Kurt Schwitters: Merz (2016) – Norman Rosenthal interviews Damien Hirst

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Original Recordings by Kurt Schwitters Merz 13 Merz - Grammophonplatte. Scherzo of “Ursonate” spoken by Kurt Schwitters. Hanover, 1925. Anna Blume. Scherzo der Ursonate. Spoken by Kurt Schwitters, Süddeutscher Rundfunk, Stuttgart, May 5, 1932. Kurt Schwitters. Urwerk. Ed. Robert Galitz, Kurt Kreiler, and Klaus Gabbert. Frankfurt: Zweitausendeins, 2007. Texts by Kurt Schwitters Published Posthumously Kurt Schwitters. Das Iiterarische Werk. 5 vols. Ed. Friedhelm Lach. Cologne: M. DuMont Schauberg, 1973 - 81. Three Painter-Poets: Arp, Schwitters, Klee. Selected Poems. Ed. by Harriet Watts. Baltimore, MD: Penguin Books, 1974. Kurt Schwitters. Wir spielen, bis uns der Tod abholt. Briefe aus fünf Jahrzehnten. Ed. By Ernst Nündel. Frankfurt: Ullstein, 1974. The Merzbook: Kurt Schwitters Poems. Ed. by Colin Morton. Kingston, Ontario: Quarry Press, 1987. The Dada Painters and Poets: An Anthology. Ed. Robert Motherwell. New York: Wittenborn, Schultz, 1951; reprint, Cambridge, MA: Belknap Press of Harvard University Press. 1989. Schwitters: Norwegian Landscapes, the Zoological Garden’s Lottery and More Stories. Ed. Per Kirkeby. Hellerup, DK: Edtion Bløndal, 1995. Kurt Schwitters: Poems, Performance Pieces, Proses, Plays, Poetics. Ed. Pierre Joris, Jerome Rothenberg, and Naomi Yang. Philadelphia: Temple University Press; reprint, Cambridge, MA: Exact Change, 2002. Kurt Schwitters: Lucky Hans and Other Merz Fairy Tales. Ed. and trans. Jack Zipes; illustrated by Irvine Peacock. Princeton, NJ: Princeton University Press, 2009. Monographic Publications Beaujean, Marion, and Maria Haldenwanger. Schwitters- Archiv der Stadtbibliothek Hannover: Bestandsverzeichnis 1986. Hanover: Stadtbibliothek Hannover, 1986. Brookes, V. J. “Fred.” “Schwitters in Exile: The Rural Art of Kurt Schwitters 1937—1948.” PhD diss., University of Newcastle upon Tyne, 1967. Crossley, Barbara. The Triumph of Kurt Schwitters. Ambleside, England: Armitt Trust, 2005. Dietrich, Dorothea. The Collages of Kurt Schwitters. Tradition and Innovation. Cambridge: Cambridge University Press, 1993. Elger, Dietmar. Der Merzbau von Kurt Schwitters: Eine Werkmonographie. Kunstwissenschaftliche Bibliothek, ed. Christian Posthofen, 12. Cologne: König, 1999. Ewig, Isabelle. Kurt Schwitters Oxymore ou l’art de Ia contradiction. PhD diss., Université Paris, Sorbonne. Lille: A.N.R.T. Université de Lille Ill, 2000. Fuchs, Rudi. Conflicts with Modernism or the Absence of Kurt Schwitters. Vol. 1 of Theme and Objection. Bern: Gachnang and Springer, 1991. Gamard, Elizabeth Burns. Kurt Schwitters’ Merzbau: The Cathedral of Erotic Misery. New York; Princeton Architectural Press, 2000. Germundson, Curt Robert. “Kurt Schwitters in Hanover; Investigation of the Cultural Environment.” PhD diss., University of Iowa, 2001. Luke, Megan Rand. “Space for Recognition; The Late Work and Exile of Kurt Schwitters (1930 - 1948).” PhD diss., Harvard University, 2009. Nih, Annegreth. “Decoding Merz: An Interpretative Study of Kurt Schwitters’ Early Work, 1918—1922.” PhD diss., University of Texas at Austin 1990. Notz, Adrian, and Ulrich Christ. Merz World: Processing the Complicated Order. Zurich: Jrp Ringier Kunstverlag, 2008. Nündel, Ernst. Kurt Schwitters in Selbstzeugnissen und Bilddokumenten. Reinbek bei Hamburg: Rowohlt, 1981. Orchard, Karin, and Isabel Schulz. Kurt Schwitters. Werke und Dokumente im Sprengel Museum Hannover/Kurt Schwitters: Catalogue of the Works and Documents in the Sprengel Museum Hannover. Hanover: Sprengel Museum Hannover and Verein der Freunde des Sprengel Museum Hannover, 1998. Schmalenbach, Werner. Kurt Schwitters. New York: Harry N. Abrams, 1967. Sigrid, Franz. Kurt Schwitters’ Merz-Ästhetik im Spannungsfeld der Künste. Freiburg im Breisgau: Rombach, 2009. Stadtmüller, Klaus. Schwitters in Norwegen: Arbeiten, Dokumente, Ansichten. Hanover: Postskriptum, 1997. 168
