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PIANO / KEYBOARD<br />

Piano Solo – Composers<br />

Schulhoff, Erwin<br />

(1894–1942)<br />

Jazz-inspired Works for Piano<br />

Urtext / Ed. M. Kube<br />

☞ BA 9559<br />

This edition contains five of<br />

Schulhoff’s piano cycles with<br />

a total of thirty-five jazzinflected<br />

pieces ranging from<br />

the relatively easy “Esquisses<br />

de jazz” (1927) to the fairly<br />

demanding “Cinq études de<br />

jazz” (1926). This is the first<br />

Urtext edition of this music<br />

and draws on the original<br />

prints comparing them with<br />

the surviving handwritten<br />

sources. Errors have been<br />

corrected and distinctive<br />

traits of Schulhoff’s notation<br />

retained.<br />

Sonatas Nos. 1–3 for Piano<br />

Urtext / Ed. M. Kube<br />

☞ BA 9560<br />

Schumann, Clara<br />

(1819–1896)<br />

Romantic Piano Music<br />

Ed. F. Goebels<br />

☞ BA 6550 Volume 1<br />

☞ BA 6556 Volume 2<br />

Schumann, Robert<br />

(1810–1856)<br />

Easy Piano Pieces and Dances<br />

Ed. M. Töpel<br />

Fingering by A. Töpel<br />

☞ BA 6567<br />

Schumann, Robert<br />

(1810–1856)<br />

43 Piano Pieces<br />

for the Young op. 68<br />

“Album for the Young”<br />

Urtext with fingering /<br />

Ed. H. M. Stüwe<br />

Fingering and notes on<br />

performance practice<br />

by R. Schirmer<br />

☞ BA 9641<br />

• Urtext edition at the<br />

cutting edge of scholarship<br />

• Many additional pieces and<br />

“Advice to Young Musicians”<br />

in the appendix<br />

• Original pedal markings by<br />

Clara Schumann and<br />

fingering by Ragna Schirmer<br />

• Detailed Foreword<br />

(Ger/Eng) and Critical<br />

Commentary (Eng)<br />

Kinderszenen /<br />

Scenes from Childhood op. 15<br />

Urtext with fingering /<br />

Ed. H. Stüwe<br />

Fingering by R. Schirmer<br />

☞ BA 9639<br />

Waldszenen op. 82<br />

Urtext with fingering /<br />

Ed. H. Stüwe<br />

Fingering by R. Schirmer<br />

☞ BA 9640<br />

Skrjabin, Aleksandr<br />

(1871–1915)<br />

Complete Piano Sonatas<br />

Urtext / Ed. C. Flamm<br />

Volume 1: Youth Sonatas<br />

☞ BA 9616<br />

Volume 2: Sonatas Nos. 4 and 5<br />

☞ BA 9617<br />

Volume 3: Sonatas Nos. 6, 7, 8<br />

☞ BA 9618<br />

in preparation<br />

Volume 4: Sonatas Nos. 9, 10<br />

☞ BA 9619<br />

Smetana, Bedřich<br />

(1824–1884)<br />

Rêves / Dreams<br />

Urtext / Ed. J. Gabrielová<br />

☞ BA 9529<br />

Smetana, Bedřich<br />

(1824–1884)<br />

Macbeth<br />

Sketch for the Scene of<br />

Macbeth and the Witches<br />

after Shakespeare<br />

Urtext / Ed. J. Gabrielová<br />

☞ BA 11537<br />

Suk, Josef<br />

(1874–1935)<br />

Životem a snem /<br />

Things Lived and Dreamt<br />

Ten Pieces for Piano op. 30<br />

Urtext / Ed. J. Gabrielová<br />

☞ BA 9561<br />

Suková, Otilie<br />

(1878–1905)<br />

Piano Pieces<br />

Urtext / Ed. E. Prchalová<br />

☞ BA 11557<br />

NEW 2018<br />

NEW 2018<br />

Otilie Suková was the<br />

daughter of Antonín Dvořák<br />

and the wife of Josef Suk.<br />

A gifted musician, she played<br />

the piano and wrote several<br />

compositions of her own,<br />

inspired by her musical<br />

surroundings. Four of her<br />

piano pieces have survived;<br />

Suk wrote them down after<br />

his wife’s performance.<br />

“Lullaby”, “Humoresque” and<br />

“Joey on the Horsie” were<br />

published four years after<br />

her death as a supplement<br />

to the periodical Zlatá Praha.<br />

“To Dear Daddy” appears here<br />

for the first time in print. It<br />

is based on two manuscripts;<br />

the first is Suk's manuscript,<br />

the second is Otilie's clean<br />

copy of Suk's manuscript.<br />

25

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