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六 本 木 ヒルズ<br />

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ROPPONGI HILLS<br />

TOKYO 2003 MORI BUILDING, THE JERDE PARTNERSHIP, OHTORI CONSULTANTS ENVIRONMENT DESIGN<br />

INSTITUTE, DAN PEARSON, AI-SHOKUBUTSU LANDSCAPE PLANNING OFF.<br />

The lighting of Roppongi Hills is the collective effort of seven lighting design firms from Europe, USA and Japan. Kaoru Mende<br />

was appointed as the overall director for the entire lighting plan. LPA was responsible for the lighting design of the public<br />

areas such as 66 Plaza, Keyakizaka street, Sakurazaka street, Loop No.3, and Sakurazaka Garden, etc. Glare-free fixtures<br />

and warm lighting are used throughout the area, and the lighting operations for the nighttime were planned in detail.<br />

汐 留 シティセンター + B 街 区 共 用 部<br />

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<br />

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SHIODOME CITY CENTER + BLOCK B COMMON-USE AREA<br />

TOKYO 2003 KEVIN ROCHE JOHN DINKELOO AND ASSOCIATES, NIHON SEKKEI, INC.<br />

The lighting environment is envisioned with "Sensual light/ Informative Light" as the design concept. The surrounding landscape of the<br />

restored station building and the sunken garden - the lighting of each area express the flow of time differently.<br />

汐 留 C 街 区 ・ 外 構<br />

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ロイヤルパーク 汐 留 タワー<br />

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河 田 町 コンフォガーデン<br />

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KAWADA-CHO COMFO-GARDEN<br />

TOKYO 2003 URBAN DEVELOPMENT CORPORATION,<br />

CESAR PELLI & ASSOCIATES JAPAN, INC., NIHON SEKKEI, INC.,<br />

PLACEMEDIA, URBAN DESIGN CONSULTANT<br />

This is a redevelopment project which saw to the addition of 8<br />

building blocks housing residences, shops and childcare facilities.<br />

The exterior space was created to have various levels of brightness<br />

and the lighting operation was adjusted to to achieve energy<br />

efficiency.<br />

SHIODOME CITY BLOCK C EXTERIOR<br />

ROYAL PARK SHIODOME TOWER<br />

TOKYO 2003 KAJIMA DESIGN, MITSUBISHI JISHO SEKKEI INC. TOKYO 2003 KAJIMA DESIGN, FOX LINTON ASSOCIATES<br />

The concept was to achieve a sense of serenity at the landscape In the hotel entrance, softly illuminated 'light walls' give a sense<br />

area. The main base lighting, which is in form of handrail lighting, of invitation to visitors. A new style for hotel lighting is established<br />

highlights the circulation flow and creates a unique night view. with the highlighting of visual artwork and chandeliers using LED.<br />

テレビ 朝 日<br />

<br />

<br />

<br />

TV ASAHI HEADQUARTERS<br />

TOKYO 2003 MAKI AND ASSOCIATES<br />

A headquarter building of TV Asahi at Roppongi Hills. For the atrium, brightness is given to the wall<br />

surface forming the inner part of the facade, such that the delicate truss becomes a silhouette.<br />

アカデミーヒルズ<br />

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<br />

<br />

<br />

ACADEMYHILLS<br />

TOKYO 2003 KENGO KUMA & ASSOCIATES<br />

Found on the 49th floor of Mori Tower, this facility consists of four functions: school,<br />

forum, library and research network. A glass luminous wall forms the main spatial<br />

feature. The library shelves are also transformed into an illuminated plane.<br />

国 立 長 崎 原 爆 死 没 者 追 悼 平 和 祈 念 館<br />

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<br />

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<br />

NAGASAKI NATIONAL PEACE MEMORIAL<br />

FOR THE ATOMIC BOMB VICTIMS<br />

NAGASAKI 2003 KYUSHU REGIONAL DEVELOPMENT BUREAU,<br />

A. KURYU ARCHITECT & ASSOCIATES<br />

This is a memorial building for the mourning of the atomic bombing victims and the<br />

prayer of everlasting peace. Thousands of tiny fiber optic lights are set in the stone<br />

base of the pool and creates a night scene which conveys dignity and inspires the<br />

praying for peace.<br />

モエレ 沼 公 園 ガラスのピラミッド<br />

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<br />

<br />

<br />

MOERENUMA PARK GLASS PYRAMID<br />

HOKKAIDO 2003 ARCHITECT 5 PARTNERSHIP<br />

This building forms a symbolic feature in the park planned by Isamu Noguchi. It was important to emphasize the structure that was<br />

kept as minimal as possible for the transparent quality of the pyramid. The base light is provided by reflected light on the glass.<br />

