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Boxoffice - July 2019

The Official Magazine of the National Association of Theatre Owners

The Official Magazine of the National Association of Theatre Owners

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TOP WOMEN IN GLOBAL EXHIBITION <strong>2019</strong><br />

Describe your ideal moviegoing<br />

experience.<br />

DS: While the moviegoing experience<br />

has evolved and innovated in amazing<br />

ways with regard to seating, presentation,<br />

and food and drink options, I just like a<br />

comfortable seat close to the aisle and a<br />

good movie!<br />

KL: When I can get my teenage son<br />

and daughter to agree on a movie (!), it’s<br />

usually a family experience. We are notoriously<br />

early to the theater—I have to get<br />

settled into my seat before heading to the<br />

concession stand for a tub of popcorn.<br />

And I don’t share my popcorn.<br />

What can companies like Screenvision<br />

do to encourage diversity within the<br />

exhibition industry?<br />

DS: I’m proud to say that Screenvision<br />

Media values diversity, with women making<br />

up half of the executive team. I love<br />

what our sales team, led by Katy Loria, is<br />

doing to promote the meaningful representation<br />

of women in film via a partnership<br />

with the Geena Davis Institute on<br />

Gender in Media, in which our Front +<br />

Center preshow will give a special look<br />

at upcoming films that receive GD-IQ<br />

certification.<br />

KL: Equality should stand for a place<br />

where we all belong. It’s incumbent on us<br />

to foster an environment where everyone<br />

feels not only welcome, but invited and<br />

encouraged to participate. If we don’t<br />

encourage that dialogue, the workplace<br />

and the world will get boring pretty<br />

quickly. On a tangible front, it begins<br />

with recruiting and carries through to hiring,<br />

training, and mentoring diverse team<br />

members, from the ground floor all the<br />

way through to the board.<br />

Katy, can you talk a bit about<br />

Screenvision’s partnership with the<br />

Geena Davis Institute on Gender in<br />

Media and how it came about?<br />

KL: I can remember attending a<br />

panel at Cannes Lions several years back<br />

and being shocked to learn that less than<br />

20 percent of women in movies had<br />

speaking roles. It seemed impossible. I<br />

don’t know whether I was more taken<br />

aback by the statistic or that I hadn’t noticed<br />

the inequality myself. Because we<br />

think Screenvision sits at a pretty cool<br />

intersection of film, media, and distribution,<br />

it just naturally made sense to use<br />

our network to help bring awareness to<br />

an initiative that is not only important<br />

within our walls, but also those of the<br />

brands that we work with. As we learned<br />

more about the important research being<br />

done at the Geena Davis Institute on<br />

Gender in Media in the film industry—<br />

as well as efforts within the media industry<br />

being heralded by #SeeHer—we<br />

grew increasingly excited to introduce<br />

content opportunities on the big screen<br />

that tie gender equality messaging with<br />

the brands in support of it. We hope<br />

the moviegoing audience will not only<br />

appreciate the content but also continue<br />

to support the films that are presenting<br />

balanced representation both on screen<br />

and behind the camera.<br />

Darryl, It sounds like Variety – the<br />

Children’s Charity of New York is<br />

poised to do some really great,<br />

interesting work. Can you talk a bit<br />

about why you joined the board of<br />

directors and what sorts of projects<br />

you’re planning?<br />

DS: I’ve always been proud to work<br />

in such a charitable industry, and we at<br />

Screenvision Media have consistently supported<br />

industry charities like Variety and<br />

Will Rogers. When the New York branch<br />

of Variety was being re-formed, it was an<br />

honor to be asked to join the board. In its<br />

new formation, Variety – the Children’s<br />

Charity of New York will be focused<br />

on freedom and future. The Freedom<br />

program delivers vital life-changing<br />

equipment and services for mobility,<br />

independence, and social inclusion,<br />

while the Future program delivers crucial<br />

life-enriching communication equipment,<br />

services, education, and self-esteem<br />

to individual children and children’s<br />

organizations. Earlier in June, we gave<br />

away an adaptive bike as part of Variety<br />

International’s Freedom Day, and I was so<br />

thrilled to be part of that opportunity!<br />

THE COCA-COLA COMPANY<br />

CAMI REYNOLDS, VP OF STRATEGIC PARTNERSHIP MARKETING<br />

KRISTA SCHULTE, GLOBAL VP OF STRATEGIC PARTNERSHIP MARKETING<br />

MAYSON SPELLMAN, SENIOR NATIONAL SALES EXECUTIVE<br />

The Coca-Cola Company is the market leader when it<br />

comes to providing the “beverage” component of food and<br />

beverage for most exhibitors. Coca-Cola’s cinema team<br />

benefits from an all-star trio of women executives. Krista<br />

Schulte goes beyond the cinema space, overseeing airlines,<br />

ski resorts, and theme parks, just to name a few areas.<br />

Cami Reynolds and Mayson Spellman are two of Coca-<br />

Cola’s senior sales executives in North America, dealing<br />

with accounts for some of the largest cinema chains in the<br />

world, including AMC and Cinemark.<br />

98 JULY <strong>2019</strong>

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