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Inspiring Women : November 2020

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Anitra Kitts<br />

14<br />

I want to tell you a story. A little over ten years ago I went<br />

to my first improv class. It was informal, like many improv<br />

classes are. Organized by a couple of members of a local<br />

improv group in Sonoma county, it was without<br />

curriculum or learning goals. It was about the moment; it<br />

was about trusting that what we would need would be<br />

ready for us when we needed it. It was also terrible<br />

improv - at least at first. My first lesson was how to accept<br />

the risk of failure. But that isn’t the story I want to tell you.<br />

The secret of good improv is “Just Say Yes” to whatever<br />

happens. There is no story when an improv moment<br />

begins. Most improv events start when at least two<br />

people stand up and neither one of them has an idea of<br />

what happens next. It could be on a grand stage with<br />

three cameras and large audience in the theater or it<br />

could be some old rented room in a community center or<br />

the basement of a church with just a handful of players<br />

trying to figure out the secrets of improv or at least what<br />

story wants to be told in the next five minutes.<br />

Improv stories belong to the moment. Someone falls in love, or not, or falls back out of love, or gets<br />

fired, or gets a new job, or makes dinner while trying not to walk through the walls of the invisible<br />

kitchen. Improv can also be a word game, a fast moving intellectual yet funny sequence of<br />

something. For example, one game could be that every sentence of the story must begin with a word<br />

in alphabetical order which we often see on the TV show Whose Line is it Anyway. Remember when<br />

you watch the show that there’s still a<br />

story inside the game that no one knew<br />

about until two people stand up and<br />

begin to interact.<br />

The secret to improv is that no one can<br />

hold an idea of what a story should be<br />

when he or she dares to stand up to<br />

begin a scene. You want to control the<br />

story? Go turn on your computer and<br />

write for a few hours. You want to tell a<br />

wild story? Then take a big step<br />

forward, pause for a moment, face<br />

your partner and give him or her a

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