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Surrey Homes | SH101 | June 2023 | Education Supplement inside

The lifestyle magazine for Surrey - Inspirational Interiors, Fabulous Fashion, Delicious Dishes

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Two Halves of a Whole<br />

Art events are often split into two categories – those that teach us how to create and those that show us the<br />

creations of others. The Landmark Arts Centre in Teddington seeks to blur the lines for a more dynamic<br />

experience. We talk to Abigail Thomas, Visual Arts Curator (pink) and Gregory Emfietzis, Creative Learning<br />

Manager (blue), to find out what makes this unique space tick<br />

istockphoto.com/ Punnarong<br />

hat exhibitions and events<br />

do you have planned for<br />

the coming months?<br />

We will have Gaia by Luke Jerram and<br />

Art Retreats in August too – it’s going<br />

to be a crazy summer. There is so much<br />

happening in and around Gaia. It’s more<br />

than just an exhibition.<br />

Yes Gaia is something I wanted to<br />

programme for a long time. We expect<br />

over a thousand people a day will be<br />

coming to see it. I can’t wait for Gaia,<br />

and the thousands of new audiences<br />

that will be able to attend with the<br />

free tickets we are giving away.<br />

How do you make the Landmark<br />

Arts Centre engaging for visitors?<br />

I’ve always liked complementing<br />

our exhibitions with live events or<br />

demonstrations. Since being at the<br />

Landmark, I have found that visual arts<br />

audiences are rarely spectators, they are<br />

passionate ‘thinkers and doers’. They<br />

are the type of person who will get<br />

more enjoyment from a deeper level<br />

of understanding. I believe audiences<br />

flourish when the arts scene is accessible<br />

and exciting. For example, at a recent<br />

art fair we chose to document the<br />

event, not with photographs, but with<br />

incredible drawings by a local artist. The<br />

line drawings communicate more than<br />

a photograph, and our visitors loved the<br />

surprise of finding themselves depicted<br />

in artwork which they could buy.<br />

Yes and if someone is interested<br />

in an artwork, we can enrich their<br />

experience by showing them more<br />

of the process and the practical. We<br />

offer demonstrations, trial classes<br />

and even year round courses.<br />

What do you love most about your roles?<br />

One of the reasons I love being the<br />

visual arts curator here is that we aren’t<br />

just a gallery – creative learning keeps<br />

the building vibrant all year round.<br />

It’s true. Somehow we manage to<br />

squeeze more and more in every year.<br />

The summer used to be a quiet time<br />

for us, but this summer is the busiest<br />

ever. I have loved working at the<br />

Landmark for a long time, but I think<br />

I am more excited about the work we<br />

are beginning now than I have been<br />

about anything we have done so far.<br />

You recently got a new Director, Harper<br />

Ray, how is his influence changing things?<br />

Harper is always looking for ways to<br />

engage and develop artists. He has<br />

shown us how the bigger picture relies<br />

on that. It’s a more collaborative and<br />

supportive way to look at the arts.<br />

That is true. Also, our departments – arts<br />

curation and creative learning – were<br />

always quite separate, and our audiences<br />

were considered separate too, but now<br />

we have been given the freedom to blur<br />

the boundaries between the two. By<br />

working together, we view art less as an<br />

endpoint in the creative process, and in<br />

doing so we make the arts scene more<br />

sustainable. If your business was printing<br />

books, then to be sustainable you might<br />

plant trees and teach reading. For us,<br />

growing both artists and audiences<br />

improves the sustainability of our work.<br />

One could see the number of exhibitions<br />

we stage and think that the visual<br />

arts programme is why we have arts<br />

audiences, but they are not the driving<br />

force, they are the proof. Well attended<br />

exhibitions are evidence that the area is<br />

full of passionate and informed people.<br />

I agree, creative learning may not seem<br />

in the same league as professional art<br />

exhibitions, but learning about art<br />

helps to grow an appetite for it, and<br />

so our art classes develop an authentic<br />

cultural landscape. It’s not enough<br />

to put on an exciting exhibition – a<br />

love of art needs to be nurtured<br />

year-round in the community.<br />

What are your art classes like?<br />

The classes at the Landmark are taught<br />

by exceptionally talented tutors who<br />

are all working artists. When sourcing<br />

tutors, we look for the same qualities as<br />

we do for exhibiting artists – we both<br />

value excellence and look for original<br />

voices. We want to fill the building<br />

with artists that have the capacity to<br />

delight and inspire. But the classes<br />

are also all about bringing people<br />

together. Art is how we contextualise<br />

the world and express ourselves.<br />

We sometimes talk about creating a<br />

‘culture of creativity’, in which we give<br />

opportunities for everyone to be creative.<br />

Yes, they are all about sharing a love<br />

of the arts and a wish to communicate<br />

that joy to others. My arts practice<br />

can often feel like meditation, there<br />

is no pressure of an endpoint, and<br />

there is no exam. There is just the<br />

joy of personal artistic endeavour. I<br />

know our tutors also feel like this;<br />

they are not simply giving instruction,<br />

they are passing on their passion.<br />

For more information about upcoming<br />

exhibitions and classes at The Landmark<br />

Arts Centre visit landmarkartscentre.org<br />

51 priceless-magazines.com

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