Inspiring Women : November 2020
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Anitra Kitts<br />
14<br />
I want to tell you a story. A little over ten years ago I went<br />
to my first improv class. It was informal, like many improv<br />
classes are. Organized by a couple of members of a local<br />
improv group in Sonoma county, it was without<br />
curriculum or learning goals. It was about the moment; it<br />
was about trusting that what we would need would be<br />
ready for us when we needed it. It was also terrible<br />
improv - at least at first. My first lesson was how to accept<br />
the risk of failure. But that isn’t the story I want to tell you.<br />
The secret of good improv is “Just Say Yes” to whatever<br />
happens. There is no story when an improv moment<br />
begins. Most improv events start when at least two<br />
people stand up and neither one of them has an idea of<br />
what happens next. It could be on a grand stage with<br />
three cameras and large audience in the theater or it<br />
could be some old rented room in a community center or<br />
the basement of a church with just a handful of players<br />
trying to figure out the secrets of improv or at least what<br />
story wants to be told in the next five minutes.<br />
Improv stories belong to the moment. Someone falls in love, or not, or falls back out of love, or gets<br />
fired, or gets a new job, or makes dinner while trying not to walk through the walls of the invisible<br />
kitchen. Improv can also be a word game, a fast moving intellectual yet funny sequence of<br />
something. For example, one game could be that every sentence of the story must begin with a word<br />
in alphabetical order which we often see on the TV show Whose Line is it Anyway. Remember when<br />
you watch the show that there’s still a<br />
story inside the game that no one knew<br />
about until two people stand up and<br />
begin to interact.<br />
The secret to improv is that no one can<br />
hold an idea of what a story should be<br />
when he or she dares to stand up to<br />
begin a scene. You want to control the<br />
story? Go turn on your computer and<br />
write for a few hours. You want to tell a<br />
wild story? Then take a big step<br />
forward, pause for a moment, face<br />
your partner and give him or her a