ザ テネリーフ<br />

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<br />

<br />

<br />

<br />

<br />

THE TENERIFFE<br />

SINGAPORE 2003 MKPL ARCHITECTS<br />

Landscape lighting was planned for the condominium. Trees in the<br />

pool garden are composed with lighting and playful LED and fiber<br />

lighting give further accent. The gates of each residence are given<br />

a soft luminous effect and this also serves as illumination for the<br />

passage.<br />

アンリ シャルパンティエ<br />

クリスマスイルミネーション 2003<br />

<br />

<br />

<br />

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<br />

HENRI CHARPENTIER CHRISTMAS<br />

ILLUMINATIONS 2003<br />

HYOGO, TOKYO 2003<br />

This is for the Christmas illumination of the Henri Charpentier store.<br />

Like last year, 3 stores were decorated for Christmas including the<br />

new main store at Ginza, Tokyo. A delightful vision is created with<br />

an array of items such as Christmas lights, projection of snow and<br />

Santa figures.<br />

朱 鷺 メッセ 新 潟 コンベンションセンター<br />

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TOKI MESSE NIIGATA CONVENTION<br />

CENTER<br />

NIIGATA 2003 MAKI AND ASSOCIATES<br />

This is a mixed-use complex facility in Bandaijima. By using<br />

indirect illumination on the esplanade and external walls, a<br />

sense of horizontality is emphasized along the Shinano<br />

River and creates a beautiful reflection in the river.<br />

北 上 市 文 化 交 流 センター さくらホール<br />

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SAKURA HALL<br />

IWATE 2003 KUME SEKKEI CO., LTD<br />

The spaces of this facility are designed for interaction of the<br />

human community in a setting revolving around water,<br />

greenery and art culture. In the night, the lighting condition<br />

is reversed and it becomes a mellow and low-key space<br />

where light only falls on essential areas.<br />

朱 鷺 メッセ 万 代 島 ビル<br />

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TOKI MESSE BANDAIJIMA BUILDING<br />

photo : shinkenchiku-sha<br />

NIIGATA 2003 KAJIMA DESIGN<br />

A high-rise building that stands in one corner of the Bandaijima<br />

redevelopment site. The glass fins of the facade along the Shinano<br />

River are illuminated to emphasize the sharp vertical line. The<br />

lighting of the observation room was planned to create a lighthouse<br />

of the city.<br />

photo : Mitsumasa Fujitsuka<br />

海 峡 ドラマシップ<br />

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KAIKYO DRAMASHIP<br />

FUKUOKA 2003<br />

MITSURU SENDA + ENVIRONMENT DESIGN INSTITUTE<br />

This is a complex facility at the bay of Moji Port. A futuristic drama<br />

ship, together with a retro box on the shore, result in an interesting<br />

contrast of lighting expressions. The lighting of the drama ship's 5<br />

ring layers change with the flow of time and creates a unique view<br />

from the strait.<br />

新 宿 ファーストウエスト<br />

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SHINJUKU FIRST WEST<br />

TOKYO 2003 NIKKEN SEKKEI<br />

This is a tenant building in West Shinjuku. A<br />

cylinder on top is lighted up, creating a lantern for<br />

the street corner. At the glass wall entrance, a<br />

continuous brightness on the floor heightens a<br />

sense of continuity with outside.<br />

紫 川 周 辺 夜 間 景 観 整 備<br />

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MURASAKI RIVER<br />

NIGHTSCAPE PLAN<br />

FUKUOKA 2003<br />

ARCHITECTS & PLANNERS LEAGUE<br />

This is an enhancement of the nightscape around<br />

the Murasaki River. The bridge elevation is being<br />

lighted up with automatic color changer and the<br />

waterfront building goes through different color<br />

transformations using LED lighting.<br />

ホテルオークラ 札 幌<br />

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HOTEL OKURA SAPPORO<br />

HOKKAIDO 2003 HOTEL OKURA<br />

SPACE SOLUTIONS CO., LTD.<br />

ファンケルスクエア<br />

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FANCL SQUARE<br />

TOKYO 2003 ISHIMOTO<br />

ARCHITECTURAL & ENGNEERING<br />

FIRM, INC.<br />

美 美 庵<br />

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BBan<br />

OSAKA 2003 KIYOSHI SEY TAKEYAMA + AMORPHE<br />

A bar and restaurant along the back street of Midosuji. Upon entry, one is greeted<br />

