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Inspiring Women : November 2020

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usiness! I also learned the art of puppeteering at her<br />

theater – one can connect on a very deep level with puppets,<br />

since they are ”alive” but not as threatening to children and<br />

some adults as people can be.<br />

I have been lucky to have had many exciting roles. It’s hard<br />

to say which was the best one. Little Duckling? Jumping<br />

Mouse? My solo character in Wild Flowers? I have also had<br />

incredibly exciting opportunities as a Sign Language<br />

interpreter, standing on stage with the actors interpreting<br />

Shakespeare into sign, or interpreting a musical, where you<br />

are assigned perhaps four or five different actors and have<br />

to capture each actor’s character and voice, using only your<br />

own body language and facial expressions. I really feel that<br />

my dance training , circus skills and puppeteering<br />

experience all come into play when I interpret theater, music<br />

and performance happenings.<br />

Xmas Cabaret at the House of International Theatre<br />

I’ve also had the chance to meet and work with a number of<br />

famous people. In the States, I met Tom Jones, who wrote The<br />

Fantasticks and I Do, I Do, and all my teachers. I also met Linda Bove of Sesame Street fame. Then in<br />

Denmark, I have also met many: Jytte Abildstrom, Daimi (a famous Danish singer), Lars Mikkelsen,<br />

Peter Mygind, David Owe and Marie Askehave, Soren Pilmark and director Lone Scherfig. Now if I<br />

could work with one other famous person I would have to choose Susan Sarandon. She’s my role<br />

model, playing strong, loud, smart women who are true to themselves. Even growing older, she has<br />

continued to be herself, as she is.<br />

I have had so many wonderful experiences here in Denmark with theater, but also with sign<br />

language. Some stand out: Touring with Wild Flowers, a solo puppet show. Filming a Christmas<br />

calendar for Danish TV as the Duckling (”Bamse Julerejse”). And interpreting a Shakespeare<br />

performance by two remarkable Danish actors into Danish sign language for a deaf audience.<br />

I have had wonderful reviews: in the NY Times for<br />

Jumping Mouse (in Stamford, CT), for As You Like<br />

It, my two solo puppet shows (in Denmark), and<br />

for the Duckling (also in Denmark). I haven’t<br />

directly had any bad reviews, just reviews where I<br />

wasn’t even mentioned. But that’s part of life as<br />

an actor!<br />

Working in the world of drama gives you the<br />

ability to communicate with many different<br />

people, the desire to join in and create something<br />

together with others. I still passionately believe in<br />

the performing arts as a way to comfort us, shake<br />

us up, guide us and create visions of a better<br />

future, especially for our children. I use singing<br />

and the breath work I learned at drama school to<br />

de-stress and stay grounded.<br />

67<br />

With my partner Eric Olsen

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