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Inspiring Women : November 2020

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“My composers” were born at the end<br />

of nineteenth century and outlived two<br />

world wars. At war, human beings are<br />

against one another and in pandemic<br />

times, we were all together facing it. (A<br />

huge difference, I reminded myself<br />

often those days). Every evening, we<br />

were all at our windows at 8:00 pm<br />

sharp to grant an applause to those<br />

who worked taking care of their fellow<br />

citizens. Many of us longed for that<br />

moment, to smile at each other and<br />

exchange looks, that we might not see<br />

again but we would not forget.<br />

Lockdown and its isolation refreshed my view on the life and work of “my composers.” How does one<br />

live in creative – and at times, social – isolation in a purely masculine, even macho, environment?<br />

Which contradictions did this trigger in my characters and in their work? How much it tastes like<br />

victory - the recognition and gratitude from the audience, and of a few male peers able to detach<br />

themselves from their own narcissism to admit a woman’s talent. Meeting my composers on a daily<br />

basis while working on the play gave me strength. I finished “Female Voices” during lockdown, and it<br />

is now waiting to let its voice be heard.<br />

COVID-19’s effects brought consequences in my projects. Performances, as well as the filming of a<br />

movie, were cancelled. So were all the opera performances I would have attended as a theater coach<br />

for classical singers. Another change came, and in June, as soon as borders opened again in Europe,<br />

my family left Barcelona to move to Berlin.<br />

As I write this lockdown is behind us, and we all had to learn a new way of interacting: wearing<br />

masks, keeping at a distance, being in small groups. Countries restarted economic activities, but with<br />

consequences. But what about the performing arts that keep waiting?<br />

“We are such stuff as dreams are made on.” Art has the noble task of raising the soul. Thanks to it we<br />

have access to the unique dimension in which only the soul vibrates. And from this we cannot<br />

confine ourselves.<br />

(N.B. This article was written prior to Germany's new COVID restrictions put in place on <strong>November</strong> 2, <strong>2020</strong>)<br />

Verónica Isola was born and raised in Buenos<br />

Aires, Argentina to a family with European roots.<br />

After receiving her degree in Drama from the<br />

University of Arts, she moved to first to Rome,<br />

then Paris – her home for 15 years - and then<br />

Barcelona. At present, she is living in Berlin<br />

where she is happy to have joined the American<br />

<strong>Women</strong>’s Club. She is an actress, director and a<br />

theater coach for classical singers. She has<br />

experience in cinema, theater, commercials, TV,<br />

dubbing and voice-overs. Her company, Argos<br />

Theater, creates dramaturgy inspired by both<br />

classical and contemporary pieces. The plays are<br />

presented in theaters and festivals as well as<br />

more unconventional places: art galleries,<br />

museums, and private residences.<br />

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