by animated and colorful ' Light Cocktail' at the bar. A tranquil atmosphere is created<br />

in the basement restaurant by water drops falling on glass basin and the reflection<br />

of rippling water spreading on the wall.<br />

photo : Satoshi Asakawa<br />

砂 屋 松 が 枝 店<br />

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FUKUSAYA<br />

MATSUGAE STORE<br />

NAGASAKI 2003 NAKAMURA<br />

ARCHITECTURAL<br />

CONCEPTS AND DESIGN,<br />

FUJIE KAZUKO ATLIER CO., LTD.<br />

BeS (EAT ビル)<br />

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BeS (EAT BUILDING)<br />

SEOUL 2002 RAD<br />

A boutique building that is experimental in design.<br />

A light window of unique form is designed to give<br />

accent to the facade. At the stair and elevator<br />

core, color lighting give an interesting contrast to<br />

the uplighting timber facade.<br />

トヨタ インスティテュート<br />

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TOYOTA INSTITUTE<br />

SHIZUOKA 2003 NIKKEN SEKKEI<br />

ミキモト<br />

六 本 木 ヒルズ 店<br />

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MIKIMOTO<br />

ROPPONGI HILLS<br />

STORE<br />

TOKYO 2003<br />

DELEU & ASSOCIATE'S<br />

東 京 都 古 書 籍 商 業 協 同 組 合<br />

本 部 会 館<br />

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TOKYO ANTIQUARIAN<br />

BOOKSELLERS<br />

COOPERATIVE SOCIETY<br />

TOKYO 2003<br />

KAZUMASA YAMASHITA<br />

目 黒 区 総 合 庁 舎<br />

エントランスホール<br />

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MEGURO CITY OFFICE<br />

ENTRANCE HALL<br />

TOKYO 2003<br />

YASUI ARCHITECTS &<br />

ENGINEERS, INC.<br />

日 本 女 子 大 学 百 年 館<br />

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JAPAN WOMEN'S<br />

UNIVERSITY<br />

TOKYO 2003 KAZUMASA<br />

YAMASHITA / SHIMIZU<br />

CORPORATION<br />

青 山 学 院 大 学 相 模 原 キャンパス<br />

<br />

<br />

AOYAMA GAKUIN UNIVERSITY<br />

SAGAMIHARA CAMPUS<br />

KANAGAWA 2003 NIKKEN SEKKEI<br />

北 九 州 芸 術 劇 場 ( 大 ホール・ 中 劇 場 )<br />

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KITAKYUSHU PERFORMING ARTS CENTER<br />

FUKUOKA 2003 NIHON SEKKEI, INC. KYUSHU BRANCH<br />

日 本 通 運 本 社 ビル<br />

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NIPPON EXPRESS BUILDING<br />

TOKYO 2003 KAJIMA DESIGN<br />

アーバンハイツ 住 之 江<br />

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URBAN HEIGHTS SUMINOE<br />

FUKUOKA 2003 NAKAMURA<br />

ARCHITECTURAL CONCEPTS AND<br />

DESIGN<br />

プラザ シンガプーラ<br />

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PLAZA SINGAPURA<br />

SINGAPORE 2003<br />

W ARCHITECTS PTE<br />

タンピネス モール<br />

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TAMPINES MALL<br />

SINGAPORE 2003 RSP ARCHITECTS<br />

PLANNERS & ENGINEERS (PTE) LTD<br />

マリーナ サウス プロムナード<br />

<br />

MARINA SOUTH PROMENADE<br />

SINGAPORE 2003 ACLA PTE LTD


●LPA2003 年 の 概 況<br />

■ 数 多 くの 照 明 計 画 ・ 照 明 デザインの 仕 事 が 完 成 しました。<br />

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● 照 明 探 偵 団 活 動<br />

Lighting Detectives Activities<br />

■ 海 外 プロジェクトが 増 えてきています。<br />

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■シンガポール 事 務 所 がお 洒 落 なところに 引 っ 越 しました。<br />

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■I I DA( 国 際 照 明 デザイン 賞 )の 最 優 秀 賞 を 受 賞 しました。<br />

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■ 照 明 探 偵 団 が 海 を 渡 って 北 欧 に 広 まりました。<br />

