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Boxoffice Pro Q1 2021

Boxoffice Pro is the official publication of the National Association of Theatre Owners.

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EXHIBITORS HAVE THEIR SAY<br />

What’s your biggest takeaway from 2020?<br />

5<br />

CINEMASAFE<br />

August<br />

As soon as cinemas went dark<br />

in March, the industry’s focus<br />

turned to reopening. A crucial<br />

part of that step was developing<br />

and instituting an industrywide<br />

set of guidelines and best<br />

practices to mitigate the spread<br />

of Covid-19 in cinemas.<br />

That effort culminated<br />

in August with the launch<br />

of CinemaSafe, a NATOled<br />

initiative to establish a<br />

voluntary set of protocols<br />

based on World Health<br />

Organization, Centers<br />

for Disease Control, and<br />

Occupational Safety and<br />

Health Administration<br />

guidelines, in consultation<br />

with leading epidemiologists.<br />

More than 370 companies,<br />

representing over 33,000<br />

screens in North America,<br />

signed up for the program<br />

at launch. The CinemaSafe<br />

protocols include provisions<br />

for mask enforcement inside<br />

auditoriums, social distancing,<br />

reduced capacity, air filtration,<br />

modified concessions<br />

sales, mobile ticketing, and<br />

enhanced cleaning and<br />

disinfection measures for<br />

employees. The CinemaSafe<br />

logo became a fixture of<br />

pandemic-era moviegoing,<br />

informing and easing the first<br />

wave of moviegoers returning<br />

to theaters.<br />

“The biggest impact this year<br />

to all of us was the disruption<br />

of our normal business by<br />

the Covid pandemic. It<br />

was a systemic shock to<br />

the entire entertainment<br />

industrial complex. The<br />

March shutdown closed<br />

movie theaters, canceled<br />

concerts, shuttered theme<br />

parks, and stopped film and<br />

TV production. For movie<br />

theaters it killed momentum<br />

built by the first 11 weeks of<br />

2020, where pictures like<br />

Bad Boys for Life, 1917, and<br />

Sonic the Hedgehog were<br />

overperforming. In a perfect<br />

example of the Newtonian<br />

Laws of Audience Dynamics,<br />

an audience in motion<br />

was acted upon by that<br />

other force and completely<br />

stopped.<br />

“But it’s not like they<br />

stopped watching filmed<br />

entertainment. Oh, no,<br />

people still watched. The<br />

biggest beneficiaries of the<br />

Covid theater crisis were the<br />

alphabet streaming soup<br />

of Amazon, Netflix, Apple,<br />

Disney Plus, Hulu, HBO Max,<br />

and Peacock. They were<br />

already competing with<br />

movie theaters for audiences<br />

and original productions<br />

before Covid. The pandemic<br />

shutdown only accelerated<br />

that trend. With no theaters<br />

to show their films, studios<br />

did what they always do.<br />

They made decisions in their<br />

own self-interest and found<br />

other ways to monetize their<br />

movies. Darwin would have<br />

been proud. Some studios,<br />

like Paramount and Sony,<br />

sold off releases to streaming<br />

services. Others, like Disney<br />

and Warner Bros., used the<br />

disruption to feed what were<br />

once theatrical releases to<br />

their proprietary streaming<br />

outlets. Universal’s Covid<br />

strategy was to recalculate<br />

the theatrical window. Now,<br />

10 months into the pandemic,<br />

theaters are still facing<br />

forced health closures, and<br />

audiences are gathering<br />

around the watercooler<br />

talking about ‘The Queen’s<br />

Gambit,’ ‘Bridgerton,’ ‘The<br />

Crown,’ ‘The Undoing,’ and<br />

other streaming series.<br />

Sometime in <strong>2021</strong>, exhibition<br />

will awake from its Rip Van<br />

Winkle slumber to a different<br />

landscape. Only time will tell<br />

as to its ultimate effect. As<br />

the stuttering effort to turn<br />

vaccines into vaccinations<br />

ramps up, a cloud will lift<br />

over all of us. The biggest<br />

takeaway is that people still<br />

want stories. Soon they will<br />

be able to experience them<br />

again on our big screens.”<br />

Jeffrey Kaufman<br />

SVP Film and Marketing<br />

Malco Theatres<br />

m<br />

<strong>Q1</strong> <strong>2021</strong><br />

53<br />

48-61_Top-10-Moments.indd 53 12/02/<strong>2021</strong> 12:33

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