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STRINGS – VIOLIN<br />
1-2 Violins and Keyboard<br />
Instrument – Composers<br />
Bériot, Charles-Auguste de<br />
(1802–1870)<br />
NEW 2018<br />
Concerto in A min op. 104<br />
for violin and piano<br />
Bärenreiter’s Concert Pieces<br />
☞ BA 10696<br />
NEW 2018<br />
Scène de Ballet op. 100<br />
for violin and piano<br />
Bärenreiter’s Concert Pieces<br />
☞ BA 10695<br />
page 48<br />
From: Brahms, Concerto in D maj · BA 9049-90<br />
Brahms, Johannes<br />
(1833–1897)<br />
54<br />
Concerto in D maj<br />
for Violin and Orchestra op. 77<br />
With cadenzas by J. Joachim,<br />
C. Halir, H. Heermann, L. Auer,<br />
F. Busoni<br />
Urtext / Ed. C. Brown<br />
☞ BA 9049-90°<br />
Piano reduction<br />
This edition contains not only<br />
Brahms’ own piano reduction,<br />
an Urtext violin part, a second<br />
violin part with fingering and<br />
bowing by J. Joachim from his<br />
1905 violin method but also an<br />
additional brochure with<br />
cadenzas by Brahms’<br />
contemporaries J. Joachim,<br />
C. Halir, H. Heermann,<br />
L. Auer and F. Busoni.<br />
In addition Clive Brown has<br />
provided an enlightening<br />
Foreword on Romantic period<br />
performance practice as well<br />
as the history of the work and<br />
its sources.<br />
Brahms, Johannes<br />
(1833–1897)<br />
Works for Violin and Piano<br />
page 55<br />
Chédeville, Nicolas<br />
(1705–1782)<br />
Il pastor fido<br />
(attributed to Antonio Vivaldi)<br />
Six sonatas op. 13 for violin<br />
(flute / treble recorder / oboe)<br />
and bc<br />
Urtext / Ed. F. M. Sardelli<br />
☞ BA 8735 Score with parts<br />
° = Performance material<br />
available on sale
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