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The Only Complete Edition of<br />

Antonio Vivaldi’s “La Stravaganza”<br />

STRINGS STREICHER – VIOLA<br />

NEW <strong>2019</strong><br />

Vivaldi, Antonio<br />

(1678–1741)<br />

La Stravaganza op. 4<br />

12 Concertos for Violin,<br />

Strings and Basso continuo<br />

Urtext / Ed. B. Schwemer<br />

Volume 1<br />

☞ BA 7566-90° Piano reduction<br />

Volume 2<br />

☞ BA 7567-90° Piano reduction<br />

Antonio Vivaldi’s 12 concertos<br />

op. 4 known by the name of<br />

“La Stravaganza” were first<br />

mentioned as a collection of<br />

“Concerti a 4” in the 1711<br />

Foreword of “L’Estro Armonico”<br />

op. 3. Their publication had to<br />

wait until 1716, when Estienne<br />

Roger issued them in two<br />

volumes of six concertos each.<br />

However, unlike the original<br />

announcement, “La Stravaganza”<br />

is more than a collection of<br />

concertos for solo violin with<br />

string accompaniment: in five<br />

of the concertos the soloist is<br />

joined by a second solo violin or<br />

even by a solo violoncello<br />

(Concerto No. 7).<br />

The many reprints of<br />

“La Stravaganza” bear witness<br />

to its popularity and widespread<br />

dissemination well into the<br />

1730s. Besides the surviving<br />

prints, there is a significant<br />

body of handwritten sources<br />

containing alternative versions<br />

for seven of the concertos.<br />

Some of these manuscripts<br />

stem from the music library of<br />

Johann Georg Pisendel.<br />

This edition of “La Stravaganza”<br />

is not only the first scholarlycritical<br />

edition, it is also the<br />

only complete edition available.<br />

In addition to the twelve<br />

concertos handed down in<br />

the Roger edition, Bärenreiter<br />

offers an additional concerto<br />

in full score, piano reduction<br />

and parts contained in the 1728<br />

print issued by the English<br />

publishers Walsh & Hare,<br />

as well as alternative versions<br />

(without viola) found in<br />

handwritten sources for<br />

Concertos No. 6 (Libro Primo)<br />

and No. 11 (Libro Secondo).<br />

• The only complete edition<br />

currently available<br />

• Orchestral parts in large<br />

format (25.5 cm x 32.5 cm)<br />

• Each full score with a<br />

Foreword (Ger/Eng) and<br />

Critical Commentary (Eng)<br />

From: Vivaldi, La Stravaganza op. 4, Libro Primo · BA 7566<br />

63

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