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STRINGS – VIOLA<br />

Sassmannshaus<br />

Viola Recital Album<br />

for viola and piano<br />

or two violas<br />

Viola and Keyboard<br />

Instrument – Composers<br />

Eds. M. Lusk, C. Sassmannshaus,<br />

K. Sassmannshaus<br />

Each volume with score and<br />

part, plus additional viola part<br />

for the duet version<br />

☞ BA 8990 Vol. 1 First Position<br />

☞ BA 8991 Vol. 2 First Position<br />

☞ BA 8992 Vol. 3 First Position<br />

☞ BA 8993 Vol. 4 First Position<br />

These four volumes are<br />

designed as companion<br />

volumes to the “Early Start on<br />

the Viola” method but work<br />

equally well as a supplement<br />

to any other viola method. As<br />

all pieces are written entirely<br />

in first position, they can be<br />

used just after a few months of<br />

lessons.<br />

The piano part may be played<br />

by the teacher or an advanced<br />

student. Alternatively a second<br />

viola part allows duet playing<br />

with the teacher during lessons.<br />

Volumes 1 and 2 can be used as<br />

a supplement to the “Early Start<br />

on the Viola” method, Volumes<br />

1 and 2 (BA 9686 and BA 9687).<br />

The 18 pieces are structured to<br />

follow the same progression of<br />

finger patterns introduced in<br />

the “Early Start” method. This<br />

systematic progression helps<br />

the student to solidify the hand<br />

position and improve intonation.<br />

The basic bowing techniques<br />

do not require changes in bow<br />

speed or sounding point. The<br />

young performer can focus on a<br />

straight and beautifully placed<br />

bow that produces a pleasing<br />

and clear sound.<br />

Volumes 3 and 4 can be used as<br />

a supplement to the “Early Start<br />

on the Viola” method, Volumes<br />

2 and 3 (BA 9687 and BA 9688).<br />

The 12 pieces are structured to<br />

follow the same progression of<br />

finger patterns introduced in<br />

the “Early Start” method. The<br />

later repertoire in this volume<br />

includes a careful introduction<br />

of downward and upward<br />

extensions.<br />

Bach, Johann Sebastian<br />

(1685–1750)<br />

Concerto in E-flat maj<br />

for viola, strings and bc<br />

Reconstructed from BWV 169,<br />

49 and 1053<br />

Ed. W. Fischer<br />

☞ BA 5149-90°<br />

Piano reduction<br />

Three Sonatas BWV 1027-1029<br />

for viola da gamba (viola) and<br />

harpsichord<br />

Urtext / Ed. H. Eppstein<br />

☞ BA 5186 Score with parts<br />

Berlioz, Hector<br />

(1803–1869)<br />

Harold en Italie<br />

Symphony in four parts with<br />

solo viola. With performance<br />

suggestions by F. Lainé<br />

Urtext / Eds. P. Banks,<br />

H. Macdonald<br />

☞ BA 5457-90•<br />

Piano reduction<br />

• The first modern piano<br />

reduction of Berlioz’ central<br />

work for orchestra and viola<br />

• Designed with additional<br />

music from the orchestral<br />

tutti for the solo viola for<br />

performances with piano<br />

65

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