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Annual Report 2001-2002 - Western Australian Museum - The ...

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61<br />

Visitor Services<br />

over 10 years. <strong>The</strong>y showed their struggles, hopes and dreams in exploring a world that has<br />

changed radically around them. <strong>The</strong> exhibition was launched with a celebratory performance<br />

by San dancers and musicians and was run in conjunction with the First Nation exhibition, a<br />

photographic display celebrating Aboriginal culture in Australia.<br />

Andrea Williams: Wagyl<br />

26 January – 26 February<br />

<strong>The</strong> fiery Wagyl, an important ancestral Dreamtime being that lives in the Swan River, was recreated<br />

by Noongar artist Andrea Williams in the Hackett Hall Foyer for the Perth International<br />

Arts Festival. <strong>The</strong> sculpture in light, supported by <strong>Museum</strong>Link, was a statement of Indigenous<br />

tradition and an insistence on the strength and vitality of living Noongar culture. Anna Edmundson,<br />

of the Department of Anthropology, curated the installation.<br />

Sustainability WA<br />

8 February – 3 March; March–May, 26 sites<br />

Developed for the Department of Premier and Cabinet by the <strong>Museum</strong>Link program, this<br />

exhibition featured 18 <strong>Western</strong> <strong>Australian</strong>s who are working towards a more sustainable future<br />

through new technologies and the smart use of existing facilities across the state. Head of<br />

History Dr Sue Graham-Taylor took a leading role in the curatorial development of this work.<br />

<strong>The</strong> exhibition was toured to 26 regional centres and several metropolitan sites, and was also<br />

installed as a virtual web-based exhibition.<br />

Kemet Deshret: Black Land, Red Land—a Glimpse of Ancient Egypt<br />

15 February – 27 March<br />

<strong>The</strong> <strong>Museum</strong>’s prized collections of Egyptian artefacts, including stone tools pre-dating the<br />

pharaohs, pottery, cosmetics and other objects, provided a rare insight into the daily life of the<br />

ancient Egyptians and their views of the world and the afterlife.<br />

Shedding Skin<br />

15 March – 12 April<br />

Shedding Skin, an installation art piece developed by Fremantle-based community artists Arif<br />

and Audrey Satar and <strong>Museum</strong>Link, comprised sculpture, soundscape, performance work and<br />

a traditional display. <strong>The</strong> exhibition explored issues of race and refugees in <strong>Australian</strong> life and<br />

the need for tolerance and humanity when approaching the topic of asylum seekers.<br />

Across the Waters: Art and Craftwork by Asylum Seekers at the Port Hedland Detention<br />

Centre<br />

15 March – 6 May<br />

Supported in Perth by <strong>Museum</strong>Link and curated by Anna Edmundson of the Department of<br />

Anthropology, this exhibition reflected the diversity and ethnic origins, cultures and social<br />

backgrounds of Port Hedland detainees through tapestries, paintings, intricate paper sculptures,<br />

and drawings and cards from children. <strong>The</strong> exhibition revealed some of the remarkable stories<br />

of the centre’s residents—ordinary people living in extraordinary circumstances.<br />

Aanpassen and Invisibility: Dutch Resettlement in Australia and Transpositions<br />

9 April – 2 May<br />

<strong>The</strong>se two <strong>Museum</strong>Link exhibitions explored issues faced by Dutch migrants to <strong>Western</strong> Australia,<br />

through objects and artwork. Aanpassen and Invisibility, curated by Nonja Peters, Director of<br />

the Migration, Ethnicity, Refugee and Citizenship Centre of Curtin University, exhibited objects<br />

collected by Dutch migrants to Australia and explored the methods used to assist their<br />

assimilation into the harsh and alien environment of <strong>Western</strong> Australia. Transpositions, curated<br />

WESTERN AUSTRALIAN MUSEUM ANNUAL REPORT <strong>2001</strong>–<strong>2002</strong>

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