No. 11 - Its Gran Canaria Magazine
Rutas, recomendaciones y noticias de Gran Canaria Routes, tips and news about Gran Canaria
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36<br />
GET TO KNOW GRAN CANARIA I CONOCE GRAN CANARIA Nº <strong>11</strong><br />
Las Palmas de <strong>Gran</strong> <strong>Canaria</strong><br />
Music Capital<br />
Orquesta Filarmónica de <strong>Gran</strong> <strong>Canaria</strong><br />
Anne-Sophie Mutter<br />
By Cayetano Sánchez<br />
Back in 1985, the world of classical music celebrated<br />
with great enthusiasm the tercentenary of three<br />
composers who were essential to the genre’s history:<br />
Bach, Handel and Scarlatti. Meanwhile, the old<br />
continent declared that year as the "European Year<br />
of Music". Alongside all this musical conjunction, the<br />
first Canary Islands Music Festival was launched; a<br />
long-standing aspiration that brought an international<br />
touch to the archipelago’s musical offerings,<br />
as well as providing a cultural addition to the usual<br />
sun and beach tourism. It was also the only festival<br />
of its kind to be held in the winter season. <strong>Gran</strong> <strong>Canaria</strong><br />
is one of the main venues for this gathering of<br />
classical sounds, which this year celebrates its 38th<br />
edition.<br />
Star Performers<br />
Right from the festival’s early days, the island's<br />
audiences, who were great classical music fans,<br />
responded enthusiastically to the concerts programmed<br />
between January and February. Soon<br />
the demands of music-loving tourists who visited<br />
the island on a regular basis began to grow, and<br />
in time they were joined by others who came expressly<br />
to enjoy world celebrities, together with the<br />
island's fine climate. It is impossible to mention all<br />
the stars and orchestras that have played on the<br />
stages of <strong>Gran</strong> <strong>Canaria</strong> over the many decades, but<br />
they include almost all the great figures of the musical<br />
firmament from the end of the last century to<br />
the present day. By way of a brief example, some of<br />
them are conductors, such as Carlo Maria Giullini,<br />
Sergiu Celibidache, Georg Solti, Ricardo Muti, Claudio<br />
Abbado, Daniel Barenboim, John Eliot Gardiner,<br />
Esa-Pekka Salonen, John Eliot Gardiner and many<br />
others. The list of soloists is also endless: Alfredo<br />
Kraus, Maria Joâo Pires, Vladimir Ashkenazy, Plácido<br />
Domingo, Yo Ma, Vladimir Ashkenazy and many<br />
others....<br />
This brief selection serves to confirm the quality<br />
and international prestige enjoyed by the Canary<br />
Music Festival, which this year, and in the first two<br />
months of 2022, will once again fill the island with<br />
the beautiful sounds of the classics at the Auditorio<br />
Alfredo Kraus, in Las Palmas de <strong>Gran</strong> <strong>Canaria</strong>,<br />
Given the limited space of this article to highlight<br />
the great number of concerts and programmes,<br />
please refer to the Festival website: https://www.<br />
icdcultural.org/fimc<br />
The Greats<br />
As a testament to the 38th Festival that is now<br />
upon us, once again mention goes to some of the<br />
best-known names on this year’s programme. The<br />
soloists include: Lang Lang (piano), Grigory Sokolov<br />
(piano), Steven Isserlis (cello), Sergej Krylov (violin),<br />
Javier Camarena (tenor), Philippe Jaroussky (countertenor),<br />
Anne-Sophie Mutter (violin).<br />
The orchestras include the London Philharmonic<br />
Orchestra, Luxembourg Philharmonic, <strong>Gran</strong> <strong>Canaria</strong><br />
Philharmonic, Paris Chamber Orchestra, Lithuanian<br />
Chamber Orchestra and Russian State Symphony<br />
'Evgeny Svetlanov'. Among the conductors,<br />
Santtu-Matias Rouvali, Jordi Savall, Vassily Petrenko,<br />
Philippe Herreweghe, Gustavo Gimeno, Antonio<br />
Méndez, Michael Boder and Karel Mark Chichon.<br />
