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No. 11 - Its Gran Canaria Magazine

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36<br />

GET TO KNOW GRAN CANARIA I CONOCE GRAN CANARIA Nº <strong>11</strong><br />

Las Palmas de <strong>Gran</strong> <strong>Canaria</strong><br />

Music Capital<br />

Orquesta Filarmónica de <strong>Gran</strong> <strong>Canaria</strong><br />

Anne-Sophie Mutter<br />

By Cayetano Sánchez<br />

Back in 1985, the world of classical music celebrated<br />

with great enthusiasm the tercentenary of three<br />

composers who were essential to the genre’s history:<br />

Bach, Handel and Scarlatti. Meanwhile, the old<br />

continent declared that year as the "European Year<br />

of Music". Alongside all this musical conjunction, the<br />

first Canary Islands Music Festival was launched; a<br />

long-standing aspiration that brought an international<br />

touch to the archipelago’s musical offerings,<br />

as well as providing a cultural addition to the usual<br />

sun and beach tourism. It was also the only festival<br />

of its kind to be held in the winter season. <strong>Gran</strong> <strong>Canaria</strong><br />

is one of the main venues for this gathering of<br />

classical sounds, which this year celebrates its 38th<br />

edition.<br />

Star Performers<br />

Right from the festival’s early days, the island's<br />

audiences, who were great classical music fans,<br />

responded enthusiastically to the concerts programmed<br />

between January and February. Soon<br />

the demands of music-loving tourists who visited<br />

the island on a regular basis began to grow, and<br />

in time they were joined by others who came expressly<br />

to enjoy world celebrities, together with the<br />

island's fine climate. It is impossible to mention all<br />

the stars and orchestras that have played on the<br />

stages of <strong>Gran</strong> <strong>Canaria</strong> over the many decades, but<br />

they include almost all the great figures of the musical<br />

firmament from the end of the last century to<br />

the present day. By way of a brief example, some of<br />

them are conductors, such as Carlo Maria Giullini,<br />

Sergiu Celibidache, Georg Solti, Ricardo Muti, Claudio<br />

Abbado, Daniel Barenboim, John Eliot Gardiner,<br />

Esa-Pekka Salonen, John Eliot Gardiner and many<br />

others. The list of soloists is also endless: Alfredo<br />

Kraus, Maria Joâo Pires, Vladimir Ashkenazy, Plácido<br />

Domingo, Yo Ma, Vladimir Ashkenazy and many<br />

others....<br />

This brief selection serves to confirm the quality<br />

and international prestige enjoyed by the Canary<br />

Music Festival, which this year, and in the first two<br />

months of 2022, will once again fill the island with<br />

the beautiful sounds of the classics at the Auditorio<br />

Alfredo Kraus, in Las Palmas de <strong>Gran</strong> <strong>Canaria</strong>,<br />

Given the limited space of this article to highlight<br />

the great number of concerts and programmes,<br />

please refer to the Festival website: https://www.<br />

icdcultural.org/fimc<br />

The Greats<br />

As a testament to the 38th Festival that is now<br />

upon us, once again mention goes to some of the<br />

best-known names on this year’s programme. The<br />

soloists include: Lang Lang (piano), Grigory Sokolov<br />

(piano), Steven Isserlis (cello), Sergej Krylov (violin),<br />

Javier Camarena (tenor), Philippe Jaroussky (countertenor),<br />

Anne-Sophie Mutter (violin).<br />

The orchestras include the London Philharmonic<br />

Orchestra, Luxembourg Philharmonic, <strong>Gran</strong> <strong>Canaria</strong><br />