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■「World Lighting Journey− 世 界 の 夜 景 展 −」を 開 催 しました。<br />

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■ 面 出 が 多 くの 海 外 の 講 演 会 に 招 かれ 交 流 を 深 めました。<br />

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●LPA Activities in 2003<br />

■Completion of many Large Scale Lighting Design Works<br />

It had been an exceptional year for LPA. Two of our largest projects - Roppongi Hills and Shiodome<br />

Redevelopment in Tokyo - in which LPA has directed the lighting design and planning over the years, were<br />

completed one after another during the year 2003. With other numerous projects completed under our<br />

management, all our staff members were kept busy shuttling to and from our office and the sites. Meanwhile,<br />

we welcomed a total of 6 new members in our Tokyo and Singapore offices and we now have total staff<br />

strength of 24.<br />

● 国 際 照 明 デザイン 賞<br />

IIDA awards<br />

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IIDA awards are organized by IESNA (Illuminating Engineering Society of North America) and it provides an<br />

opportunity for public recognition of professionalism. The award of Distinction is only given to honor<br />

extraordinary achievement in lighting design at discretion of the judges.<br />

●Light Fair International 2003 講 演<br />

●World Lighting Journey − 世 界 の 夜 景 展 −<br />

●Transnational Tanteidan Forum 2003 in Stockholm 開 催 !<br />

Aug. 29 Kulturhuset Haninge, Stockholm<br />

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The second Transnational Tanteidan Forum generated increasing interests over the missions of<br />

Lighting Detectives, and we conducted the forum with a great sense of satisfaction. In 2003, it was<br />

held in Stockholm, a city filled with beautiful landscape of green and water, and a wonderful place<br />

for the discussions of "light". The representatives from 6 countries took turns to present their lighting<br />

cultures on the residential environment for an audience of over 200. It was a great opportunity to<br />

compare each environment and we were able to share valuable insights into different cultures and<br />

thoughts. At the end of the forum, we were amazed by how the word "tanteidan" has become<br />

widely known and is being spoken by many people in other countries. It was a great form of<br />

encouragement for us to further expand our group. The third forum has already been scheduled<br />

and it is under preparations. For the most latest information, please visit our tanteidan website at<br />

http://www.tanteidan.org<br />

■Increase in Number of Overseas Projects Every Year<br />

LPA has continued to engage in more projects in Singapore, Bangkok, Beijing and Seoul. The projects vary<br />

from government projects such as airport, transit stations, courthouse and urban masterplan, to private<br />

developments such as hotels, resorts, retail and housing projects. As we collaborate more with project<br />

design teams internationally and with more frequent trips to architecture offices around the world, we have<br />

started to feel the lesser boundaries between countries.<br />

■New Singapore Office<br />

After 3 years since the Singapore office first opened, we relocated the office to the Chinatown area where<br />

many other design firms and architectural offices are gathered. The new office occupies a 2 storey traditional<br />

shophouse, which has been transformed into a comfortable studio space with lofty ceiling and skylight. To<br />

meet the demands of busy project schedules, two new members, including a designer from Japan, were<br />

employed to firm up the team. Reiko Kasai continues to lead the team of 4 staff members under the new roof.<br />

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Mr. Mende was invited to give a 1.5-hour lecture addressing the theme The Lighting Detectives". He briefly<br />

talked about the activities of lighting detectives since 1990, as well as showed slides of night scenes around<br />

the world, publications, various events, and the founding process of the Transnational Tanteidan.<br />

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The exhibition was held at the gallery 1953 in Matsuya Ginza.The images of nightscapes, which had been captured in the last 12 years, are<br />

of more than 50 countries and cities in the world.They were displayed to fill the whole gallery space, and transported the visitors to a journey<br />

of world lighting.<br />

■LPA Received the Best of International Illumination Design Award<br />

The project, Park+Mall Oasis21in Nagoya, Japan, in which LPA was engaged for the lighting planning and<br />

design in collaboration with Obayashi Group, was selected for the best of IIDA awards. On August 5, 2003,<br />

the designers from LPA and Obayashi Group attended the award ceremony in Chicago to receive the<br />

award and a trophy in person.<br />

■Bringing 'Tanteidan' - Lighting Detectives Overseas<br />

Following the launch of the first international symposium in Tokyo during end of last year, the second<br />

"Transnational Tanteidan Forum" was successfully held in Stockholm in fall 2003. The theme of the Forum<br />

was on residential lighting and various participants contributed valuable insight into their cultures and thoughts.<br />

