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Boxoffice - July 2019

The Official Magazine of the National Association of Theatre Owners

The Official Magazine of the National Association of Theatre Owners

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Spotlight Cinema Networks reported alcohol as<br />

a consistent performer. “We have adult audiences<br />

who come to our theaters looking for a date night<br />

or evening out, and we’re uniquely positioned to<br />

appeal to those consumers,” says Sakin.<br />

The key for continued growth in cinema<br />

advertising lies in the power of data analytics.<br />

“NCM is, first and foremost, a media company,”<br />

says Marks. “The brands we’re working with are<br />

making decisions about where they spend their<br />

marketing dollars. Do they put them in Google,<br />

Facebook, Snapchat, Amazon, or do they put<br />

them in cinema? For cinema advertising companies<br />

to be most competitive as media entities, we<br />

must be able to be as accountable and attributable<br />

as other media players. We need to be competitive,<br />

and if we can’t garner good first- or second-party<br />

data, we’re not going to be able to be<br />

competitive with the media industry, television,<br />

digital, and social. The revenue we bring to the<br />

exhibition community will go down if we cannot<br />

be as competitive with the digital media industry<br />

as we need to be. For us, data is critical to be a<br />

modern media company that can tell brands what<br />

we’re doing with their money and how we can<br />

help them drive more sales.”<br />

“Addressable advertising is our biggest challenge<br />

right now,” agrees Spotlight’s Sakin. “Advertisers are<br />

making a considerable investment in creative and<br />

media, and they want to know they are getting the<br />

right eyeballs. Cinema advertising’s challenge is going<br />

to be how we answer this addressability question.”<br />

It’s a challenge that every company in the<br />

space is actively working on, whether it’s through<br />

first-party data or second-party channels. The future<br />

of cinema advertising will rely on the insights<br />

advertisers can draw from moviegoing audiences—and<br />

their ability to refine their targeting and<br />

re-targeting campaigns. Cinema, after all, offers an<br />

increasingly elusive proposition for advertisers: a<br />

captive audience.<br />

“We are all part of a great industry,” says Tocchini.<br />

“As long as Hollywood keeps telling great stories,<br />

people will flock to cineplexes, and brands will want<br />

to be a part of that experience. [Cinema advertising]<br />

just needs to deliver to exhibitors, brands, and<br />

moviegoers alike: keep it interesting, keep it relevant,<br />

keep it simple, and we will all be successful.”<br />

JULY <strong>2019</strong><br />

81

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