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Boxoffice Pro Q1 2021

Boxoffice Pro is the official publication of the National Association of Theatre Owners.

Boxoffice Pro is the official publication of the National Association of Theatre Owners.

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EXHIBITORS HAVE THEIR SAY<br />

What’s your biggest takeaway from 2020?<br />

“I’ve always said that the<br />

strength of Cineplex is its<br />

employees, and that couldn’t<br />

be more evident than right<br />

now. Despite the challenges<br />

of 2020, the team came<br />

together like never before,<br />

putting the right measures in<br />

place to solidify Cineplex’s<br />

future and ensure we remain<br />

Canada’s leading source<br />

of entertainment for many<br />

generations to come.”<br />

Ellis Jacob<br />

President & CEO<br />

Cineplex<br />

“For many, 2020 caused us to<br />

reevaluate our priorities, and,<br />

for most of us, family, friends,<br />

and communal experiences<br />

were what we valued and<br />

missed the most. While we<br />

could instantly consume<br />

infinite media within our<br />

homes and get just about<br />

any item delivered within two<br />

hours, 2020 didn’t change<br />

the fact that we’re social<br />

creatures. Humans crave<br />

communal experiences, and<br />

I believe concerts, movie<br />

theaters, theme parks, and<br />

out-of-home entertainment<br />

will not only prevail but<br />

eventually thrive again.”<br />

Luis Olloqui<br />

CEO<br />

Cinépolis USA<br />

“You find out who your true<br />

partners are; their acts of<br />

kindness and compassion<br />

mean the world.”<br />

Chris Johnson<br />

CEO<br />

Classic Cinemas<br />

“Our takeaway from 2020 is<br />

that our most competitive<br />

force was government<br />

mandates and the impact<br />

they had on studio movie<br />

releases, leading to<br />

disastrous situations for most,<br />

if not all, of the industry. We<br />

look forward to a change<br />

in course of the prejudice<br />

against the safety of<br />

theaters.”<br />

Matt McSparin<br />

COO<br />

GQT Movies<br />

“Along with so many others,<br />

I will remember the stress<br />

and damage to the industry I<br />

love so much. But even more<br />

so, I will remember how the<br />

industry came together to<br />

support each other and our<br />

team members in 2020. I will<br />

also remember the efforts<br />

and valuable guidance of<br />

everyone at NATO, as well<br />

as their passionate and<br />

determined advocacy for<br />

our industry. Lastly, I will<br />

remember the support of our<br />

loyal guests and dedicated<br />

team members. I have never<br />

been more confident in the<br />

theatrical experience and<br />

look forward to our industry<br />

roaring back to record<br />

success in the coming<br />

months and years.”<br />

Mike Bowers<br />

President & CEO<br />

Harkins Theatres<br />

4<br />

THE DYNAMIC WINDOW<br />

July<br />

If Universal’s PVOD launch of<br />

Trolls: World Tour was the first<br />

step in shrinking the theatrical<br />

window, the studio took another<br />

leap toward that goal when it<br />

announced a groundbreaking<br />

agreement with AMC Theatres<br />

to shorten that window beyond<br />

the duration of the Covid-19<br />

pandemic. After initially vowing<br />

not to book any Universal titles<br />

that would break exclusivity,<br />

AMC went on to negotiate<br />

with the studio on a deal that<br />

shortened theatrical exclusivity<br />

to either 17 or 30 days<br />

depending on the title. Crucially,<br />

AMC received a commitment<br />

from Universal to receive an<br />

undisclosed portion of digital<br />

rental revenues in exchange for<br />

being the first major chain to<br />

sign on to the proposal.<br />

Signed in July, the<br />

AMC-Universal deal sent<br />

shockwaves across the<br />

industry. It signaled a shift<br />

from pandemic-specific<br />

measures around a handful<br />

of titles to a long-standing<br />

change in the economics<br />

of theatrical distribution.<br />

Nevertheless, the model was<br />

unlikely to work without<br />

additional circuits on board.<br />

It took nearly four months for<br />

that to occur, with Cinemark—<br />

the third largest exhibitor in<br />

North America—joining the<br />

deal and coining the term<br />

“Dynamic Window.” Cineplex,<br />

Canada’s largest circuit, struck<br />

its own agreement days after<br />

Cinemark.<br />

Universal’s “Dynamic<br />

Window” establishes a 17-day<br />

minimum exclusivity for its<br />

titles at cinemas, after which<br />

they become available for<br />

digital rental at home. For<br />

select titles, that exclusivity<br />

period is extended to 30 days.<br />

It stands apart from similar<br />

moves made by competing<br />

studios by being the only<br />

model that has openly engaged<br />

cinemas (albeit limited to major<br />

circuits) in collaborating on<br />

an agreement. What theatrical<br />

exclusivity will look like once<br />

the market recovers is still up<br />

in the air, especially as the<br />

pandemic drags on into <strong>2021</strong>,<br />

but the Dynamic Window<br />

model remains the only one to<br />

have gained significant traction<br />

with exhibitors.<br />

<strong>Q1</strong> <strong>2021</strong><br />

51<br />

48-61_Top-10-Moments.indd 51 12/02/<strong>2021</strong> 12:33

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