Annual Report 2001-2002 - Western Australian Museum - The ...
Annual Report 2001-2002 - Western Australian Museum - The ...
Annual Report 2001-2002 - Western Australian Museum - The ...
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35<br />
<strong>Western</strong> <strong>Australian</strong> <strong>Museum</strong>–<br />
Science and Culture<br />
A major fire in the summer of <strong>2002</strong>, which burned more than 100 hectares of Bold Park, has<br />
allowed Ric How to examine the recolonisation of sampling sites by herpetofauna and make<br />
comparisons with the 15 years’ sampling prior to the fire.<br />
KNOWLEDGE COMMUNICATION<br />
Anthropology<br />
Contribution to the development of Aboriginal representation in Geraldton’s new Mid West Gallery<br />
has been the focus of the department. Anna Edmundson and Moya Smith completed panel<br />
text, image selection and object sourcing, which were then discussed with members of an<br />
Aboriginal advisory group as well as with the Yamaji Language Centre and members of various<br />
Native Title claimant groups.<br />
<strong>The</strong> launch of WAMCAES was celebrated with a lecture delivered by Dr Karin Sowada from<br />
Sydney University’s Nicholson <strong>Museum</strong>. Her paper, describing the scientific examination of<br />
that museum’s Egyptian mummies, highlighted public interest in this field, and set the scene for<br />
current research being conducted on the <strong>Western</strong> <strong>Australian</strong> <strong>Museum</strong>’s ancient Egyptian human<br />
mummies. <strong>The</strong> launch coincided with the temporary display of the <strong>Museum</strong>’s Egyptian collection<br />
in the exhibition Kemet Deshret: Black Land, Red Land—a Glimpse of Ancient Egypt.<br />
Ross Chadwick provided objects and advice on text for the Kodja Cultural Centre, Kojonup.<br />
Kodja Place developed as a community project that incorporated reconciliation into its planning.<br />
He also sourced objects for the Prospectors Gallery and provided advice on text for the <strong>Australian</strong><br />
Miners Hall of Fame in Kalgoorlie.<br />
Ross Chadwick and Anna Edmundson worked with artists Andrea Williams and Jo Darbyshire<br />
installing the Proclamation Arch, a <strong>Museum</strong>Link project that intertwined objects from the<br />
anthropology collections with freshly cut banksias and eucalypts to construct an arch reminiscent<br />
of those erected in Perth in 1901 to celebrate federation.<br />
Anna Edmundson continued a highly successful changing exhibition program in Katta Djinoong:<br />
First Peoples of <strong>Western</strong> Australia. <strong>The</strong>re were three exhibitions: From the Past to the Present,<br />
profiling the work of artist Julie Weekes, with a series of acrylic paintings; Valerie Takao Binder’s<br />
Sandy Country/Yile Boodjar, a series of acrylic paintings; and Designs in Silk, a vibrant textile<br />
installation by Noongar artist Tidda Lauree.<br />
Other significant installations curated by Anna included Andrea Williams: Wagyl, an installation<br />
remarking upon the erasure of Noongar history in Perth’s urban landscape, which was part of<br />
the Perth International Arts Festival; the travelling exhibition Discover Japan through<br />
Contemporary Posters, in conjunction with the Japan Foundation and the Japanese Consulate<br />
of Perth; Across the Waters: Art and Craftwork by Asylum Seekers at the Port Hedland Detention<br />
Centre, brought to the <strong>Museum</strong> as part of <strong>2002</strong> Harmony Day celebrations; Shedding Skin, an<br />
installation by artists Arif and Audrey Satar exploring current issues of race and refugees in<br />
Australia, curated with Matt Trinca of <strong>Museum</strong>Link; and Behind the Mask, a travelling exhibition<br />
featuring the winning masks of the ‘Face of Australia’ competition and some of the amazing<br />
array of masks in the <strong>Museum</strong>’s anthropology collections.<br />
History<br />
<strong>The</strong> department provided extensive input into the Geraldton Mid West Gallery, working closely<br />
with Exhibition and Design staff to provide photographs, objects and text for the exhibition.<br />
<strong>The</strong> History Department continued to play a key role in the <strong>Museum</strong>Link program through Sue<br />
Graham-Taylor’s involvement in the Sustainability WA exhibition. Sue is also helping to develop<br />
exhibitions on wind power and waste, both of which will tour <strong>Western</strong> Australia. <strong>The</strong> Watching<br />
Waste exhibition, funded by a grant from the Waste Management and Recycling Fund, will<br />
WESTERN AUSTRALIAN MUSEUM ANNUAL REPORT <strong>2001</strong>–<strong>2002</strong>