Our homepage, www.tanteidan.org has increased in contents and we are pleased to have expanded our<br />

activities both domestically and worldwide and facilitated the exchange of culture. We are also expecting<br />

to publish an English-Japanese bilingual book "the Transnational Tanteidan" in <strong>2004</strong>.<br />

■The Exhibition 「World Lighting Journey」<br />

In conjunction with research done in many cities all over the world, numerous nightscapes were painstakingly<br />

documented and captured by the Tanteidan members. The exhibition transported the viewer through a<br />

journey of nightscapes in the world with the means of Photo panels, projection images, and interactive<br />

computer screens. Held at Matsuya Department in Ginza, Tokyo, from 5/14/03-6/9/03, the research teams<br />

were also invited on weekly basis to give lectures on their findings.<br />

■Mr. Mende has been Invited to give Many Overseas Lectures<br />

Mr. Mende has been invited to give many lectures within Japan and abroad in 2003. He was invited by the<br />

International Association of Lighting Designers (IALD) to give a 1.5-hour lecture addressing the theme<br />

"What is Transnational Tanteidan…" at the one of the most notable lighting conferences, the Lightfair<br />

International held in NY City in May. In October, he was also invited to a national conference organized by<br />

the Illuminating Engineering Institute of Beijing and gave a lecture on "Lighting for Historical Architecture".<br />

IALD has invited him again as a speaker for another conference in March <strong>2004</strong> and he will be speaking to<br />

professionals in the 6-hour seminar "KAORU MENDE ON DESIGN"<br />

● 照 明 探 偵 団 の 活 動<br />

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● 主 な 寄 稿 ・ 講 演 ・インタビュー<br />

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●LPA シンガポールオフィス 移 転<br />

Relocation of LPA-S<br />

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LPA Singapore office has relocated from the<br />

famous Orchard road area to authentic<br />

Chinatown area. New office, a long narrow<br />

space is decorated simple and sleek with<br />

white-based interior and soft ambient light<br />

and a large skylight gives us a sense of time<br />

during the day.<br />

● 研 究 会 サロン<br />

Regular Round Table Discussions<br />

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City walking tours, lighting surveys in many<br />

countries, TN Forum 2003, various lighting<br />

objects were reported at the table discussions.<br />

It was always a valuable opportunity for<br />

members to exchange opinions.<br />

● 照 明 探 偵 団 調 査<br />

Lighting Detectives Survey Trips<br />

イエメン・サナア<br />

Sana'a, Yemen Dec.04 - 08, 2002<br />

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This was a survey to investigate life and the sense of<br />

lighting in the tower dwellings in old city of Sana'a. It<br />

was an opportunity to explore a lifestyle which allow the<br />

enjoyment of the change natural light.<br />

中 国 ・ 上 海<br />

Shanghai, China Mar. 08 -12<br />

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The rapidly developing city of Shanghai was surveyed,<br />

where co-exist lighting of the old and new.<br />

大 分 県 ・ 竹 田 市<br />

Taketa, Oita Oct.18<br />

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At the staging of Japanese Noh drama in Taketa,<br />

blazing bonfires created a subtle and profound scene.<br />

● 街 歩 き<br />

City Walking Tours<br />

汐 留 再 開 発 地 区 Jan. 15<br />

Caretta Shiodome, Tokyo<br />

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At this walking tour at the Sio-site, the lighting of Dentsu building and its<br />

surroundings were inspected. An entertaining way of employing the use of<br />

xenon search lighting was also experienced.<br />

●Living Design<br />

A newspaper of Lighting Detectives<br />

六 本 木 ヒルズ May. 16<br />

Roppongi Hills, Tokyo<br />

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Lighting Detectives continued to be in the magazine,<br />

"LIVING DESIGN" published by Living Design Center.<br />

The regular articles under " Light & Living - from the<br />

notebooks of Lighting Detectives" introduce photos and<br />

writings from various surveys domestically and abroad. .<br />

The contents cover a wide range of places. such as<br />

Yemen, Shanghai, Dubai and Bali.<br />

イタリア・ローマ、フィレンツェ<br />

Florence / Rome, Italy Oct. 05 -11<br />

?<br />

<br />

<br />

<br />

In first survey on Rome and Florence in Italy, we saw delightful<br />

illuminations those were a feast for the eyes of the visitors.<br />

スウェーデン・ストックホルム、<br />

デンマーク・コペンハーゲン<br />

Stockholm, Sweden / Copenhagen, Denmark Aug.27 - Sep.05<br />

<br />

<br />

<br />

<br />

<br />

The members surveyed residences in Stockholm and Copenhagen<br />

to investigate the culture of Residential lighting.<br />

京 都 将 軍 塚<br />

Higashiyama, Kyoto Oct.23<br />

<br />

<br />

Our members visited Higashiyama in Kyoto to document the nightscape of the city.<br />

