27.07.2019 Views

QUILTsocial Issue 14

While exploring and playing with the Brother Luminaire XP1 and the Husqvarna Viking Designer EPIC sewing machines, we're after what is original in quilting ideas. In this issue we show you how to piece fabric using decorative stitches instead of the typical quarter inch seam. We use traditional quilt blocks to make a modern quilt, show you how to use the flip and stitch technique of quilt making, the golden 5 steps to add a flange to a binding to give the quilt edge some pop of color. Many free patterns and inspiring new quilting ideas!sew

While exploring and playing with the Brother Luminaire XP1 and the Husqvarna Viking Designer EPIC sewing machines, we're after what is original in quilting ideas. In this issue we show you how to piece fabric using decorative stitches instead of the typical quarter inch seam. We use traditional quilt blocks to make a modern quilt, show you how to use the flip and stitch technique of quilt making, the golden 5 steps to add a flange to a binding to give the quilt edge some pop of color. Many free patterns and inspiring new quilting ideas!sew

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

A drawer full of various colors of thread<br />

Having a fast sewing machine like the<br />

Husqvarna Viking Designer EPIC makes<br />

this job a whole lot easier and faster.<br />

Not only the speed but the penetration<br />

power of the Designer EPIC makes quick<br />

work of stitching that binding in place. I<br />

had barely started and I was DONE!<br />

I wanted to say something about thread<br />

color. Don’t drive yourself crazy to find a<br />

thread that exactly matches your fabrics.<br />

I have a drawer of mostly small spools of<br />

thread that have collected over the years.<br />

Most likely because I was topstitching<br />

something or I just liked the color.<br />

Who knows how one collects this stuff.<br />

Anyway, all the colored spools of thread<br />

are in one spot. When I need to choose<br />

the thread for the backing or the binding,<br />

I open up this drawer and I find the BEST<br />

match, not the EXACT match. I’m much<br />

more likely to have a BEST match than I<br />

am to have an EXACT match. I certainly<br />

don’t have time to run to the store each<br />

time I need a bit of thread to bind a quilt.<br />

As an example, here’s the color of thread<br />

that I used for the bobbin in the final<br />

step of the attaching the binding. That<br />

is nowhere near an exact match to that<br />

backing, but when you run a single<br />

strand across the backing, the thread<br />

pretty much disappears.<br />

Thread used for the bobbin when sewing the<br />

binding to the quilt – it’s not an exact match<br />

6 steps<br />

to add<br />

lettering to<br />

your quilt<br />

sashings<br />

Step 1 - Choose the sashing<br />

While it’s important to choose the right<br />

color of fabric for the sashing, it’s even<br />

more important if you’re adding lettering.<br />

I like my lettering to be legible, but I don’t<br />

want the words to dominate the quilt.<br />

Here’s my stack of blocks that I’m<br />

working with. There are 111 blocks in<br />

total and I’m including all the blocks<br />

in one large quilt. The blocks are all<br />

different with various colors on the outer<br />

edges of the blocks. I need to find one<br />

fabric that’ll work with all the blocks.<br />

I went through my stash and found four<br />

possible fabrics to use for the sashing.<br />

I eliminated the one on the left. It’s a<br />

very busy print and the wording won’t<br />

show up at all. The two colors in the<br />

print are working nicely together and if<br />

I were to add something else, it would<br />

be too much.<br />

I eliminated the burgundy one as well.<br />

Why? The pattern is very spread out<br />

and my sashings will finish at 1” x 6”. The<br />

pattern in the sashing will vary too much<br />

and the words won’t show up as well<br />

as they could. Let’s not forget that the<br />

sashing is to provide a framework for<br />

the blocks. The burgundy fabric will not<br />

provide a cohesive look.<br />

That leaves me with the gold and<br />

the green. Both of which are fairly<br />

monochromatic. Let’s audition each with<br />

the blocks and see what happens.<br />

Quilt blocks that will be sashed and made into<br />

a quilt.<br />

38 <strong>QUILTsocial</strong> | issue <strong>14</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!