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Annual Report 2001-2002 - Western Australian Museum - The ...

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58<br />

Visitor Services<br />

In response to Geraldton community requests, Exhibition and Design undertook to produce an<br />

exhibition commemorating the 60th anniversary of the loss of HMAS Sydney. A small but<br />

emotionally powerful exhibition met all expectations on the day. Curated by Exhibition and<br />

Design staff member Jenny Moroney, the exhibition was both informative and contemplative,<br />

arousing the emotions of hundreds of visitors from around the country, many of whom were<br />

relatives of those lost. Dr Gallop officially opened the exhibition on 19 November <strong>2001</strong>—the<br />

first to be staged in the new Contemporary Issues Gallery.<br />

<strong>The</strong> biggest and certainly the most complex exhibition is yet to come—an exhibition on the Mid<br />

West region. Set in the main gallery space, this exhibition will tell a broad story of the region,<br />

covering significant features of the natural history, an insight into Indigenous culture and the<br />

social history of all peoples since colonisation. <strong>The</strong> exhibition structure takes its shape from the<br />

meanderings of the Murchison River, and in doing so provides a unique solution to low-light<br />

exhibition environments within an otherwise well-lit space. <strong>The</strong> official opening is scheduled for<br />

the end of August <strong>2002</strong>.<br />

Baudin: <strong>The</strong> French Connection<br />

Following a successful exhibition launch last year, the tour of Baudin: <strong>The</strong> French Connection<br />

began with an opening in Busselton and ended, after 3–4,000 kilometres, as the most ambitious<br />

regional tour yet undertaken by the <strong>Museum</strong>. <strong>The</strong> itinerary included Busselton, Albany, Esperance,<br />

Perth, Bunbury, Geraldton, Shark Bay, Karratha, Broome and Jurien Bay. <strong>The</strong> response to this<br />

fascinating story, enriched by beautiful artworks and unique specimens, has been unanimously<br />

appreciated across all venues.<br />

In conjunction with the French Embassy and the Teachers of French Association, exhibition<br />

designer Fran Sweetman and education officer Kate Akerman produced an exquisitely presented<br />

education kit for use in French language classes as a supplement to the exhibition.<br />

Commercial loans of the exhibition are currently being negotiated with several other interstate<br />

museums, including the South <strong>Australian</strong> Maritime <strong>Museum</strong>, which opened on 28 June <strong>2002</strong>.<br />

<strong>Museum</strong>Link<br />

<strong>Museum</strong>Link is a new contemporary issues and regional touring program at the <strong>Western</strong><br />

<strong>Australian</strong> <strong>Museum</strong>. Traditionally, the <strong>Museum</strong> sector has developed large-scale exhibition work<br />

over many years, reflecting upon collections in natural and social and cultural history. While<br />

building on those strengths, <strong>Museum</strong>Link seeks to develop quickly small touring exhibitions,<br />

installations and other public events, such as lectures, that reflect on contemporary concerns<br />

and issues.<br />

In its first year, <strong>Museum</strong>Link has created exhibitions that have toured the state, struck partnerships<br />

with other agencies and organisations, supported public lectures and forums, and created virtual<br />

exhibitions on the web. Highlights include the Proclamation Arch project, which attempted to<br />

reconcile Indigenous interests with the state’s political history; the Sustainability WA exhibition,<br />

developed with the Department of Premier and Cabinet, which toured 26 regional sites; the<br />

lecture by public intellectual Robert Manne on ‘Stolen Generations’; and Shedding Skin, which<br />

explores the thorny question of refugees and asylum seekers arriving on <strong>Australian</strong> shores.<br />

<strong>Museum</strong>Link has also secured funds from outside agencies totalling $111,000 in its first year<br />

for discrete programs and exhibitions. It has begun research on several exhibitions and displays<br />

to be delivered in <strong>2002</strong>–03; these include subjects such as wind power, waste and recycling,<br />

contemporary music in <strong>Western</strong> Australia, the illegal trade in fossils, maritime exploration, and<br />

histories of gay and lesbian communities in this state. It is also working with the Warlayirti<br />

Culture Centre at Balgo Hills, in the Kimberley, on a project that is helping Indigenous youth<br />

document their experiences using video and video technologies for a collaborative exhibition in<br />

2003.<br />

WESTERN AUSTRALIAN MUSEUM ANNUAL REPORT <strong>2001</strong>–<strong>2002</strong>

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