes the singing text in<br />
German, the international<br />
phonetic transcription, Japanese<br />
Katakana as well as a translation<br />
into Japanese.<br />
The foreword by Eizaburo<br />
Tsuchida sheds light on the<br />
history and reception of the<br />
9 th Symphony in Japan.<br />
NEW <strong>2019</strong><br />
A Pronunciation Guide<br />
for Choral Singers<br />
☞ Video available on the<br />
Bärenreiter <strong>web</strong>site and on<br />
YouTube<br />
Facsimile edition<br />
☞ ISBN 978-3-7618-2395-8<br />
à page 148<br />
110<br />
From: Beethoven, Missa solemnis in D maj op. 123, “Sanctus” · BA 9038-90