02.07.2019 Views

SPA480_Bestseller_2019_2020_web_hoch

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Beethoven’s Choral Masterpieces<br />

SACRED AND SECULAR CHORAL WORKS<br />

Symphony No. 9 in D min<br />

op. 125. Finale (Ger)<br />

Urtext / Ed. J. Del Mar<br />

☞ BA 9009-90° Vocal score<br />

☞ TP 909 Study score<br />

Missa solemnis in D maj<br />

op. 123 (Lat)<br />

NEW <strong>2019</strong><br />

Urtext / Ed. B. Cooper<br />

☞ BA 9038-90° Vocal score<br />

☞ BA 9038-91 Choral score<br />

This Urtext edition takes<br />

into account all the sources<br />

including the old and the<br />

new complete editions whose<br />

relationship is clearly<br />

explained in a stemma. In<br />

several passages the<br />

renowned Beethoven<br />

specialist Barry Cooper has<br />

arrived at variant readings,<br />

such as in the “Sanctus”,<br />

where the choir enters<br />

instead of the soloists, rather<br />

than coming in at “Pleni sunt<br />

coeli”. No less worthy of<br />

mention is the addition of the<br />

soloists to the choir in most<br />

of the “Credo”. These matters<br />

and many other editorial<br />

decisions are documented in<br />

the detailed Critical<br />

Commentary (Eng).<br />

Mass in C maj<br />

op. 86 (Lat)<br />

Urtext / Ed. B. Cooper<br />

☞ BA 9039-90° Vocal score<br />

Drawing on the rich body<br />

of sources, Beethoven<br />

specialist Barry Cooper<br />

suggests practical solutions<br />

to the work’s musical and<br />

interpretative problems. His<br />

deep study of the sources<br />

convinced him to include a<br />

fully realized organ part in<br />

the score, just as Beethoven<br />

envisioned it for the first<br />

printed edition. As stated in<br />

the sources, the parts for the<br />

soloists and choir are notated<br />

on joint staves to demonstrate<br />

that the soloists are also to<br />

sing the choral passages.<br />

NEW <strong>2019</strong><br />

A Pronunciation Guide<br />

for Japanese Singers<br />

With an Introduction on the<br />

work’s reception by Eizaburo<br />

Tsuchida<br />

Text booklet in Japanese<br />

☞ BA 9009-14<br />

This Pronunciation Guide<br />

helps Japanese singers with<br />

the pronunciation of the<br />

German text in the “Finale” of<br />

Beethoven’s Symphony No. 9.<br />

It includes the singing text in<br />

German, the international<br />

phonetic transcription, Japanese<br />

Katakana as well as a translation<br />

into Japanese.<br />

The foreword by Eizaburo<br />

Tsuchida sheds light on the<br />

history and reception of the<br />

9 th Symphony in Japan.<br />

NEW <strong>2019</strong><br />

A Pronunciation Guide<br />

for Choral Singers<br />

☞ Video available on the<br />

Bärenreiter <strong>web</strong>site and on<br />

YouTube<br />

Facsimile edition<br />

☞ ISBN 978-3-7618-2395-8<br />

à page 148<br />

110<br />

From: Beethoven, Missa solemnis in D maj op. 123, “Sanctus” · BA 9038-90

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!