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LOST MOVIE ART<br />
As not seen<br />
on screen<br />
Illustrator Fernando Reza has an unusual passion:<br />
he designs posters for films that don’t exist<br />
Tim Burton’s Superman Lives,<br />
Alfred Hitchcock’s Kaleidoscope,<br />
Quentin Tarantino’s prequel to<br />
Pulp Fiction and Reservoir Dogs<br />
– what do these three films have<br />
in common? <strong>The</strong>y don’t exist.<br />
Cast but never made, they’re<br />
among the forgotten movies that<br />
didn’t make it to the big screen.<br />
Illustrator Fernando Reza has<br />
now created a series of posters<br />
that imagine what some of these<br />
lost features would have looked<br />
like if they’d been released. “I<br />
recall hearing rumours about all<br />
these unfinished movies and<br />
finding it super-intriguing,” he<br />
says. “It was the early days of the<br />
internet, so there was very little<br />
information out there – a quick<br />
line or maybe just the title – but<br />
it sparked my imagination. I<br />
thought it would be cool to delve<br />
into the production history of the<br />
films and put an image to them.”<br />
Reza’s posters are available<br />
online as numbered art prints,<br />
each with a historically authentic<br />
replica cinema ticket, and the<br />
release of a book is planned.<br />
“<strong>The</strong> good thing is that there<br />
is such an interest in unmade<br />
films,” Reza says. “<strong>The</strong>re are<br />
documentaries about Superman<br />
Lives and Jodorowsky’s Dune,<br />
and a book about Kubrick’s<br />
Napoleon. <strong>The</strong>re’s so much<br />
curiosity about the ‘what ifs’ of<br />
cinema history. I’m putting an<br />
image to what could have been.”<br />
frodesignco.com<br />
Clockwise from top left: Tarantino’s<br />
<strong>The</strong> Vega Brothers (shelved in<br />
2007); Kaleidoscope (1967); Orson<br />
Welles’ Heart Of Darkness (1939);<br />
Superman Lives (1998)<br />
LOU BOYD<br />
24 THE RED BULLETIN