Stark, Franz. Bestandsverzeichnis. Nachtrag 1987. Hanover: Stadtbibliothek, 1987. Steinitz, Kate. Kurt Schwitters: A Portrait from Life. With Collision, A Science-Fiction Opera Libretto in Banalities, by Kurt Schwitters and Kate Trauman Steinitz, and Other Writings. Trans. Robert Bartlett Haas. Introduction by John Coplans and Walter Hopps. Berkeley: University of California Press, 1968. Themerson, Stefan. Kurt Schwitters in England. London: Gaberbocchus, 1958. Von der Horst, Frauke. “Anna Blume ‘gut aufgehoben’: A Semiotic Interpretation of Works by Kurt Schwitters.” PhD diss., University of California, Los Angeles, 1995. Webster, Gwendolen. Kurt Merz Schwitters: A Biographical Study. Cardiff: University of Wales Press, 1997. —. “Kurt Schwitters’ Merzbau.” PhD diss., Open University, Milton Keynes, England, 2007. Wiesing, Lambert. Stil statt Wahrheit: Kurt Schwitters und Ludwig Wittgenstein über ästhetische Lebensformen. Munich: W. Fink, 1991. Monographic Exhibition Catalogues Masterpieces by Great Masters: Also Paintings and Sculpture by Kurt Schwitters. Introduction by Herbert Read. London: Modern Art Gallery, 1944. Kurt Schwitters. Text by Naum Gabo. New York: Pinacotheca, 1948. Sidney Janis Presents an Exhibition of Collage, Painting, Relief and Sculpture by Schwitters. Text by Tristan Tzara. New York: Sidney Janis Gallery; Chicago: Arts Club of Chicago, 1952. Kurt Schwitters: Collages. Text by Hans Bolliger. Paris: Berggruen, 1954. Kurt Schwitters. Hanover: Kestner-Gesellschaft, 1956. Kurt Schwitters: 1887—1948. London: Lord’s Gallery, 1958. Kurt Schwitters, Pasadena, CA: Pasadena Art Museum, 1962. Schwitters. London: Marlborough Fine Art, 1963. Kurt Schwitters in the Lake District. Kendal, England: Abbot Hall Art Gallery, 1964. Kurt Schwitters: Retrospective. University of California, Los Angeles, 1965. Kurt Schwitters: A Retrospective Exhibition. Dallas: Dallas Museum of Fine Arts, 1965. Kurt Schwitters. Düsseldorf: Stadtische Kunsthalle Düsseldorf, 1971. Kurt Schwitters. Cologne: Galerie Gmurzynska, 1978. Kurt Schwitters in Exile: The Late Work, 1937—1948/Kurt Schwitters im Exil: Das Spätwerk, 1937—1948. London: Marlborough Fine Art, 1981. Kurt Schwitters. Tokyo: Seibu Museum of Art, 1983. Kurt Schwitters: Die späten Werke. Ed. Siegfried Gohr. Cologne: Museum LudwigKöln, 1985. Kurt Schwitters 1887—1948. Ausstellung zum 99. Geburtstag. Ed. Joachim Buchner and Norbert Nobis. Hanover: Sprengel Museum Hannover; Berlin: Propyläen, 1986. Kurt Schwitters. Ed. Serge Lemoine and Didier Semin. In Spanish with English summary. Valencia, Spain: IVAM Centre Julio González, 1995. Kurt Schwitters in Nederland: Merz, De Stijl and Holland Dada. Ed. Meta Knol. In Dutch/English. Heerlen, Netherlands: Stadsgalerij Heerlen; Zwolle: Waanders Uitgevers, 1997. Kurt Schwitters: I Is Style. Ed. Siegfried Gohr and Gunda Luyken on behalf of Rudi Fuchs. Amsterdam: Stedelijk Museum; Rotterdam: NAI Publishers, 2000. In the Beginning Was Merz: From Kurt Schwitters to the Present Day. Ed. Susanne Meyer-Büser and Karin Orchard. Hanover: Sprengel Museum Hannover; Ostfildern-Ruit: Hatje Cantz, 2000. Schwitters, Ed. Ingried Brugger, Siegfried Gohr, and Gunda Luyken. Vienna: Kunstforum Wien; Salzburg: Jung und Jung, 2002. Kurt Schwitters: Merz—A Total Vision of the World. Basel: Museum Tinguely; Bern: Benteli, 2004. Schwitters Arp. Ed. Hartwig Fischer. Basel: Kunstmuseum Basel; Ostfildern-Ruit: Hatje Cantz, 2004. Merzgebiete: Kurt Schwitters und seine Freunde. Ed. Karin Orchard and Isabel Schulz. Hanover: Sprengel Museum Hannover; Cologne: Dumont, 2006. SELECTED BIBLIOGRAPHY 169
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KURT SCHWIT TERS EXIBITION DESIGN B