Touring in Roppongi Hills, members could gain<br />

much knowledge about the variety of lighting<br />

design technics by listening to the lighting designers<br />

themselves.<br />

大 江 戸 温 泉 物 語 Jul. 29<br />

Oedo-Onsen Monogatari, Tokyo<br />

<br />

<br />

<br />

At the spa park "Oedo-Onsen Monogatari", members could experience the contrast between the<br />

warm color lighting there and the cool modern lighting in the surrounding Odaiba area.<br />

● 照 明 探 偵 団 通 信 発 刊<br />

A newspaper of Lighting Detectives<br />

<br />

No.09 published on Mar.25<br />

品 川 グランドコモンズ Oct. 17<br />

Shinagawa Central Garden, Tokyo<br />

<br />

<br />

<br />

The lighting at Shinagawa Central Garden was inspected in this walking tour<br />

in Shinagawa. It was notable for the abundant use of fluorescent lighting<br />

and LED indicators.<br />

中 国 ・ 客 家<br />

Hakka, China Mar.10 -11<br />

<br />

<br />

<br />

<br />

<br />

The monumental "Earth houses" , a form<br />

of traditional Chinese architecture, were<br />

surveyed in Fujian, China.<br />

<br />

No.10 published on Jun.25<br />

<br />

No.11 published on Oct.25<br />

アラブ 首 長 国 連 邦 ・ドバイ<br />

Dubai, UAE Mar. 10 -16<br />

<br />

<br />

<br />

<br />

<br />

<br />

Two aspects of lighting in Dubai were investigated:<br />

The contrast of light and shadow in the traditional<br />

lighting methods, and the new trends of lighting<br />

inspired by Las Vegas and Europe.<br />

インドネシア・バリ 島 ウブド<br />

Uvudo, Bali, Indonesia Jul. 23 - 27<br />

<br />

<br />

<br />

<br />

This is survey on resort hotels in Bali, where<br />

subtle illumination co-exists with nature and<br />

creates a healing atmosphere.<br />

ルートロンアスカ 株 式 会 社 岩 崎 電 気 株 式 会 社 小 糸 工 業 株 式 会 社 株 式 会 社 菱 晃<br />

カラーキネティクスジャパン 松 下 電 工 株 式 会 社 ヤマギワ 株 式 会 社<br />

株 式 会 社 エルコ・トートー 株 式 会 社 ウシオユーテック 日 本 フィリップス 株 式 会 社<br />

株 式 会 社 ウシオスペックス 山 田 照 明 株 式 会 社 マックスレイ 株 式 会 社<br />

ニッポ 電 機 株 式 会 社 トキ・コーポレーション 株 式 会 社 東 芝 ライテック 株 式 会 社<br />

小 泉 産 業 株 式 会 社 大 光 電 機 株 式 会 社 金 門 電 気 株 式 会 社<br />

マーチンプロフェッショナルジャパン 株 式 会 社 湘 南 工 作 販 売 株 式 会 社 株 式 会 社 遠 藤 照 明<br />

Aki<br />

Hayakawa<br />

Akiko<br />

Okunaka<br />

Atsushi<br />

Itakura<br />

Chika<br />

Tanaka<br />

Emiko<br />

Nagata<br />

Hideto<br />

Mori<br />

Hirohito<br />

Totsune<br />

Junko<br />

Inomoto<br />

Junko<br />

Nagatomo<br />

Kaoru<br />

Mende<br />

Ken<br />

Okamoto<br />

Kentaro<br />

Tanaka<br />

Mari<br />

Kubota<br />

Peggy<br />

Tan<br />

Reiko<br />

Kasai<br />

Ryuichi<br />

Sawada<br />

Saiko<br />

Tanuma<br />

Siti Zaleha Bte<br />

Abdul Majid<br />

Swee Hong<br />

Ong<br />

Takeo<br />

Sugamata<br />

Wan Ching<br />

Foo<br />

Yaeko<br />

Hashimoto<br />

Yosuke<br />

Hiraiwa<br />

Yutaka<br />

Inaba

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