Kurt Schwitters: Merz (2016) – Norman Rosenthal interviews Damien Hirst

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The Nelson Atkins Museum of Art, Kansas City, Missouri; Art Gallery of Toronto, 1965 “Kurt Schwitters: A Retrospective Exhibition,” Dallas Museum of Fine Arts, 1965; San Francisco Museum of Art; City Art Museum of Saint Louis, 1966 “Kurt Schwitters,” Städtische Kunsthalle, Düsseldorf; Akademie der Künste, Berlin; Staatsgalerie Stuttgart; Kunsthalle Basel; Kunstverein in Hamburg, 1971 “Kurt Schwitters,” Galerie Gmurzynska, Cologne, 1978 “Kurt Schwitters in Exile: The Late Work 1937—1948,” Marlborough Fine Art, London, 1981 “Kurt Schwitters in England,” Abbot Hall Art Gallery, Kendal, England, 1982 “Kurt Schwitters,” The Museum of Modern Art, Seibu Takanawa, Karuizawa, Japan; The Seibu Museum of Art, Tokyo, 1983; Seibu Hall, Seibu Department Stores, Otsu, Japan 1984 “Kurt Schwitters. Die späten Werke,” Museum Ludwig, Cologne, 1985 “Kurt Schwitters,” The Museum of Modern Art, New York, 1985; Tate Gallery, London; Sprengel Museum Hannover, 1986 “Der Typograph Kurt Schwitters, Stadtbibliothek Hannover, 1987 “Kurt Schwitters,” Centre Georges Pompidou, Musée national d’art moderne, Paris, 1994; IVAM Centre Julio González, Valencia, Spain; Musée de Grenoble, France, 1995 “Kurt Schwitters,” Museo de Arte Moderno, Mexico City, 2003 “Kurt Schwitters (1887—1948). Collages, Paintings, Drawings, Objects, Ephemera,” Ubu Gallery, New York, 2003 “I Build My Time.’ Kurt Schwitters in Ambleside,” Armitt Museum and Library, Ambleside, England, 2003 “Kurt Schwitters. Merz—ein Gesamtweltbild,” Museum Tinguely, Basel, 2004 “Schwitters Arp,” Kunstmuseum Basel, 2004 “Kurt Schwitters 1887—1948. O artista MERZ,” Pinacoteca do Estado de São Paulo; Museu Oscar Niemeyer, Curitiba, Brazil, 2007 “Merzgebiete. Kurt Schwitters und seine Freunde/ Kurt Schwitters en de avant-garde,” Sprengel Museum Hannover, 2006; Museum Boijmans Van Beuningen, Rotterdam, 2007 “Kurt Schwitters in Norway,” Henie Onstad Kunstsenter, Høvikodden, Oslo, 2009 Selected Bibliography and Solo Exhibitions first published in Kurt Schwitters: Color and Collage, edited by Isabel Schulz (Houston: Menil Collection, 2010). © 2010 Menil Foundation, Inc., Houston, reprinted with permission. “Kurt Schwitters in Nederland. Merz, De Stijl + Holland Dada,” Stadsgalerij Heerlen, The Netherlands, 1997 “Kurt Schwitters. Eine Retrospektive/Kurt Schwitters. Ich ist Stil/l Is Style/Ik is stijl,” Museum der bildenden Künste Leipzig, Germany; Stedelijk Museum, Amsterdam, 2000 “Aller Anfang ist Merz. Von Kurt Schwitters bis heute,” Sprengel Museum Hannover, Hanover, 2000; Kunstsammlung Nordrhein-Westfalen, Düsseldorf; Haus der Kunst, Munich, 2001 “Kurt Schwitters. Collages, dipinti e sculture 1914— 1947,” Padiglione d’Arte Contemporanea, Milan, 2001 “Schwitters,” Kunstforum Wien, Vienna, 2002 174
KURT SCHWITTERS: MERZ June 12 - September 30, 2016 Photo credits As stated in the corresponding photo caption All works by Kurt Schwitters, Ernst Schwitters, El Lissitzky, Ad Reinhardt, Louise Nevelson, Lyonel Feininger © 2016, ProLitteris, Zurich Editors Krystyna Gmurzynska Mathias Rastorfer Research and Coordination Lisi Linster, Melanie Pfeiffer Design Coordination Verena Andric Following Texts: Kurt Schwitters, MERZ; i (a manifesto); Anna Blossom has wheels and Werner Schmalenbach, Kurt Schwitters previously published in Kurt Schwitters, Galerie Gmurzynska, Grand Palais, Paris 1980 Ernst Schwitters, Kurt Schwitters, as writer, poet and lecturer previously published in Kurt Schwitters, Galerie Gmurzynska, Cologne 1978 Some documentary images were previously published in Kurt Schwitters, Galerie Gmurzynska, Cologne 1978 and Kurt Schwitters, Galerie Gmurzynska, Grand Palais, Paris 1980 Translators (amongst others) Michael Eldred Simone Kaiser Maria Schneeweiss Designed and printed by Grafiche Step, Parma, Italy ISBN 3-905792-33-8 978-3-905792-33-1 Publication © Galerie Gmurzynska 2016 galerie gmurzynska zurich Paradeplatz 2 · 8001 Zurich · Switzerland Phone +41 (44) 226 70 70 · Fax +41 (44) 226 70 90 www.gmurzynska.com · galerie@gmurzynska.com galerie gmurzynska st. moritz Via Serlas 22 · 7500 St. Moritz · Switzerland Phone +41 (81) 833 36 51 · Fax +41 (81) 833 36 58 www.gmurzynska.com · galerie@gmurzynska.com galerie gmurzynska zug Vorstadt 14 · 6300 Zug · Switzerland Phone +41 (41) 710 25 02 · Fax +41 (41) 710 26 75 www.gmurzynska.com · galerie@gmurzynska.com 175
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KURT SCHWIT TERS EXIBITION DESIGN B
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KURT SCHWIT TERS galerie gmurzynska
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“In part spurred by Rauschenberg
