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STRINGS – VIOLONCELLO<br />
Mendelssohn Bartholdy, Felix<br />
(1809–1847)<br />
Complete Works<br />
for Violoncello and Piano<br />
Urtext / Ed. R. L. Todd<br />
☞ BA 9096 Vol. 1 Score with part<br />
☞ BA 9097 Vol. 2 Score with part<br />
S P E C I A L S E T P R I C E<br />
BA 9098 · Set of 2 volumes<br />
Felix Mendelssohn Bartholdy’s<br />
works for violoncello and piano<br />
occupy a special place within<br />
the repertoire of cellists and<br />
chamber musicians.<br />
The lyrical “Song without Words”<br />
(“Romance sans paroles”) is<br />
among the most popular of all<br />
teaching pieces.<br />
Mendelssohn was inspired by his<br />
contacts with the leading cellists<br />
of his day to write for this<br />
instrument. This unique<br />
Urtext edition contains all of<br />
Mendelssohn’s finished works<br />
for violoncello and piano as well<br />
as reconstructions and<br />
completions of his unfinished<br />
works for the same scoring.<br />
The editor R. Larry Todd has<br />
composed the cello part for the<br />
variations and has completed<br />
the graceful “Assai tranquillo”.<br />
• Also includes reconstructions<br />
or completions of<br />
Mendelssohn’s unfinished<br />
works for violoncello and<br />
piano<br />
• Informative Foreword (Eng/<br />
Ger) and Critical Commentary<br />
(Eng) with facsimile pages<br />
“... a unique text that all<br />
cellists will want to own.”<br />
(Strings)<br />
Popper, David<br />
(1843–1913)<br />
Im Walde / In the Forest<br />
Suite for violoncello and piano<br />
op. 50<br />
Ed. M. Rummel<br />
☞ BA 6996 Score with parts<br />
Rieding, Oskar<br />
(1840–1918)<br />
Concerto in B min op. 35<br />
Arranged for cello,<br />
transposed to D min<br />
Bärenreiter’s Concert Pieces<br />
☞ BA 8984 page 48<br />
Saint-Saëns, Camille<br />
(1835–1921)<br />
Mollenhauer, Edward<br />
(1827–1914)<br />
The Infant Paganini /<br />
The Boy Paganini<br />
arranged for cello and piano<br />
Bärenreiter’s Concert Pieces<br />
BA 10691–BA 10692<br />
page 48<br />
Mozart, Wolfgang Amadeus<br />
(1756–1791)<br />
Sonata in B-flat maj<br />
for violoncello (bassoon) and<br />
piano according to K. 292 (196 c )<br />
or for two bass instruments<br />
(violoncellos, bassoons) K. 292<br />
(196 c ). Arranged by M. Töpel<br />
after the Urtext / Ed. D. Berke<br />
☞ BA 6974<br />
Score with set of parts<br />
Offenbach, Jacques<br />
(1819–1880)<br />
Two Duets for two Violoncellos<br />
op. 52/2, 3<br />
Ed. K. Storck<br />
☞ BA 6972<br />
Performance score<br />
Picinetti, Felice Maria<br />
(circa 1700)<br />
Sonata in C maj<br />
for violoncello and bc<br />
Ed. W. Upmeyer<br />
☞ BA 6963 Score with part<br />
Picinetti's cello sonata hints<br />
at a lively temperament and a<br />
solid training in the Baroque<br />
sonata da chiesa style.<br />
It affords cellists a welcome<br />
opportunity of performing<br />
Baroque music as a soloist<br />
instead of as a continuo player.<br />
Allegro Appassionato in B min<br />
op. 43<br />
for violoncello and piano<br />
Urtext / Ed. C. Baur<br />
☞ BA 9047 Score with part<br />
This edition includes readings<br />
from the version for orchestra<br />
rendered as ossias and<br />
contains an enlightening<br />
Foreword (Eng/Ger/Fr). Two<br />
solo parts are included: an<br />
unmarked Urtext part and a<br />
second part with fingering and<br />
bowing by M. Edmondson.<br />
The solo parts are generously<br />
laid out with a fold-out page.<br />
75
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