All these figures will undoubtedly be a great attraction<br />
for a large number of fans, in this unique opportunity<br />
to enjoy the finest music, and at a lower<br />
cost than at other latitudes.<br />
The Creative City<br />
In order to understand just why Las Palmas de<br />
<strong>Gran</strong> <strong>Canaria</strong> has become the venue for this Festival,<br />
as well as many others that cater for a wide<br />
range of musical styles, we need to look back in<br />
history. Since the end of the 19th century, when the<br />
remoteness of the island was more palpable due to<br />
the lack of communications, prestigious European<br />
opera companies of the time performed in the city<br />
as part of the stopovers they made on their way to<br />
theatres in Latin America, thus creating a legion of<br />
aficionados. This coincided, in 1845, with the creation<br />
of the <strong>Gran</strong> <strong>Canaria</strong> Philharmonic Society, the<br />
oldest in Spain, which still exists today. French musician<br />
Camille Saint-Saëns, a regular visitor to the<br />
island in the early decades of the 20th century, was<br />
one of the Society’s illustrious presidents.<br />
These are just some of the arguments that have led<br />
the Las Palmas de <strong>Gran</strong> <strong>Canaria</strong> City Council to request<br />
that the city be included - in the music section<br />
- in the Unesco Creative Cities Network; one of<br />
the leading cultural platforms on the planet and a<br />
fundamental tool for international cooperation between<br />
cities that identify creativity as a strategic<br />
factor for sustainable urban development.<br />
For its part, the Spanish National Commission for<br />
Cooperation with Unesco has expressed its official<br />
support for the candidacy of Las Palmas de <strong>Gran</strong><br />
<strong>Canaria</strong>, considering its musical tradition and its capacity<br />
to combine its local and insular heritage with<br />
the influences of its visitors to be decisive factors.<br />
The Unesco Creative Cities Network already includes<br />
other Spanish cities such as Bilbao (in the<br />
Design section), Valladolid and Terrassa (in Cinema),<br />
Dénia and Burgos (in the Gastronomy section),<br />
Barcelona and <strong>Gran</strong>ada (in Literature) and Seville<br />
and Liria (in Music). In this latter category, that of<br />
Music, Unesco has so far incorporated some thirty<br />
cities from all over the world.<br />
Cultural Values<br />
Among the arguments for qualifying for this musical<br />
category, it is worth mentioning that the city<br />
hosts other major musical festivals, including WO-<br />
MAD, <strong>Canaria</strong>s Jazz & Más Festival, Festival CERO,<br />
TEMUDAS (International Theatre, Music and Dance<br />
Festival of Las Palmas de <strong>Gran</strong> <strong>Canaria</strong>), Naifest, the<br />
Canary Islands International Music Festival, SUM<br />
Festival, Festival Mar Abierto. Mention should also<br />
be made of Musicando, LPA International Jazz Day,<br />
the Big Bang Vintage Festival and the Rutas Sonoras.<br />
The quality of the city’s musical venues is also key,<br />
such as the Alfredo Kraus Auditorium, Pérez Galdós<br />
Theatre, Espacio Miller, Guiniguada Theatre, Cuyás<br />
Theatre, José Antonio Ramos Auditorium (in Doramas<br />
Park) and the Plaza de la Música. Also relevant<br />
is its connection with the great classics, such as the<br />
<strong>Gran</strong> <strong>Canaria</strong> Philharmonic Orchestra, the Municipal<br />
Symphonic Band and the Opera Season.<br />
A video (https://youtu.be/PXMkO_Kazio) has been<br />
put together to highlight other aspects that promote<br />
the candidacy of <strong>Gran</strong> <strong>Canaria</strong>’s capital as it<br />
seeks to shortly become one more City of Music in<br />
the UNESCO Creative Cities Network. There is no<br />
lack of merit.<br />
Plácido Domingo<br />
Womad