Philharmonic, Paris Chamber Orchestra, Lithuanian<br />

Chamber Orchestra and Russian State Symphony<br />

'Evgeny Svetlanov'. Among the conductors,<br />

Santtu-Matias Rouvali, Jordi Savall, Vassily Petrenko,<br />

Philippe Herreweghe, Gustavo Gimeno, Antonio<br />

Méndez, Michael Boder and Karel Mark Chichon.<br />

All these figures will undoubtedly be a great attraction<br />

for a large number of fans, in this unique opportunity<br />

to enjoy the finest music, and at a lower<br />

cost than at other latitudes.<br />

The Creative City<br />

In order to understand just why Las Palmas de<br />

<strong>Gran</strong> <strong>Canaria</strong> has become the venue for this Festival,<br />

as well as many others that cater for a wide<br />

range of musical styles, we need to look back in<br />

history. Since the end of the 19th century, when the<br />

remoteness of the island was more palpable due to<br />

the lack of communications, prestigious European<br />

opera companies of the time performed in the city<br />

as part of the stopovers they made on their way to<br />

theatres in Latin America, thus creating a legion of<br />

aficionados. This coincided, in 1845, with the creation<br />

of the <strong>Gran</strong> <strong>Canaria</strong> Philharmonic Society, the<br />

oldest in Spain, which still exists today. French musician<br />

Camille Saint-Saëns, a regular visitor to the<br />

island in the early decades of the 20th century, was<br />

one of the Society’s illustrious presidents.<br />

These are just some of the arguments that have led<br />

the Las Palmas de <strong>Gran</strong> <strong>Canaria</strong> City Council to request<br />

that the city be included - in the music section<br />

- in the Unesco Creative Cities Network; one of<br />

the leading cultural platforms on the planet and a<br />

fundamental tool for international cooperation between<br />

cities that identify creativity as a strategic<br />

factor for sustainable urban development.<br />

For its part, the Spanish National Commission for<br />

Cooperation with Unesco has expressed its official<br />

support for the candidacy of Las Palmas de <strong>Gran</strong><br />

<strong>Canaria</strong>, considering its musical tradition and its capacity<br />

to combine its local and insular heritage with<br />

the influences of its visitors to be decisive factors.<br />

The Unesco Creative Cities Network already includes<br />

other Spanish cities such as Bilbao (in the<br />

Design section), Valladolid and Terrassa (in Cinema),<br />

Dénia and Burgos (in the Gastronomy section),<br />

Barcelona and <strong>Gran</strong>ada (in Literature) and Seville<br />

and Liria (in Music). In this latter category, that of<br />

Music, Unesco has so far incorporated some thirty<br />

cities from all over the world.<br />

Cultural Values<br />

Among the arguments for qualifying for this musical<br />

category, it is worth mentioning that the city<br />

hosts other major musical festivals, including WO-<br />

MAD, <strong>Canaria</strong>s Jazz & Más Festival, Festival CERO,<br />

TEMUDAS (International Theatre, Music and Dance<br />

Festival of Las Palmas de <strong>Gran</strong> <strong>Canaria</strong>), Naifest, the<br />

Canary Islands International Music Festival, SUM<br />

Festival, Festival Mar Abierto. Mention should also<br />

be made of Musicando, LPA International Jazz Day,<br />

the Big Bang Vintage Festival and the Rutas Sonoras.<br />

The quality of the city’s musical venues is also key,<br />

such as the Alfredo Kraus Auditorium, Pérez Galdós<br />

Theatre, Espacio Miller, Guiniguada Theatre, Cuyás<br />

Theatre, José Antonio Ramos Auditorium (in Doramas<br />

Park) and the Plaza de la Música. Also relevant<br />

is its connection with the great classics, such as the<br />

<strong>Gran</strong> <strong>Canaria</strong> Philharmonic Orchestra, the Municipal<br />

Symphonic Band and the Opera Season.<br />

A video (https://youtu.be/PXMkO_Kazio) has been<br />

put together to highlight other aspects that promote<br />

the candidacy of <strong>Gran</strong> <strong>Canaria</strong>’s capital as it<br />

seeks to shortly become one more City of Music in<br />

the UNESCO Creative Cities Network. There is no<br />

lack of merit.<br />

Plácido Domingo<br />

Womad

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