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SUMMARY 10 MERZ (Extract from “AR
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One could make up a catechism of me
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Merz House was my first piece of Me
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15 Kurt Schwitters (ed.), Merz 2. N
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17 Kurt Schwitters. Anna Blume. Dic
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t Page from Schwitters’ family al
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Almost all the pioneers of modern a
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‘constructivist’ period, which,
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Sonata and after the Dadaists perio
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Ernst Schwitters, Photograph of Kur
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All this changed at a stroke with t
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As the world changed, as the way of
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45! was exactly what he had done, i
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47 t
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49 t Kurt Schwitters, Hanover 1927
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51 t
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53 look down upon the apparent nons
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55 t Ernst Schwitters, Kurt Schwitt
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t 57 t The beginning of Merz theory
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59 t t Blume and wants to love and
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t The consequence of DADA: MERZ ·
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t 63 t A radical act, whose radical
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tt65 The consequence of DADA: MERZ
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67 tt (core Dada and Huelsendada).
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t 69 t Modern Age), succeeding the
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t 71 t BATTLE CRY WITH VERVE Merz 7
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t 73 t develop. There is only art.
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t 75 t to inspire the Merzgesamtkun
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l In the political and social chaos
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l Like Kandinsky’s abstractions o
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l 81 SCHWITTERS: Tending the Enchan
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l 19 Kurt Schwitters, “Merzbühne
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l by the times themselves.” 31 Bu
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l Kurt Schwitters, Pollfoss, 1947 O
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Kurt Schwitters, who knew a lot of
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you liked my sonata. May I introduc
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93 Photograph of Helma Schwitters,
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Postcard Kurt and Helma Schwitters
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97 Kurt Schwitters: A genius in fri
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the Merzbau in Waldhausenstraße 5
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111 journal Der Sturm (Monatsschrif
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115 artists. In the wake of this co
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p. 117-119 cover and two pages by K
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“I think I could do well in the U
Page 123 and 124: Letter from Kurt Schwitters to Kath
Page 125 and 126: together with Alfred Barr and the c
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Page 149 and 150: NR: Tell me, Damien, when did you f
Page 151 and 152: as important as Marcel Duchamp. DH:
Page 153 and 154: NR: So what happened to the house?
Page 155 and 156: “Imitation remains imitation. Imi
Page 157: Kurt Schwitters, Auwiese, 1920, new
Page 160 and 161: Hausmann, and Hannah Höch, all of
Page 162 and 163: In November, Schwitters publishes M
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Page 166 and 167: exhibition catalogue. In November 1
Page 168 and 169: Original Recordings by Kurt Schwitt
Page 170 and 171: Collage/Collages from Cubism to New
Page 172 and 173: 1, 3, and 4. Ed. Perdita Lottner. E
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Kurt Schwitters: Merz (2016) – Norman Rosenthal interviews Damien Hirst

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