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KURT SCHWIT TERS galerie gmurzynska
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“In part spurred by Rauschenberg
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SUMMARY 10 MERZ (Extract from “AR
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One could make up a catechism of me
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Merz House was my first piece of Me
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15 Kurt Schwitters (ed.), Merz 2. N
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17 Kurt Schwitters. Anna Blume. Dic
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t Page from Schwitters’ family al
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Almost all the pioneers of modern a
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‘constructivist’ period, which,
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Sonata and after the Dadaists perio
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Ernst Schwitters, Photograph of Kur
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All this changed at a stroke with t
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As the world changed, as the way of
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45! was exactly what he had done, i
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49 t Kurt Schwitters, Hanover 1927
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53 look down upon the apparent nons
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55 t Ernst Schwitters, Kurt Schwitt
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t 57 t The beginning of Merz theory
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t The consequence of DADA: MERZ ·
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t 63 t A radical act, whose radical
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tt65 The consequence of DADA: MERZ
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67 tt (core Dada and Huelsendada).
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t 69 t Modern Age), succeeding the
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t 71 t BATTLE CRY WITH VERVE Merz 7
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t 73 t develop. There is only art.
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t 75 t to inspire the Merzgesamtkun
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l In the political and social chaos
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l Like Kandinsky’s abstractions o
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l 81 SCHWITTERS: Tending the Enchan
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l 19 Kurt Schwitters, “Merzbühne
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l by the times themselves.” 31 Bu
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l Kurt Schwitters, Pollfoss, 1947 O
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Kurt Schwitters, who knew a lot of
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you liked my sonata. May I introduc
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93 Photograph of Helma Schwitters,
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Postcard Kurt and Helma Schwitters
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97 Kurt Schwitters: A genius in fri
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the Merzbau in Waldhausenstraße 5
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115 artists. In the wake of this co
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Page 176: WWW.GMURZYNSKA.COM
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Kurt Schwitters: Merz (2016) – Norman Rosenthal interviews Damien Hirst

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